\u201cI am reminded of the Argentinean writers Julio Cort\u00e1zar and Jorge Luis Borges, but with sunglasses and in California. The Flying Garcias is a sure voice and a fine book.\u201d—Alberto R\u00edos

Winner of the 1991 Associated Writing Programs' Award Series in Poetry

Winner of the 1991 Agnes Lynch Starrett Poetry Prize.The poems in this book deal with life in a Pennsylvania Mennonite community and the tensions and conflicts that exist for the speaker as she tries to be true to two worlds, the other being New York City.

"When history proves useless and consensus chimerical," Donald Revell has written, "the poet's necessity is invention, and this does a lot to explain our century's preference for revision over mimesis." For Revell, The disruptions of this century have destroyed old illusions of historical continuity: "The consolations of history are furtive,/ then fugitive, then forgotten." Invoking such contemporary events as the collapse of communism and the end of the Cold War, he seeks to integrate the political with the personal in a search for new paradigms of value and honor.

From the depths of sorrow following the sudden death of her closest female mentor, Brenda Hillman asks anguished questions in this book of poems about separation, spiritual transcendence, and the difference between life and death. Both personal and philosophical, her work can be read as a spirit-guide for those mourning the loss of a loved one and as a series of fundamental ponderings on the inevitability of death and separation. At first refusing to let go, desperate to feel the presence of her friend, the poet seeks solace in a belief in the spirit world. But life, not death, becomes the issue when she begins to see physical existence as "an interruption" that preoccupies us with shapes and borders. "Shape makes life too small," she realizes. Comfort at last comes in the idea of "reverse seeing": that even if she cannot see forward into the spirit world, her friend can see "backward into this world" and be with her. Death Tractates is the companion volume to a philosophical poetic work entitles Bright Existence, which Hillman was in the midst of writing when her friend died. Published by Wesleyan University Press in 1993, it shares many of the same Gnostic themes and sources.

Previous Praise for Maggie Anderson's Cold Comfort "We are struck by the generosity of a voice that manages to bridge the gap between a personal and a world view, a balance that reveals a narrator who is of the world yet not overwhelmed by it." —Prairie Schooner

When Shawn Doubiago graduated from high school, she and her mother Sharon, embarked on a journey through Colombia, Ecuador, and Peru. In Cuzco, Peru, standing before an alter where the Incas had sacrifced their female virgins, the daughter asked, \u201cAre there any good men?\u201d South American Mi Hija is Sharon Doubiago\u2019s reply. Set amidst the mysteries and tragedies of South American culture, this book-length narrative poem is both an account of their journey and a feminist exploration of the struggle between the sexes.

Peter Meinke was a master of traditional poetic forms long before the current interest in “the new formalism.” His work is, in turn, witty, comic, sane, deeply moving, and always readable. Liquid Paper collects the best of his previously published poems from the late 1960s on with a generous selection of new work.

Co-winner of the 1983 National Book Award for Poetry, Country Music is comprised of eighty-eight poems selected from Charles Wright's first four books published between 1970 and 1977. From his first book, The Grave of the Right Hand, to the extraordinary China Trace, this selection of early works represents "Charles Wright's grand passions: his desire to reclaim and redeem a personal past, to make a reckoning with his present, and to conjure the terms by which we might face the future," writes David St. John in the forward. These poems, powerful and moving in their own right, lend richness and insight to Wright's recently collected later works. "In Country Music we see the same explosive imagery, the same dismantled and concentric (or parallel) narratives, the same resolutely spiritual concerns that have become so familiar to us in Wright's more recent poetry," writes St. John.

The result is a book of discursive meditations that will amply reward the reader. Part travelogue, part pilgrimage in which the shrines remain hidden until they are recognized later, Larry Levis’s startling and complex fifth book of poems is about the enslavement to desire for personal freedom, and the awareness of its price.

The Selected Poems James Tate's Pulitzer Prize-winning collection and his first British publication, gathers work from nine previous books, from the Lost Pilot which was a Yale Younger Poets selection in 1967, through his 1986 collection Reckoner. He is a most agile poet in a precarious world. Life is alarming and absurd, but properly considered that absurdity reveals, often with laughter, the something else by which we live. The poems are about our world, our wrecked, vexed love for it. Tate has been described as a surrealist. If that is what he is, his surrealism issues in a vision of a world delivered back to itself by his unillusioned subversion and candor.

Wallace’s poems cover the range of human experience: music, religion, sex, art, childhood, adolescence, nuclear war, illness, and death. But it’s in his wit and good humor, against undercurrents of sorrow and grief that best characterize his poetry: part Emily Dickinson, and part Harpo Marx; part Woody Allen, and part Robert Frost.

New Dark Ages is a book of ideas that exhibits a rare quality - adventurousness. The poems are intelligent and deeply felt, complex and crystal clear. Donald Revell writes about things as tender and as complicated as happiness and freedom. His poetry brims with images, wonder, and discovery, as it seeks to answer such questions as :If the original idea of America is defunct, what has taken its place? If privacy is no more, how do we go about the business of loving? If God and history have become one, what is the relationship between morality and expediency?" And, above all, "Why is it that, in spite of all, the twentieth century is so heart-breakingly beautiful - a true vindication of humanism?"

Winner of the 1989 Associated Writing Programs' Award Series in Poetry“Waring's poems forcibly avoid the workshop warp. From the opening, her language lashes. .

Clear and insightful poetry on our relationship to the given world.

A book of new poems by a major writer is an event. A book of new poems that marks a different, more powerful approach is cause for celebration. "What I looked for here," James Dickey tells us about The Eagle's Mile, "was a flicker of light 'from another direction,' and when I caught it - or thought I did - I followed where it went, for better or worse. " In this new work, Dickey edges away from the narrative-based poems of his previous books and gives instead more primacy to the language in which he writes. His poetry gains flexibility, and his poetic power becomes even surer and more clearly expressed. "I have experimented," Dickey writes, "and look forward to experimenting more."