News is "one of the few things that connects us as a nation" observes the protagonist in the title story of Newsworld, a new collection by Todd James Pierce that explores America's obsession with news and entertainment culture. The characters in "Newsworld" seek to design realistic theme park attractions, such as "OJ's Bronco: The Ride" and "Seige at Waco," that allow park guests to experience the complexities of contemporary news events for themselves. In the story "Columbine: The Musical," high school students stage a musical written as a means of discussing school violence, while their vice principal wrangles a 10 percent discount on a school security system in exchange for corporate sponsorship of the play. In "Wrestling Al Gore," a national wrestling federation uses costumed wrestlers to cast the Gore/Bush election recount into the ring. In an ironic twist, fans become sympathetic to the underdog Gore, champion his cause, and ultimately reflect on the fate of the real politician. In "The Yoshi Compound: A Story of Post-Waco Texas," the followers of the Dalai Yoshi amass weapons and riot gear in hopes of attracting media attention in order to spread their message of love and world peace. The characters in Newsworld, like many Americans, are engulfed in a life-imitating-art phenomenon caused by the hyperreality presented in the media, and they struggle with this overwhelming influence trying to understand whether their own lives fall within or outside its domain.

The name of the title poem—“Brother Salvage: a genizah,” provides a skeleton key to unlock the powerful forces that bind Rick Hilles’s collection. A genizah is a depository, or hiding place, for sacred texts. It performs a double function: to keep hallowed objects safe and to prevent more destructive forces from circulating and causing further harm. Brother Salvage serves exactly this purpose. The poems are heartrending and incisive, preserving stories and lives that should not be forgotten. Yet, through the poet’s eloquent craft, painful histories and images are beautifully and luminously contained. Like scholars sifting through ancient genizahs in search of spiritual and historical insights, readers immersed in Brother Salvage will find, at the heart of the book, the most sacred entity: hope.

Winner of the 2005 Donald Hall Prize in Poetry. Grace is John Hodgen’s third book of poetry. He is a poet of extreme contrasts, offering us the dregs of despair, yet instantly recalling hope in the beauty of nature or in a moment in time when all is right, when we realize grace. In “For the Leapers” the narrator relates, “We will fall past the angels, / we will fall from such height, / our tears will lift up from our eyes. / We will fall straight through hell. / And then we will rise.” Hodgen’s poems roam through history, religion, man-made disasters, baseball, pop culture, and Wal-Marts, on paths that come full circle with remarkable completeness, maturity, and dexterity.

This new book by award-winning author Amy Newman explores as its formal structure the 72 definitions for the word "fall." These lovely, accessible poems span a narrative drama-from the creation of the world and the subsequent exile of its first inhabitants, through the downward movement of the human body in its surrender to illness and the world's gravitational pull, to the beauty in the descent of spent foliage in autumn. Each definition of "fall" engenders its own poem, and the definitions serve as poem titles. Section one explores the theological sense of The Fall, and section two focuses on the present world, addressing how the blemish of that Fall-real or imagined, religious or cultural-exists in us as homesickness, physical illness, and domestic and spiritual dissolution. The third section attends to the very gesture of defining, of finding ways to name and live in a world where both the landscape and the language are vividly alive yet saturated with memory and loss.

In Domain of Perfect Affection, Robin Becker explores the conditions under which we experience and resist pleasure: in beauty salon, summer camp, beach, backyard, or museum; New York or New Mexico. “The Mosaic injunction against / the graven image” inspires meditations on drawings by D_rer, Evans, Klee, Marin, and del Sarto. To the consolations of art and human intimacy, Becker brings playfulness—“Worry stole the kayaks and soured the milk”—suffused with self-knowledge: “Worry wraps her long legs / around me, promises to be mine forever. ” In “The New Egypt,” the narrator mines her family’s legacy: “From my father I learned the dignity / of exile and the fire of acquisition, / not to live in places lightly, but to plant / the self like an orange tree in the desert.” Becker’s shapely stanzas—couplets, tercets, quatrains, pantoum, sonnet, syllabics—subvert her colloquial diction, creating a seamless merging of subject and form. Luminous, sensual, these poems offer sharp pleasures as they argue, elegize, mourn, praise, and sing.

American Indian Rhetorics of Survivance presents an original critical and theoretical analysis of American Indian rhetorical practices in both canonical and previously overlooked texts: autobiographies, memoirs, prophecies, and oral storytelling traditions. Ernest Stromberg assembles essays from a range of academic disciplines that investigate the rhetorical strategies of Native American orators, writers, activists, leaders, and intellectuals.The contributors consider rhetoric in broad terms, ranging from Aristotle's definition of rhetoric as “the faculty . . . of discovering in the particular case what are the available means of persuasion,” to the ways in which Native Americans assimilated and revised Western rhetorical concepts and language to form their own discourse with European and American colonists. They relate the power and use of rhetoric in treaty negotiations, written accounts of historic conflicts and events, and ongoing relations between American Indian governments and the United States. This is a groundbreaking collection for readers interested in Native American issues and the study of language. In presenting an examination of past and present Native American rhetoric, it emphasizes the need for an improved understanding of multicultural perspectives.

As Aristotle stated, scientific explanation is based on deductive argument--yet, Wesley C. Salmon points out, not all deductive arguments are qualified explanations. The validity of the explanation must itself be examined. Four Decades of Scientific Explanation provides a comprehensive account of the developments in scientific explanation that transpired in the last four decades of the twentieth century. It continues to stand as the most comprehensive treatment of the writings on the subject during these years.Building on the historic 1948 essay by Carl G. Hempel and Paul Oppenheim, \u0022Studies in the Logic of Explanation,\u201d which introduced the deductive-nomological (D-N) model on which most work on scientific explanation was based for the following four decades, Salmon goes beyond this model's inherent basis of describing empirical knowledge to tells us \u201cnot only what, but also why.\u201d Salmon examines the predominant models in chronological order and describes their development, refinement, and criticism or rejection.Four Decades of Scientific Explanation underscores the need for a consensus of approach and ongoing evaluations of methodology in scientific explanation, with the goal of providing a better understanding of natural phenomena.

Most approaches to animal ethics ground the moral standing of nonhumans in some appeal to their capacities for intelligent autonomy or mental sentience. Corporal Compassion emphasizes the phenomenal and somatic commonality of living beings; a philosophy of body that seeks to displace any notion of anthropomorphic empathy in viewing the moral experiences of nonhuman living beings. Ralph R. Acampora employs phenomenology, hermeneutics, existentialism and deconstruction to connect and contest analytic treatments of animal rights and liberation theory. In doing so, he focuses on issues of being and value, and posits a felt nexus of bodily being, termed symphysis, to devise an interspecies ethos. Acampora uses this broad-based bioethic to engage in dialogue with other strains of environmental ethics and ecophilosophy. Corporal Compassion examines the practical applications of the somatic ethos in contexts such as laboratory experimentation and zoological exhibition and challenges practitioners to move past recent reforms and look to a future beyond exploitation or total noninterference—a posthumanist culture that advocates caring in a participatory approach.

Written for serial publication in 1822 under the pseudonym Horace de Saint-Aubin, this Faustian tale by Balzac has never before been available in English. More than a long-lost curiosity by an important writer, The Centenarian is also a seminal work of early science fiction, crucial to understanding both the development of the genre and the craft of this great author. Beringheld, a 400-year-old "mad scientist," discovered the fluid necessary to human life, but he must extract the vital fluid of others to enlarge his own powers. Balzac intertwines the mythic and the modern in ways that would prove enormously influential to science fiction. Like Mary Shelley's Frankenstein, this novel bridges the gap that separates alchemy and magic from the practice and problems of science. It is also crucial to an understanding of Balzac's oeuvre, as it anticipates significant themes of power, knowledge, and secrecy. This Wesleyan edition features notes, appendices, and a critical introduction.

The New Armouries was built against the medieval inner curtain wall at the Tower of London in 1663-4 as a small arms store, and was later used for displays of the Royal Armouries collections. On the opposite side of the curtain wall a range of buildings providing soldiers' houses was constructed in the mid 17th century. This was rebuilt as the Irish Barracks by Dugal Campbell in the 1750s, but was demolished during the 19th century. Oxford Archaeology carried out a programme of archaeological and building recording at the New Armouries and Irish Barracks during redevelopment works by Historic Royal Palaces between 1997 and 2000. Excavations found traces of Roman deposits, and the remains of medieval buildings and features constructed within the royal garden. The complete plan of Dugal Campbell's Irish Barracks was revealed. This Occasional Paper contains a full account of the archaeological results and building surveys, a discussion of the historical and cartographic evidence, and reports on finds and environmental remains.

Women's contributions to science fiction over the past century have been lasting and important, but critical work in the field has only just begun to explore its full range. Justine Larbalestier has collected 11 key stories-many of them not easily found, and all of them powerful and provocative-and sets them alongside 11 new essays, written by top scholars and critics, that explore the stories' contexts, meanings, and theoretical implications. The resulting dialogue is one of enormous significance to critical scholarship in science fiction, and to understanding the role of feminism in its development. Organized chronologically, this anthology creates a new canon of feminist science fiction and examines the theory that addresses it. Daughters of Earth is an ideal overview for students and general readers.

In a shuffling odyssey through the heart of the American Midwest (a mini-van road trip to the Ozarks with his two youngest kids), he confronts his past, imagines his future, and redefines his love for his children.

Muriel Rukeyser held a visionary belief in the human capacity to create social change through language. She earned an international reputation as a powerful voice against enforced silences of all kind, against the violence of war, poverty, and racism. Her eloquent poetry of witness-of the Scottsboro Nine, the Spanish Civil War, the poisoning of the Gauley Bridge laborers-split the darkness covering a shameful world. In addition to the complete texts of her twelve previously published books, this volume also features new poems discovered by the editors; Rukeyser's translations, including the first English translations of Octavio Paz's work; early work by Rukeyser not previously published in book form; and the controversial book-length poem Wake Island. An introduction by the editors traces Rukeyser's life and literary reputation and complements discerning annotations and textual notes to the poems.

Elizabeth Willis's new collection is a stunning collision of the pastoral tradition with the politics of the post-industrial age. These poems are allusive and tough. While they celebrate the pleasures of the natural world-mutability, desire, and the flowering of things-they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

Isaac Armalet’s catalogue gives the first detailed description of the Syriac, Garshuni and Arabic manuscripts at the Syriac Catholic Patriarchal Library at the Monastery of Charfet in Lebanon. The manuscript collection was established there in the eighteenth century and contains biblical, liturgical, and theological texts of importance to understanding the Christian heritage of the East.

The Avant-Garde and Geopolitics in Latin America examines the canonical Latin American avant-garde texts of the 1920s and 1930s in novels, travel writing, journalism, and poetry, and presents them in a new light as formulators of modern Western culture and precursors of global culture. Particular focus is placed on the work of Roberto Arlt and M-rio de Andrade as exemplars of the movement. Fernando J. Rosenberg provides a theoretical historiography of Latin American literature and the role that modernity and avant-gardism played in it. He finds significant parallels between the cultural battles of the interwar years in Latin America and current debates over the role of the peripheral nation-state within the culture of globalization. Rosenberg establishes that the Latin American avant-garde evolved on its own terms, in polemic dialogue with the European movements, critiquing modernity itself and developing a global geopolitical awareness. In the process these writers created a bridge between postcolonial and postmodern culture, forming a distinct movement that continues its influence today.