The work of Louis Zukofsky has been gaining exposure as a new generation of poets and scholars "rediscover" the American avant-garde tradition. Concurrently, interest in Guillaume Apollinaire's work has grown in recent years as English departments re-explore international modernism. In this extended essay, one of the American literary giants of the 20th Century provides deep readings of the French modernist's entire oeuvre and provides insight into his own formative aesthetic. Two sections of the essay were published in Westminster Magazine in 1932; the complete book is available here for the first time in English. The book builds its arguments with extensive quotations from Apollinaire's poems in their orignal French; this bilingual edition is the latest offering in what Publisher's Weekly has hailed as "an essential series."

This booklet presents the Syriac alphabet according to the West Syriac script, known also as Serto. With twenty-two illustrations, it is a great introduction to the alphabet for children, parents, and students of Syriac.

Rae Armantrout's most recent collection of poems focuses on the phenomenon of time, both as lived experience at the start of the 21st century and as a stubborn mystery confronting physicists and philosophers. The poems in this book are polyphonic: they juxtapose the discourses of science and religion, Hollywood and the occasional psychotic stranger. The title poem, which appears in Best American Poetry 2002, leads off with a "sphinx" asking "Does a road / run its whole length / at once? / Does a creature / curve to meet / itself?" Armantrout's work, with its careful syntax bordering on plain speech and meticulously scored short lines, is always struggling with the problem of consciousness, its blindspots and double-binds. The poems whirl like shifting and scattered pieces of the present moment. They attempt to "make sense" of our lives while acknowledging the depth of our self-deception and deception.

The excavations at the Chimes Shopping Centre, have given archaeologists the opportunity to trace the development of the Medieval town of Uxbridge. The central part of the town was set out during the 12th century, perhaps as a planned extension of an existing Saxon hamlet. The borough ditch, which marked the boundary of the town, follows the line of George Street. Just inside this, the discovery of a pottery kiln, producing South Hertfordshire greyware shows that Uxbridge was a centre for pottery production throughout the 12th and 13th centuries. Medieval expansion south along the High Street can be identified, along with periods of prosperity and recession. Evidence of industrial processes, particularly tanning, date from the 17th century onwards, and can be associated with denser occupation along the High Street. By the early 19th century the entire street frontage was built up.

Often compared with Apollinaire as the first and liveliest avant-garde poet in his language, Vicente Huidobro was a one-man movement ("Creationism") in the modernist swirl of Paris and Barcelona between the two World Wars. His masterpiece was the 1931 book-length epic Altazor, a Machine Age paean to flight that sends its hero (Altazor, the "antipoet") hurtling through Einsteinian space at light speed. Perhaps the fastest-reading long poem of the century, and certainly the wildest, Altazor rushes through the universe in a lyrical babble of bird-languages, rose-languages, puns, neologisms, and pages of identical rhymes, finally ending in the pure sound of the language of the future. Universally considered untranslatable until the appearance of Eliot Weinberger's celebrated version in 1988, Altazor appears again in an extensively revised translation with an expanded introduction.

This is a catalogue of Syriac and Karshuni manuscripts purchased by the British Museum by W. Budge in 1889 and 1890 at Mosul, Alkosh, and the Tiari district. This is the sequal to Wright's Catalogue of the Syriac manuscripts in the British Meuseum, also available from Gorgias Press.

De Pretis’s book focuses on the epistolary features of Horace’s First Book of Epistles, reading them from points of view related to the epistolary form: the weight of the addressee; the dialogue between literary genres; the poet's self-representation; temporality; and the power of the author. These issues also pertain to literature as such, since all literature can be regarded, to a certain degree, as "epistolary." But the extent and consistency with which the Epistles explore epistolary aspects, can only be explained in terms of their generic affiliation.

A detailed grammar, with extensive vocabulary, of the Neo-Aramaic dialect as spoken in Urmia, by a missionary of the American Board in Persia.

The only detailed study of the diacritical and vocalization system of Syriac. Segal examines the history and usage of the diacritical point, from before the seventh century, up to the thirteenth century, taking into account both the East and West Syriac traditions.

This book examines the religious epistemologies of Søren Kierkegaard, John Henry Newman, and William James in the light of contemporary challenges to religious faith. They defended the right of persons to embrace religious beliefs that are not strictly warranted by empirical evidence and logical argumentation. Faith must not be hampered, they argued, by the demands of reason narrowly conceived. Paul Sands notes, however, important differences in the way each relates faith to reason. Sands examines the religious epistemologies of Kierkegaard, Newman, and James in the context of two "givens" characteristic of early twenty-first century culture, namely, the intellectual hegemony of probabilism and the pluralization of the Western mind.

The first complete edition, containing 727 "laughable stories", by Bar-Hebraeus. It was the child of the compiler's old age, and says much for the broadmindedness and versatility of the learned Bar-Hebraeus.

In Unchained Voices, Vincent Carretta has assembled the most comprehensive anthology ever published of writings by eighteenth-century people of African descent, enabling many of these authors to be heard for the first time in two centuries.Their writings reflect the surprisingly diverse experiences of blacks on both sides of the Atlantic-America, Britain, the West Indies, and Africa-between 1760 and 1798. Letters, poems, captivity narratives, petitions, criminal autobiographies, economic treatises, travel accounts, and antislavery arguments were produced during a time of various and changing political and religious loyalties. Although the theme of liberation from physical or spiritual captivity runs throughout the collection, freedom also clearly led to hardship and disappointment for a number of these authors.Briton Hammon, James Albert Ukawsaw Gronniosaw, John Marrant, Ignatius Sancho, Ottobah Cugoano, and Olaudah Equiano told their stories as Afro-Britons who recognized the sovereignty of George III; Johnson Green, Belinda, Benjamin Banneker, and Venture Smith spoke and wrote as African Americans n the United States; Phillis Wheatley, initially an Afro-British poet, later chose an African American identity; Francis Williams and George Liele wrote in Jamaica; David George and Boston King, having served with the British forces in the American Revolution and later lived in Canada, composed their narratives as British subjects in the newly established settlement in Sierra Leone, Africa.In his introduction, Carretta reconstructs the historical and cultural context of the works, emphasizing the constraints of the eighteenth-century genres under which these authors wrote. The texts and annotations are based on extensive research in both published and manuscript holdings of archives in the United States and the United Kingdom. Appropriate for undergraduates as well as for scholars, Unchained Voices gives a clear sense of the major literary and cultural issues at the heart of African literature written in English.

A complete edition of all the texts in the Ugaritic Data Bank. A concordance is available separately. A valuable tool for every Ugaritic scholar.

A complete edition of all the texts in the Ugaritic Data Bank. A concordance is available separately. A valuable tool for every Ugaritic scholar.

A complete edition of all the texts in the Ugaritic Data Bank. A concordance is available separately. A valuable tool for every Ugaritic scholar.

A complete edition of all the texts in the Ugaritic Data Bank. A concordance is available separately. A valuable tool for every Ugaritic scholar.