Britain in the long nineteenth century developed an increasing interest in science of all kinds. Whilst poets and novelists took inspiration from technical and scientific innovations, those directly engaged in these new disciplines relied on literary techniques to communicate their discoveries to a wider audience. The essays in this collection uncover this symbiotic relationship between literature and science, at the same time bridging the disciplinary gulf between the history of science and literary studies. Specific case studies include the engineering language used by Isambard Kingdom Brunel, the role of physiology in the development of the sensation novel and how mass communication made people lonely.

This collection of essays explores the rise of scientific medicine and its impact on Victorian popular culture. Chapters include an examination of Charles Dickens’s involvement with hospital funding, concerns over milk purity and the theatrical portrayal of drug addiction, plus a whole section devoted to the representation of medicine in crime fiction. This is an interdisciplinary study involving public health, cultural studies, the history of medicine, literature and the theatre, providing new insights into Victorian culture and society.

Following modern and postmodern philosophy’s critique of metaphysics, experiences of transcendence are often considered ‘aesthetic’ rather than ‘metaphysical.’ However, aesthetics is mostly identified with the study of art, and aesthetic phenomena are considered particularly sensuous. This book criticizes such an approach to aesthetics, which has led many philosophers and theologians to neglect or reject aesthetics as a philosophical or theological discipline. It demonstrates how contemporary philosophy and theology may benefit from studying the mind-opening and world-transformative nature of our experiences of transcendence. In addition, it presents the significance of such experiences for the understanding of, for example, art, faith, prayer, presence, beauty, sensitivity, imagination, receptivity, and divinity. Imaginative Moods: Aesthetics, Religion, Philosophy is related to the simultaneously published monograph Poetic Inclinations: Ethics, History, Philosophy. Together they constitute a comprehensive presentation in English of the author’s philosophy of experience, which includes new ways of conceiving of and applying aesthetics, hermeneutics, and phenomenology, and of integrating these disciplines, as well as theology.

Philosophy originates in wonder that generates sensitive thinking, also called ‘aesthetic thinking’—an expanded mode of thought that bridges and dissolves contradictions. This book questions the disregard for such thinking in modern society, including the neglect of it in most educational institutions and contemporary research. It describes what it means to think in an aesthetic way when ‘aesthetic’ is synonymous with ‘sensitive’ (not ‘sensuous’), including how such thinking may foster human well-being and develop our notions of history, hospitality, freedom, and the good life. The formative nature of aesthetic thinking is presented alongside the attestation of its relevance in many disciplines and a broad spectrum of society—in border studies, education policy, and social work, and in life in general. Poetic Inclinations: Ethics, History, Philosophy is related to the simultaneously published monograph Imaginative Moods: Aesthetics, Religion, Philosophy. Together they constitute a comprehensive presentation in English of the author’s philosophy of experience, which includes new ways of conceiving of and applying aesthetics, hermeneutics, and phenomenology, and of integrating these disciplines, as well as theology.

Fostering a dialogue enriched by contributions from both the analytic and the continental tradition (and drawing on authors such as Broch, Diderot, Levinson, and Wittgenstein), this volume delves into the complex relationship between aesthetics and values. Notably, it focuses on decisive aspects of the nature of aesthetic value and its multiple connections to other kinds of value. This concerns not only the issue of how it can be distinguished from artistic value, with which it is often associated and sometimes even confused, but also, as is becoming increasingly evident in the contemporary debate, the urgency of inquiring into how aesthetic and artistic values relate to moral, cognitive, and political values.

Elwick explores how the concept of "compound individuality" brought together life scientists working in pre-Darwinian London. Scientists conducting research in comparative anatomy, physiology, cellular microscopy, embryology and the neurosciences repeatedly stated that plants and animals were compounds of smaller independent units. Discussion of a "bodily economy" was widespread. But by 1860, the most flamboyant discussions of compound individuality had come to an end in Britain. Elwick relates the growth and decline of questions about compound individuality to wider nineteenth-century debates about research standards and causality. He uses specific technical case studies to address overarching themes of reason and scientific method.

Furusato (home, hometown, and/or place of origin) is a revered and idealized concept in Japan. On an individual level, it plays a central role in personal identity; in a broader social and cultural milieu, it is constitutive of a sense of nostalgia for a romanticized and impossible past; and in the political and legal realms, it connects with ideas of Japaneseness and the construction of foreign others. While the specific forms it takes in context provide a Japanese veneer to the idea of furusato, it in fact finds close analogues in ideas of ‘home’ and ‘origin’ around the world. This volume collects essays exploring furusato and its cognates in other languages and regions. 14 scholars from Japan and Europe employ a diverse array of disciplinary tools, drawing from history, philosophy, literature, anthropology, religious studies, and art history, to map out the contours of home and elucidate the meanings contained within it.

The current study takes on the task of focussing on Habermas’ long and productive first phase in the 1960s and 1970s. The book begins with Habermas’ analyses of students’ political consciousness and of public opinion, before examining his close dialogue with Marcuse and the vanguard of the student movement. The study then focuses on Habermas’ works on the reality and contradictions of the late capitalist system: Knowledge and Human Interests, Legitimation Crisis and Theory and Practice. In doing so, the volume revisits important moments in the first three decades of Habermas’ research and teaching in order to reconstruct a theory that contributes to a praxis of fundamental, grass-roots change.

The concept of eccentricity was central to how people in the nineteenth century understood their world. This monograph is the first scholarly history of eccentricity. Carroll explores how discourses of eccentricity were established to make sense of individuals who did not seem to fit within an increasingly organized social and economic order. She focuses on the self-taught natural philosopher William Martin, the fossilist Thomas Hawkins and the taxidermist Charles Waterton.

Victorian culture was characterized by a proliferation of shows and exhibitions. These were encouraged by the development of new sciences and technologies, together with changes in transportation, education and leisure patterns. The essays in this collection look at exhibitions and their influence in terms of location, technology and ideology.

A special issue of Chiasmi, the A-class trilingual publication about Merlau-Ponty’s thought, that celebrates the 110th birthday of the French phenomenological philosopher by realising rare or unpublished dialogues and texts.

Trilingual publication concerning Merleau-Ponty's thought. This issue includes an excerpt from the unpublished course on the problem of speech and the philosopher's theories on literature and literary language.

This study of Sayf al-Dīn al-Āmidī’s (d. 631/1233) teachings on creation offers close analysis of all of his extant works of falsafa and kalām. Some of these were not known to previous scholars, yet they bear witness to key facets of the interaction between the historically inimical traditions of Hellenic philosophy and rational theology at this important intellectual moment. Al-Āmidī is seen to grapple with the encounter of two paradigms for the discussion of creation. On the one hand, Ibn Sīnā’s metaphysical concept of necessity of existence is the basis of his doctrine of the world’s pre-eternal emanation. On the other, for the mutakallimūn, the physical theory of atomism bolsters the view that God created the world from nothing. This study is of interest to scholars of Ibn Sīnā and Ash‘arism alike, as it advances our understanding of the ongoing tradition of rational theology in the Islamic world, long past Abū Ḥāmid al-Ghazālī’s (d. 505/1111) famous attack on the philosophers.

Michel Foucault claimed that the term biopolitics can be fully understood only within the context of modern forms of governing society. From this perspective, the development of modern medical knowledge, the re-organization of the hospital as a health institution, the growing attention to issues related to birth and population, and the rise of biological racism can be attributed to the influence of economic rationality on the most influential political strategies. In this book, Marzocca further explores the crucial role that the family structure has played throughout the history of biopolitics, explaining how family is firstly a place of government of life as well as a means to extend various forms of biopower to the whole society. By analysing the works of key figures in the debate on biopolitics – such as Agamben, Negri, Esposito, Rose, Cooper, Lemke, among others – this volume offers a systematic examination of this notion also in relation to the current ecological crisis, addressing fundamental problems of modern and contemporary political thought.

Osvalds Zebris’ stories capture those moments of existence visible only to the most attentive observer, laying particular attention on language and an idiosyncratic vision of the world. His characters seem bound to an irrevocable desinty, even if all of them are given a choice in the end, the freedom to decide their own lives. The stories are brought together by the enigmatic, ephemeral, recurring character of Mihails, who connects the dots of freedom between each of them.

This book is the result of an international conference that took place in Rome on September 13th-14th 2019, entitled “Resounding Spaces: Music and Atmospheres”. The main topic was the relationship between music(s) and concepts like resonance, atmosphere, and mood. Talking about “music(s)” and not “music” (in singular) is a necessity because of the academic backgrounds of the authors: philosophers, musicologists, ethnomusicologists, aestheticians of music, composers, etc. have given their particular contribution, within their own discipline, enriching the volume with very different points of view.