" Today, Thomas Dixon is perhaps best known as the author of the best-selling early twentieth-century trilogy that included the novel The Clansman (1905), which provided the core narrative for D.W. Griffith's groundbreaking and still-controversial film The Birth of a Nation. It was The Sins of the Father, however, that Dixon regarded as the most aesthetically satisfying child of his Ku Klux Klan saga. In this novel he telescopes the trilogy's sprawling historical canvas into one tightly scripted narrative. A best-seller in 1912, the novel's themes of interracial sex and incest outraged many upon its publication.A century later, Dixon's work is undergoing a critical reevaluation. A new introduction by Steven Weisenburger lends a valuable historical and critical perspective to this important and divisive classic of American literature.

Stars in My Pocket Like Grains of Sand is a science fiction masterpiece, an essay on the inexplicability of sexual attractiveness, and an examination of interstellar politics among far-flung worlds. First published in 1984, the novel's central issues-technology, globalization, gender, sexuality, and multiculturalism-have only become more pressing with the passage of time.The novel's topic is information itself: What are the repercussions, once it has been made public, that two individuals have been found to be each other's perfect erotic object out to "point nine-nine-nine and several nines percent more"? What will it do to the individuals involved, to the city they inhabit, to their geosector, to their entire world society, especially when one is an illiterate worker, the sole survivor of a world destroyed by "cultural fugue," and the other is-you!

The bizarre idea that the earth's interior is hollow and, perhaps, even populated has been put to effective literary use by writers ranging from Edgar Allen Poe and Jules Verne to Rudy Rucker and Edgar Rice Burroughs. This notion had respectability as a scientific hypothesis until the early 1800s, and the theory that the earth "is hollow and inhabitable within" continues to find believers as an alternative description of the earth to this day. The hollow earth is one of the most important settings in the literature of the imagination that fed into early science fiction. Subterranean Worlds presents a fascinating look at the theme of the hollow earth and its history, as well as the geological theories which produced many of these stories. It excerpts key passages from the major subterranean world fictions, some translated into English for the first time. With helpful introductions to each selection and a comprehensive bibliography, this book is the definitive treatment of this entertaining topic.

In 1991 Spitalfields Market in London's East End was relocated, paving the way for one of the largest and most complex excavations ever launched in London, taking place on a site measuring almost thirteen acres. This superb book tells the story of the excavation and the 2000-year history of the area from the Roman period to the present day. Details on the finds recovered, and the methods and recording systems used, are interspersed with a narrative history of the site. The book begins with the Roman burial ground and the remains of a wealthy Roman woman and her sarcophagus which became the focus of a memorable episode of Meet the Ancestors . The book then moves on to the medieval period and the 12th-century hospital which was founded at Spitalfields along with its church, infirmaries and other buildings, and burials. Finds from this period are supplemented with broader discussion of life in medieval London, such as disease and medicine, and the changing landscape around the site. During the Reformation, the hospital and priory were closed but the story of the site continued. The land was taken by the Crown, parts of the site were leased, most notably as artillery ground, with new housing and cottage industries to follow. Finds dating to the English Civil War, evidence relating to the transformation of the site from an aristocractic enclave to a suburb of immigrants, the redevelopment of the area in the 17th and 18th centuries, through to the opening of Spitalfields Market in 1682, brings us full circle.

The world of literature responds to the "spirit of carnival" in ways that are both social and cultural, mythological and archetypal. Literature provides a mirror in which carnival is reflected and refracted through the multifarious perspectives of verbal art. In his original, wide-ranging book, David K. Danow catches the various reflections in that mirror, from the bright, life-affirming magical side of carnival, as revealed in the literature of Latin American writers, to its dark, grotesque, death-embracing aspect as illustrated in numerous novels depicting the dire experience of the Second World War.The remarkable meshing of these two diametrically opposed yet inextricably intertwined facets of literature (and of life) makes for an intriguing sphere of investigation, for the carnival spirit is animated by a human need to dissolve borders and eliminate boundaries -- including, symbolically, those between life and death -- in an ongoing effort to merge opposing forces into new configurations of truth and meaning.Expanding upon the seminal ideas of Mikhail Bakhtin, carnival, argues Danow, is designed to allow one extreme to flow into another, to provide for one polarity (official culture) to confront its opposite (unofficial culture), much as individuals engage in dialogue. In this case the result is "dialogized carnival" or "carnivalized dialogue." In their artmaking, Danow claims, human beings are animated by a periodic predisposition toward the bright side of carnival, matched by an equally strong, far darker predilection. Carnival forms of thinking are firmly embedded within the human psyche as archetypal patterns.In this engaging exploratory book, we are shown the distinctive imprint of these primordial structures within a multitude of seemingly disparate literary works.

Babel features more of the rhetorical acrobatics that fueled Barbara Hamby's earlier work. These whirlwinds of words and sounds form vistas, images, and scenes that are at once unique and immediately recognizable.In poems such as “Six, Sex, Say,” she displays a linguistic bravado that moves effortlessly through translations, cognates, and homonyms. This love of words permeates the poems, from the husband wooing his future wife “with a barrage of words so cunningly fluent, / so linguistically adroit” in “Flesh, Bone, and Red,” to the alphabetic sampler woven from memory and love in “Ode on My Mother's Handwriting.”Hamby's poems drift across histories and continents, from early writing and culture in Mesopotamia through the motion-picture heaven that seems so much like Paris, to odes on such thoroughly American subjects as hardware stores, bubblegum, barbecue, and sharp-tongued cocktail waitresses giving mandatory pre-date quizzes to lawyers and “orangutans in the guise of men.” As Booklist noted in reviewing her previous collection, Hamby's poems “are tsunamis carrying you far out to sea and then back to shore giddy and glad to be alive.”

A boxer who brings his legs with him comes to the ring with the strength and stamina to make it through every round of a tough fight. In this new collection, winner of the prestigious Drue Heinz Literature Prize, Darrell Spencer delivers fiction with just that kind of power.Bring Your Legs with You contains nine interconnected stories set in Las Vegas. Featuring various perspectives and narrators, they are filled with unforgettable characters, including Carl T. Plugg, a sharp-dressed, smooth-talking, non-hustling pool shark; Spinoza, the philosophical day laborer with "Department of Big Thoughts" lettered on the door of his pickup; Jacob, an arrogant lawyer who learns too late the dangers of swimming with the sharks; Gus, a man who has never seen his son fight despite his insatiable fascination with the sweet science; and Jane, a woman wary of her ex-husband, but still in love enough to share her bed with him.Above them all looms Tommy Rooke, retired prizefighter and self-employed roofer. Undefeated in the ring, Rooke walked away from boxing at the top of his game, to the confusion and consternation of his friends and family. As his father, former manager, and various other hangers-on encourage him to stage a comeback, Tommy moves through the gated communities and sun-blasted strip malls of Las Vegas, wrestling with personal choice, the caprices of fate, and the price the gods demand for our sins.More than a book about boxing, gambling, luck, and broken dreams, Bring Your Legs with You delves deeply into the life of its flawed but intelligent hero, a man deeply devoted to his friends but lost in a violent world. A writer unafraid to show the connections between people, Spencer delivers a hard-hitting collection filled with rich dialogue and spare prose.

In her second collection of poems, Rachel Zucker returns to a more autobiographical stance and writes about the particulars of marriage, pregnancy, childbirth, and motherhood-experiences that radically surprised her. But this is no simple reportage. With candor, humor, and compassion, Zucker discovers a new poetic territory: a landscape between story and fragment, a way of telling that is neither confessional nor intellectually detached. At the cliff-edge of narrative, a high place where language is the rope and falling the perception, Zucker's poems are unsentimental, true to the disjunctive experiences of loving, giving birth, raising a child, being lonely, being alive. A poetry of the body, of desire, about human frailty and strength, The Last Clear Narrative fills a void in the history of women writing about everyday experience and speaks to the nature of narrative itself.

Nationally acclaimed poet, photographer, filmmaker, and novelist James Baker Hall has long been regarded as one of Kentucky's most profound artists. Hall's growing body of work is an essential part of Kentucky's literary tradition, and yet his poetry in particular transcends the borders of the Commonwealth.The Total Light Process collects poems spanning Hall's celebrated career as well as new poems that have never before been published. The subjects of Hall's poems range from humorous and revealing portraits of his fellow writers and friends Wendell Berry, Ed McClanahan, and Gurney Norman, to the traumatic experience of his mother's suicide when he was eight years old, to the Israeli-Palestinian conflict and the tragic murder of Matthew Shepherd.

Everyday mindreading, a house full of Buddhas, and the papaya scent of the soul. An interview with Custer at a place of his choosing, “probably a steakhouse.” The ability of dogs to smell the uncool. Hitler's barber imagines what might have been if only he'd leaned his weight into the razor. An oblivious Coronado narrowly avoids an ambush on the American plains. Freud lecherously lifts the skirt of a Mexican housekeeper who has far too much work to be bothered by “a pillar of modern thought. Or just some dirty old man.”In lesser hands such disparate elements might fly wildly out of control. But in David Shumate's understated, brilliant prose poems, they come together in miraculously vivid riffs.The narrator of the title poem rhapsodizes, “I wouldn't mind seeing another good flood before I die. It's been dry for decades. Next time I think I'll just let go and drift downstream and see where I end up.” Shumate's deft and refreshing collection takes us to amazing places with its plainspoken meditations.

In this chilling dystopian novel, four men and women attempt an escape to legendary Avalon after the "Movement" threatens the liberty and comforts they have taken for granted. Visa for Avalon takes place in an unnamed country and an unnamed time. In it, Bryher uses her knowledge of history and psychology to examine political crisis in a familiar setting. First published in 1965, it resonates profoundly today. The style is understated and tense as Bryher suggests that closing our eyes to growing restrictions and loss of liberties does not protect us. She offers a provocative commentary about the paradise of King Arthur's Avalon as well. This is a wake-up book that encourages readers of all ages and backgrounds to defend democracy.

Controvertibles features more of the refined brilliance and delicate lyricism of this poet, cast in a more meditative mode. Throughout, she examines cultural objects by lifting them out of their usual settings and repositioning them in front of new, disparate backdrops. Doug Flutie's famous Hail Mary pass and Rutger Hauer's role in Blade Runner are contextualized within the Tibetan Book of the Dead. Bob Beamon's world-record-setting long jump in the 1968 Olympics is slowed down and examined in the style of The Matrix's revolutionary bullet time.Samantha Smith, Richard Nixon, the Shroud of Turin, Igor Stravinsky, the largo from Handel's Xerxes, the resurrection of Lazarus, and the groundbreaking 1984 Apple Computer Super Bowl commercial are among the many disparate people and objects Barry uses to explore the multifaceted nature of existence.

One of the most gripping fantasies ever written, The Moon Pool embodies all the romanticism and poetic nostalgia characteristic of A. Merritt's writings. Set on the island of Ponape, full of ruins from ancient civilizations, the novel chronicles the adventures of a party of explorers who discover a previously unknown underground world full of strange peoples and super-scientific wonders. From the depths of this world, the party unwittingly unleashes the Dweller, a monstrous terror that threatens the islands of the South Pacific. Although Merritt did not invent the lost world novel, following in the footsteps of Sir Arthur Conan Doyle, Burroughs and others, he greatly elaborated upon that tradition. This new edition includes a biography of the author, and an introduction detailing Merritt's many sources and influences, including the occult, mythological, and scientific discourses of his day.

Many texts on logic are written with a mathematical emphasis, and focus primarily on the development of a formal apparatus and associated techniques. In other, more philosophical texts, the topic is often presented as an indulgent collection of musings on issues for which technical solutions have long since been devised.What has been missing until now is an attempt to unite the motives underlying both approaches. Paul Hoyningen-Huene\u2019s Formal Logic seeks to find a balance between the necessity of formal considerations and the importance of full reflection and explanation about the seemingly arbitrary steps that occasionally confound even the most serious student of logic. Alex Levine\u2019s artful translation conveys both the content and style of the German edition. Filled with examples, exercises, and a straightforward look at some of the most common problems in teaching the subject, this work is eminently suitable for the classroom.

As a subject of inquiry, laws of nature exist in the overlap between metaphysics and the philosophy of science. Over the past three decades, this area of study has become increasingly central to the philosophy of science. It also has relevance to a variety of topics in metaphysics, philosophy of mind, philosophy of language, and epistemology. Readings on Laws of Nature is the first anthology to offer a contemporary history of the problem of laws. The book is organized around three key issues: the matter of distinguishing laws from mere correlations, questions concerning inductive reasoning and laws, and the consideration of whether there are any true laws in science. Designed for class use, the anthology covers a remarkably broad range of views and concerns, and consists exclusively of articles that have proved highly influential in the field. Readings on Laws of Nature will also serve as a valuable research and reference tool for philosophers who do not specialize in the subject, but who have occasion to examine concepts relating to the laws of nature in their own work.

A historical novel of prejudice and plague, The Scourges of Heaven sweeps gracefully, joyfully, painfully across centuries and generations. Through Cynthia Anne Ferguson, orphaned aboard a vessel carrying immigrants, hopes, dreams, and cholera from the Old World to the New, David Dick paints a world where the causes of disease are little understood, where faith is not always a comfort, where human questioning often goes unanswered, and where unexpected death is frequently attributed to the wrath of an angry God. Cynthia's story unfolds in the midst of the first of four great cholera epidemics to sweep America in the mid-nineteenth century, and her journey through life, from New Orleans up the Mississippi and Ohio rivers and across the Bluegrass to Lexington, parallels the track followed by the deadly scourge. More powerfully told than any factual, statistical, or scientific account could ever manage, yet based upon historical events, this tale of disease, ignorance, and narrow-mindedness is supported by a central theme of hope that ultimately brings redemption.