In her newest poems, Brenda Hillman continues her exploration of nature and culture in ways that demonstrate her original place in experimental lyric traditions. Pieces of Air in the Epic is the second book of a tetrology that takes the elements-earth, air, water, fire-as its subject. As Hillman's previous collection, Cascadia, explores "earth," the present collection considers "air"-the many meanings of the word and the life-giving medium we breathe-to test a reality that is both political and personal. These formally inventive poems reexamine epic and lyric, braiding fact and dream, the social with the self. Hypnotic, spare verses use air on the page as a matrix for cultural healing; some are presided over by a feminine presence and address war in human history, while others are set in streets, parks and wilderness. There are meditations on auras, dust motes, and reading in libraries as acts of restorative memory. This work fuses animist consciousness with cautionary prophecy, and belongs to the mode of H.D. and Robert Duncan. Hillman's poetry continues to explore ways in which human life might be redeemed by imagination.

Winner of the 2004 Cave Canem Poetry PrizeThe poems in Eye of Water are derived from the narrator’s experiences in what she calls her “waking.” She traces inspiration to “the beginning of myth, to Eve in the Garden of Eden” and states: “We could spend our lives unraveling the mistake and discover that life was one great big ‘chore,’ and inescapable. And the path is full of missteps and accidents because we cannot (or prefer not to) remember all that got us to that moment. My body seems to be a symptom of the past, so no matter who touches me, all the ghosts are waiting there. The ‘chore’ becomes how to survive despite the flaws of our humanness that makes us brutal at times.”

Act of Contrition focuses on the intimate relationship between Regina, a widow, and Michael, a young doctor whose wife left him for another man. Having found happiness in one another, they desire nothing more than to be together. Yet in the eyes of the Catholic Church, Michael is not free to divorce his wife and marry Regina. In an emotional climax Regina must decide if she loves Michael enough to give him up or if she'll force him to choose between her and God.By modern standards, Giles's love scenes are tasteful, and the general atmosphere of ecumenism within today's Catholic Church renders moot many of the tensions in the novel. Yet in 1957 Giles's agent and publisher feared the work would cause "irreparable harm" to her reputation. As late as 1972 Giles was revising in the hopes of seeing the novel published. Finally her wish is fulfilled.Janice Holt Giles (1905-1979), author of nineteen books, lived and wrote near Knifley, Kentucky, for thirty-four years. Her biography is Janice Holt Giles: A Writer's Life.

The Task of the Interpreter offers a new approach to what it means to interpret a text, and reconciles the possibility of multiple interpretations with the need to consider the author’s intention. Vandevelde argues that interpretation is both an act and an event: It is an act in that interpreters, through the statements they make, implicitly commit themselves to justifying their positions, if prompted. It is an event in that interpreters are situated in a cultural and historical framework and come to a text with questions, concerns, and methods of which they are not fully conscious. These two aspects make interpretation a negotiation of meaning. The Task of the Interpreter provides an interdisciplinary investigation of textual interpretation including biblical hermeneutics (Gregory the Great’s Homilies on Ezekiel), translation (Homer’s The Odyssey), and literary fictions (Grass’s Dog Years and Sabato’s On Heroes and Tombs). Vandevelde’s philosophical discussion will appeal to theorists of both continental and analytical/pragmatic traditions.

Winner of the 2004 Agnes Lynch Starrett Poetry PrizeBlue on Blue Ground is about the body, desire, anxiety, and obsession—how what we want redeems and isolates us (and is sometimes used against us). These poems are artful yet accessible, lyrical yet direct, strange but recognizable.Smith’s relentless self-examination, fear, sense of humor, and vulnerability are all laid to bare in crisp, precise language. From lonely observations, bizarre medical fascinations, emotion, loss, and honesty, Blue on Blue Ground constructs its internal and external worlds. The metaphorical city is also a “body,” a place of exile and restoration, a symbol of hope, a catalyst for connection. The urban landscape is often the background for the moment or is the moment itself—the world looked at and sorted into words.Though at times dark, there’s love to be found. Perhaps it’s what drives this collection, colors its observations, and leads it to finally announce: “Someone is putting the world back together.” Blue on Blue Ground wants to look at absolutely everything and believes that complete exploration of the physical and mental selves—fears and desires—is the key to moving and being completely alive in the material world.

Winner of the 2004 Donald Hall Prize in PoetryThe Improbable Swervings of Atoms follows the comedic, often painful, physical and emotional travails of a young boy growing up in 1950s America. He watches the McCarthy hearings, conquers the Congo, assassinates the president, has his head stuffed into a toilet, drops his uniform on the fifty-yard line, and tries to make sense of Lucretius’s De Rerum Natura. The poems engage history in a very intimate way, revealing how a boy, as he matures, attempts to understand the world around him, his own physical development, the people in his life, and what it means to live in a country and time where it is impossible to disengage oneself from world events—where, in fact, the quest for identity is an act that requires one to rewrite history in personal terms.

The Real Enough World speculates about the invention of self and world in the act of writing poems. Like orchestral movements, the poems vary in tonal qualities and speed, moving from sensibility-driven, antic poems through a deeply personal series of narratives to poems of philosophical reflection where landscape and love operate as tropes for each other. Underlying the whole is the poet's sense that the material of life, as well as language, is insoluble and impermanent-humorous, tragic, absurd, joyous. Even when the mood of the book is most surreal, it is grounded in its accounts of the real enough.

One of the most detailed and accessible grammars of the Syriac language written in Arabic, covering both morphology and syntax.

The book is designed for Arabic-speaking students of English and English-speaking students of Arabic. It is based on a cognitive approach to teaching pronunciation. As a general demonstration of the approach, the book highlights techniques for teaching some of the most challenging sounds and sound phenomena in both Arabic and English.

Thomas Dixon is perhaps best known as the author of the best-selling early twentieth-century Klan trilogy that included the novel The Clansman (1905), which provided the core narrative for D.W. Griffith's groundbreaking and still controversial film The Birth of a Nation (1915). In his twenty-eighth and last novel, The Flaming Sword (1939), Dixon takes to task his long-standing black critics, especially

Continued is a selection of poems by Piotr Sommer, spanning his career to date. A kind of poetic utterance, these "talk poems" are devoid of any singsong quality yet faithfully preserve all the melodies and rhythms of colloquial speech. Events and objects of ordinary, everyday life are related and described by the speaker in a deliberately deadpan manner. Yet a closer look at the language he uses, with all its ironic inflections and subtle "intermeanings," reveals that the poem's "message" should be identified more with the way it is spoken than with what it says. The poems in this volume were translated into English with the help of other notable poets, writers, and translators, including John Ashbery, D.J. Enright, and Douglas Dunn.

John Healey’s, Leshono Suryoyo, is an introductory grammar for those wishing to learn to read Classical Syriac, one of the major literary dialects of Aramaic and the language of one of the main groups of Middle Eastern churches, including the Syrian Orthodox Church, the Church of the East, and the Chaldaean Church. From the first centuries of the Christian era, Syriac was used by the main theological and historical writers of this tradition (Ephrem the Syrian, Philoxenus of Mabbogh, Thomas of Marga, and Barhebraeus). It also continues to be used in worship.

This is a revision of E.M. Yamauchi's dissertation. It includes a collection of the earliest Mandaic texts, which are magic scrolls and inscribed bowls, dating from about 600 CE, together with transcriptions and translations, a grammar, and a lexicon.

This textbook introduces the reader to the spoken language of Egypt. It is designed to lead the reader on a journey through Egypt, with each chapter introducing new situations, and provides an introduction to many aspects of modern Egyptian culture and life. Beginning with your arrival in the country, each chapter offers the reader examples of everyday phrasal usage and thorough explanations of Arabic grammar. More than a phrasebook and a dictionary, this book is a useful tool for learning the Egyptian Colloquial, combining handy explanations with a systematic approach to the grammatical structure of the language.

This novel approach to epistemological discourse explains the complex but crucial role that systematization plays-not just for the organization of what we know, but also for its validation. Cognitive Harmony argues for a new conception of the process philosophers generally call induction. Relying on the root definition of harmony, a coherent unification of component parts (systemic integrity) in such a way that the final object can successfully accomplish what it was meant to do (evaluative positivity), Rescher discusses the role of harmony in cognitive contexts, the history of cognitive harmony, and the various features it has in producing human knowledge. The book ends on the issue of philosophy and the sort of harmony required of philosophical systems.

An examination of philosophical realism from the standpoint of pragmatic epistemology, Realism and Pragmatic Epistemology addresses the core idea of Rescher's work in epistemology: that functional and pragmatic concerns exert a controlling influence on the conduct of rational inquiry and on the ways in which we can and should regard its products.Pragmatism is widely regarded as a philosophical approach that stands at odds with realism, but Rescher takes a very different approach. He views pragmatism as a realistic position that can be developed from a pragmatic point of view, and utilizes a number of case studies to augment his position. Throughout, he shows how the pragmatic and purposive setting of our putative knowledge of the real world proves to be crucial for the constituting and also for the constitution of our knowledge.