A compilation and translation of Arabic proverbs by an early 19th century traveler in Cairo, Egypt. Entries are arranged alphabetically in Arabic and by number. Cultural and figurative explanations are provided in English.

Wiener argues that Germanic languages have arisen by a sudden influx of Low Latin and Arabic. He demonstrates that they developed from the Graeco-Latin glossaries through Gothic interpretations, which owe their origin to the Graeco-Arabic learning in Spain.

Wiener argues that Germanic languages have arisen by a sudden influx of Low Latin and Arabic. He demonstrates that they developed from the Graeco-Latin glossaries through Gothic interpretations, which owe their origin to the Graeco-Arabic learning in Spain.

Wiener argues that Germanic languages have arisen by a sudden influx of Low Latin and Arabic. He demonstrates that they developed from the Graeco-Latin glossaries through Gothic interpretations, which owe their origin to the Graeco-Arabic learning in Spain.

Wiener argues that Germanic languages have arisen by a sudden influx of Low Latin and Arabic. He demonstrates that they developed from the Graeco-Latin glossaries through Gothic interpretations, which owe their origin to the Graeco-Arabic learning in Spain.

The book provides easy-to-use tables that translate the calendars of over sixty civilizations into the Julian and Gregorian calendars. An indispensable tool for scholars.

At the start of a promising career, Antonia Pozzi (1912-1938) committed suicide, leaving behind several hundred poems known only to her closest friends. The posthumous publication of this work led Eugenio Montale to praise Pozzi's "desire to reduce the weight of words to the minimum." Her Modernist verse is lyrical and experimental, pastoral and erotic, powerfully evoking the northern Italian landscape and her personal tragedies amid the repressive climate of Fascism. Breath contains a representative selection of Pozzi's poems in an Italian/ English bilingual format along with a number of her letters. In an introductory essay, editor-translator Lawrence Venuti documents her tormented life, considers her sophisticated thinking about her writing, and sketches the rich literary traditions that she inherited, creating a detailed context in which her poems can be more fully appreciated. The translations affiliate Pozzi's poetry with the work of comparable English-language writers such as H.D., Mina Loy, and Lorine Niedecker, establishing in translation what Pozzi lacked in Italian: a tradition of Modernist women's poetries.CONTRIBUTORS: Lawrence Venuti.

While some students need more writing instruction than others, The Politics of Remediation reveals how that need also pertains to the institutions themselves. Mary Soliday argues that universities may need remedial English to alleviate their own crises in admissions standards, enrollment, mission, and curriculum, and English departments may use remedial programs to mediate their crises in enrollment, electives, and relationships to the liberal arts and professional schools.Following a brief history of remedial English and the political uses of remediation at CCNY before, during, and after the open admissions policy, Soliday questions the ways in which students' need for remedial writing instruction has become widely associated with the need to acculturate minorities to the university. In disentangling identity politics from remediation, she challenges a powerful assumption of post-structuralist work: that a politics of language use is equivalent to the politics of access to institutions.

Wright's Lectures are packed not only with data, but with carefully drawn conclusions. It would behoove us to take these into account before drawing our own.

Robert Duncan's poetic creativity does not exist without a language of illness, nor the revelation and insight that such language generates. This ground-breaking interdisciplinary work is one of the first book-length studies of Robert Duncan's poetry, and it includes a treatment of his influences (H.D. and Freud) and those he influenced (Nathaniel Mackey and John Taggart). Through close readings of crucial poems, Peter O'Leary shows how Duncan's poetry locates a gnostic insight expressed through a language of illness in the realms of religion. Gnosticism is a doctrine of salvation by knowledge.In addition to studying Duncan's poetry and his life, O'Leary considers the psychological impact Freud's ideas of the unconscious and dream interpretation had on the poet. O'Leary continues with an analysis of Duncan's work in light of the theories of shamanism put forth by religion historian Mircea Eliade. Along the way, O'Leary undertakes detailed discussions of gnosticism, hermeticism, spiritualism, psychoanalysis, shamanism and religions of the African diaspora.

Compiled with the student in mind, Costaz’s Syriac-French-English-Arabic dictionary provides for each Syriac gloss its meaning in French, English, and Arabic. Under each root lemma, all derivatives of the root are given with their morphological data. The entries are typeset so that the French, English or Arabic definitions are easily found. The dictionary also contains a mini dictionary of proper names..

Since Romanticism, poetry has reigned as the most exalted of literary forms; consequently, as Joseph Harrington argues in this new study, public debates about the nature and function of poetry are really debates about larger cultural and political values. In Poetry and the Public, Harrington sheds new light on changes in the textual form of poems, the critical reception of poems, debates in the popular press about the nature of poetry and the poetic theories of poets. The period 1910-1940 represents a major transition in the social meaning of poetry in the U. S. Harrington focuses on three important factions of the US poetry scene during these years. The first, popularizers, wished to retain the older, popular notion of poetry as a public art, a communal experience shared between writer and readers. The second, high modernists, responded with the well-known notions of the self-sufficient art object and the autonomous artist who held no responsibility to a reading public or public affairs. The third group, poets of the radical labor movement of the 1910s, combined aspects of both popular and modernist poetries in order to intervene in specific historical settings or to interact with specific audiences. Poetry and the Public shows how this more public tendency in poetry evolved into the latter half of the 20th century in forms such as poetry slams and community-based workshops, and how the history of poetry can help us understand the genre's relative absence from histories of American literature.

Dickens scholar Jerome Meckier's acclaimed Hidden Rivalries in Victorian Fiction examined fierce literary competition between leading novelists who tried to establish their credentials as realists by rewriting Dickens's novels. Here, Meckier argues that in Great Expectations, Dickens not only updated David Copperfield but also rewrote novels by Lever, Thackeray, Collins, Shelley, and Charlotte and Emily Brontë. He periodically revised his competitors' themes, characters, and incidents to discredit their novels as unrealistic fairy tales imbued with Cinderella motifs. Dickens darkened his fairy tale perspective by replacing Cinderella with the story of Misnar's collapsible pavilion from The Tales of the Genii (a popular, pseudo-oriental collection). The Misnar analogue supplied a corrective for the era's Cinderella complex, a warning to both Haves and Have-nots, and a basis for Dickens's tragicomic view of the world.

In the South, railroads have two meanings: they are an economic force that can sustain a town and they are a metaphor for the process of southern industrialization. Recognizing this duality, Joseph Millichap's Dixie Limited is a detailed reading of the complex and often ambivalent relationships among technology, culture, and literature that railroads represent in selected writers and works of the Southern Renaissance. Tackling such Southern Renaissance giants as Thomas Wolfe, Eudora Welty, Robert Penn Warren, and William Faulkner, Millichap mingles traditional American and Southern studies -- in their emphases on literary appreciation and evaluation in terms of national and regional concerns -- with contemporary cultural meaning in terms of gender, race, and class. Millichap juxtaposes Faulkner's semi-autobiographical families with Wolfe's fiction, which represents changing attitudes toward the "Southern Other." Faulkner's later fiction is compared to that of Warren, Welty, and Ellison, and Warren's later poetry moves toward the contemporary post-Southernism of Dave Smith. These disparate examples suggest the subject of the final chapter -- the continuing search for post-Southern patterns of persistence and change that reiterate, reject, and perhaps reconfigure the Southern Renaissance. As we enter the twenty-first century, that we recall how much the twentieth-century South was shaped by railroads built in the nineteenth century. It is also important that we recognize how much our future will be determined by the technological and cultural tracks we lay.

The Syriac manuscript collection at the British Library is one of the largest and most important collections in any Western library. A great deal of it comes from Deir al-Suryan in Egypt, and without it our knowledge of Syriac Christianity today would not have been possible.

This Cambridge collection includes manuscripts that were formerly in private hands, most notably the manuscripts of John Moore, Bishop of Ely, which were presented to the University by King George I in 1715.