In 1979, the world was taken by surprise when the Iranian people revolted against their westernized ruling elite, and traded in the Shah for a radical Islamic republic ruled by the most senior Shiite cleric, ayatollah Khomeini. The Islamic revolution of Iran was a breaking point in history. It was the defining moment for Islam in the twentieth century and fuelled the Islamic confidence that has since then only grown. The roots of the revolution were deeply entrenched in the recent history of Iran, yet in the West, almost no one knew what was happening. The rise of ayatollah Khomeini and the Islamic republic seemed to have come out of nowhere. In this book, historian Mark Thiessen tries to answer the most important questions of the Islamic revolution. What happened, and where did it come from? This book explores the background of the revolution, and gives a detailed account of its course. It analyzes the rise of Khomeini, and his ideology. By studying the archives of the Dutch embassy in Tehran, Thiessen finally tries to find out about the way the Dutch mission experienced and interpreted the revolution, at a time when the outcome was not yet clear.

In 1965, when the poet Jack Spicer died at the age of forty, he left behind a trunkful of papers and manuscripts and a few copies of the seven small books he had seen to press. A West Coast poet, his influence spanned the national literary scene of the 1950s and '60s, though in many ways Spicer's innovative writing ran counter to that of his contemporaries in the New York School and the West Coast Beat movement. Now, more than forty years later, Spicer's voice is more compelling, insistent, and timely than ever. During his short but prolific life, Spicer troubled the concepts of translation, voice, and the act of poetic composition itself. My Vocabulary Did This to Me is a landmark publication of this essential poet's life work, and includes poems that have become increasingly hard to find and many published here for the first time.

Without question, few directors have had such a powerful influence on the film industry and the moviegoing public as Steven Spielberg. Often referred to as the most successful American filmmaker of all time, Spielberg has been nominated for the Academy Award for Best Director six times, winning twice -- for Schindler's List in 1994 and Saving Private Ryan in 1999. Seven of his films have received the Best Picture Oscar nomination. He has brought to life some of the most popular heroes of all time, such as Indiana Jones, as well as some of the most despised villains, including Amon Goeth from Schindler's List and the killer shark from Jaws. Whatever the subject -- dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism -- one clear and consistent touchstone is present in all of Spielberg's films: an interest in the human condition. In Steven Spielberg and Philosophy, Dean A. Kowalski and some of the nation's most respected philosophers investigate Spielberg's art to illuminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg's work. Avid moviegoers and deep thinkers will discover plenty of common ground in this collection.

Badger’s historic English-Arabic lexicon has long been noted for its feature of rending English words into literary and colloquial Arabic. Hard to locate even in used form, this historical dictionary is now available to students of the history of language study and those interested in the history of Arabic study.

Badger’s historic English-Arabic lexicon has long been noted for its feature of rending English words into literary and colloquial Arabic. Hard to locate even in used form, this historical dictionary is now available to students of the history of language study and those interested in the history of Arabic study.

Badger’s historic English-Arabic lexicon has long been noted for its feature of rending English words into literary and colloquial Arabic. Hard to locate even in used form, this historical dictionary is now available to students of the history of language study and those interested in the history of Arabic study.

Badger’s historic English-Arabic lexicon has long been noted for its feature of rending English words into literary and colloquial Arabic. Hard to locate even in used form, this historical dictionary is now available to students of the history of language study and those interested in the history of Arabic study.

Originally compiled by Destur Hoshangji Jamaspji Asa, this historic dictionary was revised and enlarged by Martin Haug. This edition of the glossary represents the first time that the Pahlavî-Pâzand, or Saanian Farhang, was published in its ancient form and arrangement. The dictionary is of an Aramaic translation into Middle Persian, in Pahlavi script. A substantial introductory essay on Pahlavi begins the work; entries are translated into English, occasionally reaching substantial essays. A truly historic attempt to document a language far removed from many European and new world scholars, Haug has produced an indispensable historic dictionary.

This historical dictionary contains an English translation of the Frahang-I Oim-evak, an antique Avestan and Middle Persian dictionary. A collaboration between Martin Haug and Destur Hoshengji Jamaspji, this rare glossary provides the Pahlavi translations for almost 900 Avestan words. Avestan is an Eastern Old Iranian language used by the Zoroastrian Avesta. It represents one of the earliest known Iranian languages. This dictionary was one of the earliest attempts to present the material to a western readership. Still considered a historic entry-point into the language, Haug’s glossary has become a rare find. Gorgias Press is pleased to bring it back into circulation as a part of our Historical Dictionary series.

A treat for the scholar of under-represented languages and the history of Mongolia, this monumental work on the Old Turkic inscriptions of Mongolia remains the classic exploration of the field. Originally published in three volumes, this two volume set contains all of the original material. Radloff’s analysis of the the Orkhon Valley monuments includes presentations in the original Old Turkic, or Orkhom-Yenisey script. These monuments represent the earliest known Turkish language. The inscriptions derive from obelisks dated to the eighth century A.D. and they relate the legendary origins of the Turks, long before the sole association with Anatolia. Related are the period of cultural achievements, the troubles encountered with the Chinese, and their eventual liberation.

A treat for the scholar of under-represented languages and the history of Mongolia, this monumental work on the Old Turkic inscriptions of Mongolia remains the classic exploration of the field. Originally published in three volumes, this two volume set contains all of the original material. Radloff’s analysis of the the Orkhon Valley monuments includes presentations in the original Old Turkic, or Orkhom-Yenisey script. These monuments represent the earliest known Turkish language. The inscriptions derive from obelisks dated to the eighth century A.D. and they relate the legendary origins of the Turks, long before the sole association with Anatolia. Related are the period of cultural achievements, the troubles encountered with the Chinese, and their eventual liberation.

More of a grammatical tool than an actual grammar, this Arabic publication of ten ancient treatises on Arabic philology is a useful tool for the student of Arabic who already knows the basics of the language. Each piece begins with a description of the manuscript and what is known of the author and is accompanied by footnotes and an index.

Based on years of personal experience in India, Joseph Peet’s grammar of Malayalam was the first attempt by a western scholar to document the language. Set out like a classical grammar of the period, Peet begins with an introduction to the language and the orthography. The parts of speech are each treated, followed by an account of the syntax. One of the official languages of India, Malayalam is spoken by about 37 million individuals, mostly in the state of Kerala in the southern part of the nation. For the historian interested in the history of the study of Malayalam, this grammar is a special find.

A winning combination of two historical grammars, this volume includes both Kautzsch’s edition of Gesenius’ Hebrew Grammar and Davidson’s Hebrew Syntax. Together these classic Hebrew resources will be of interest to serious students of Hebrew grammar and those interested in the history of grammatical studies of the language.

St Marylebone parish grew from humble beginnings on the city's margins to become, in the 18th and 19th centuries, one of the wealthiest in London, home to the elite and fashionable. The small parish church on Marylebone High Street, built in brick in 1742 on the site of the medieval church, was inadequate for such a congregation and was superceded in 1817 by today's far grander edifice on Marylebone Road. Archaeological investigations in 1992 showed that the graveyard - levelled in the 1930s for a playground for St Marylebone Church of England School for Girls - lay substantially undisturbed beneath the playground. In 2004 plans to build an underground sports hall allowed excavation of a sample of the burial ground and part of the church itself. Most of the 350+ burials recorded were from the graveyard; some were in family vaults and others inside the church crypt. The archaeological results and detailed osteological analysis of 301 individuals are combined with documentary research into the parish and its population, including the woman who preferred parrots to men, the artist who died of lockjaw and the Reverend headmaster and his 'most wicked and abandoned wife'. This volume is one of the largest and most comprehensive studies of a post-medieval London cemetery.

Leaping Poetry is Robert Bly's testament to the singular importance of the artistic leap that bridges the gap between conscious and unconscious thought in any great work of art; the process that Bly refers to as \u201criding on dragons.\u201d Originally published in 1972 in Bly's literary journal The Seventies, Leaping Poetry is part anthology and part commentary, wherein Bly seeks to rejuvenate modern Western poetry through his revelations of \u201cleaping\u201d as found in the works of poets from around the world, including Federico Garcia Lorca, Chu Yuan, Tomas Transtr\u00f6mer, and Allen Ginsberg, among others, while also outlining the basic principles that shape his own poetry. Bly seeks the use of quick, free association of the known and the unknown-the innate animal and rational cognition-which, he maintains, have been kept apart in the development of Western religious, intellectual, and literary thought.