The aim with the present series, The Quran: Key Word Collocations is to present the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In the present series, Collocation is defined as a Key Word, here adjectives, nouns, proper nouns and verbs, forming the center of a cluster with four co-occurring Key Words (1° and 2° of proximity), the first two to the left and to the right, where available. Every Collocation of each Key Word in the Quran is presented in context, as a rule with six words to the right and six to the left of it, where available or where the formatting permits. The central Key Words have been grouped by root > lemma. Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Key Word Collocations is to present the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In the present series, Collocation is defined as a Key Word, here adjectives, nouns, proper nouns and verbs, forming the center of a cluster with four co-occurring Key Words (1° and 2° of proximity), the first two to the left and to the right, where available. Every Collocation of each Key Word in the Quran is presented in context, as a rule with six words to the right and six to the left of it, where available or where the formatting permits. The central Key Words have been grouped by root > lemma. Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Key Word Collocations is to present the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In the present series, Collocation is defined as a Key Word, here adjectives, nouns, proper nouns and verbs, forming the center of a cluster with four co-occurring Key Words (1° and 2° of proximity), the first two to the left and to the right, where available. Every Collocation of each Key Word in the Quran is presented in context, as a rule with six words to the right and six to the left of it, where available or where the formatting permits. The central Key Words have been grouped by root > lemma. Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Key Word Collocations is to present the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In the present series, Collocation is defined as a Key Word, here adjectives, nouns, proper nouns and verbs, forming the center of a cluster with four co-occurring Key Words (1° and 2° of proximity), the first two to the left and to the right, where available. Every Collocation of each Key Word in the Quran is presented in context, as a rule with six words to the right and six to the left of it, where available or where the formatting permits. The central Key Words have been grouped by root > lemma. Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Key Word Collocations is to present the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In the present series, Collocation is defined as a Key Word, here adjectives, nouns, proper nouns and verbs, forming the center of a cluster with four co-occurring Key Words (1° and 2° of proximity), the first two to the left and to the right, where available. Every Collocation of each Key Word in the Quran is presented in context, as a rule with six words to the right and six to the left of it, where available or where the formatting permits. The central Key Words have been grouped by root > lemma. Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

The aim with the present series, The Quran: Key Word Collocations is to present the Quran as raw data with as little interpretation as possible. The digital text used for this purpose is the Uthmani text of the Tanzil Quran Text. In the present series, Collocation is defined as a Key Word, here adjectives, nouns, proper nouns and verbs, forming the center of a cluster with four co-occurring Key Words (1° and 2° of proximity), the first two to the left and to the right, where available. Every Collocation of each Key Word in the Quran is presented in context, as a rule with six words to the right and six to the left of it, where available or where the formatting permits. The central Key Words have been grouped by root > lemma. Classical dictionaries and Quran commentaries, as well as modern Quran dictionaries have been consulted.

Writing is not just a set of systems for transcribing language and communicating meaning, but an important element of human practice, deeply embedded in the cultures where it is present and fundamentally interconnected with all other aspects of human life. The Social and Cultural Contexts of Historic Writing Practices explores these relationships in a number of different cultural contexts and from a range of disciplinary perspectives, including archaeological, anthropological and linguistic. It offers new ways of approaching the study of writing and integrating it into wider debates and discussions about culture, history and archaeology.

By the 13th century BC, the Syrian city of Ugarit hosted an extremely diverse range of writing practices. As well as two main scripts – alphabetic and logographic cuneiform - the site has also produced inscriptions in a wide range of scripts and languages, including Hurrian, Sumerian, Hittite, Egyptian hieroglyphs, Luwian hieroglyphs and Cypro-Minoan. This variety in script and language is accompanied by writing practices that blend influences from Mesopotamian, Anatolian and Levantine traditions together with what seem to be distinctive local innovations. Script and Society: The Social Context of Writing Practices in Late Bronze Age Ugarit explores the social and cultural context of these complex writing traditions from the perspective of writing as a social practice. It combines archaeology, epigraphy, history and anthropology to present a highly interdisciplinary exploration of social questions relating to writing at the site, including matters of gender, ethnicity, status and other forms of identity, the relationship between writing and place, and the complex relationships between inscribed and uninscribed objects. This forms a case- study for a wider discussion of interdisciplinary approaches to the study of writing practices in the ancient world.

Thomas Stephens was one of the most significant and controversial nineteenth-century Welsh scholars. His Literature of the Kymry (1849) was the first work to apply modern critical scholarship to medieval Welsh literature. Throughout his career, he was an outspoken critic of unscrupulous interpretations of the Welsh and Celtic past. His scholarly ability brought him into correspondence with notable writers from not only Wales, but across the world. Indeed, writing the year after his death, B. T. Williams noted that the publication of his correspondence ‘would be welcomed by all Celtic scholars’, as it includes comments by many of the most noted historians, literary critics and Celticists of his day on a wide range of subjects. More than this, however, Stephens’s correspondence shows the complex networks of knowledge exchange which stretched across the nineteenth-century scholarly world and, within those networks, the development of modern Welsh and Celtic studies.

For students of Ge’ez, this book will function as a learning grammar and resource. It will also be of interest to scholars interested in the culture and religion of Ethiopia and Eritrea, non-western Christian intellectual traditions, and the Tawahedo Church.

This book focuses on the 20th century lives of men and women whose life-work and life experiences transgressed and surpassed the national boundaries that existed or emerged in the 20th century. The chapters explore how these life-stories add innovative transnational perspectives to the entangled histories of the world wars, decolonization, the Cold War and post-colonialism. The subjects vary from artists, intellectuals, and politicians to ordinary citizens, each with their own unique set of experiences, interactions and interpretations. They trace the building of socio-cultural and professional networks, the casual encounters of everyday life, and the travel, translation, and preserving of life stories in different media. In these multiple ways the book makes a strong case for reclaiming lost personal narratives that have been passed over by more orthodox nation-state focused approaches. These explorations make use of social and historical categories such as class, gender, religion and race in a transnational context, arguing that the transnational characteristics of these categories overflow the nation-state frame. In this way they can be used to ‘unhinge’ the primarily national context of history-writing. By drawing on personal records and other primary sources, the chapters in this book release many layers of subjectivity otherwise lost, enabling a richer understanding of how individuals move through, interact with and are affected by the major events of their time. "Taking up what the editors refer to as the ‘casual border crossings of everyday life,’ this collection considers how lives are made in, through, beyond, and in spite of, nation-state configurations. The essays demonstrate that transnational encounters – human, material, conceptual, and translational – enable unique and sometimes unexpected contact zones, and further, show how a transnational lens can complicate and unsettle understandings of class, race, gender, and ethnicity, but also, and importantly, life writing and transnationalism themselves." - Prof. dr. Sonja Boon, Memorial University of Newfoundland, Canada "This volume is a call to question national contexts as self-evident starting points for life writing. Rather than presenting a limiting method or perspective on the transnational lives of the central figures (and objects) in each chapter, the authors show that unhinging the national framework implies grappling with discursive powers such as archival arrangements, international networks as legacies of past imperial spaces, and inequalities in terms of gender, race, class, and language. Unhinging the national framework also helps demonstrate how national frameworks push and pull, while transnational allegiances add up, overlap, and conflict. The evocative episodes of the lives (and in some cases the deaths) of the volume’s historical actors help us, as readers, to reflect on the continued dominance of national frameworks in our current globalized world, and what they mean in our own lives." - Prof. dr. Susan Legêne, Vrije Universiteit Amsterdam, Netherlands

Austrian writer and 2004 Nobel Prize in Literature winner Elfriede Jelinek has never shied away from bringing up painful issues within the discourse of modernity. In her oeuvre of over sixty plays and novels she has worked time and again on a vast variety of related topics spanning from the repression of the weak to the fascisms of everyday life in consumerist societies. Elfriede Jelinek Goes Australia: Indigenising an Austrian Nobel Prize Winner is the first volume entirely published on Jelinek’s work in Australia and gathers a series of analyses around Princess Dramas at Red Stitch Actors Theatre - the first-ever production of one of her plays on an Australian stage, in Melbourne, 2011. It discusses questions of the Austrian writer’s complex writing strategies, potential problems of cultural transfer, the international reception of Jelinek’s work, and the contribution her work for theatre can make to a series of fundamental aspects of the global discourse of current times: feminism, sports and racism.

In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike - the Bible is omnipresent in the work of Margaret Atwood. The Bible is found not only in her novels but also in her poetry, short stories, and non-fiction work. "Who Knows What We'd Make of It, If We Ever Got Our Hands on It? ” assembles cutting edge literary and critical readings of Margaret Atwood and the Bible. In the nightstands of hotel rooms, kept under lock and key, in the poetry of a pre-apocalyptic environmental cult, and quoted by children, atheists, and murderers alike—the Bible is omnipresent in the work of Margaret Atwood. This volume, the first of its kind, assembles cutting-edge literary and critical readings of Atwood and the Bible. The essays span the breadth of Atwood’s work, including The Handmaid’s Tale, Alias Grace, the MaddAddam trilogy (Oryx and Crake, The Year of the Flood, and MaddAddam), poetry, essays, and more. Taking as a model Atwood’s own playful dialogues with the Bible, the contributors employ a variety of theoretical approaches (feminist, deconstructionist, animal theory, affect theory, and so on) to explore both the ancient and modern corpus of texts in dialogue with each other. In The Handmaid’s Tale, the Bible is famously used as a text that structures an entire society—though for precisely this reason it is a dangerous text that must be controlled by the elite, kept out of the hands of those who may turn it into an “incendiary device.” This volume explores what happens when Atwood, and we as readers, take the Bible into our own hands.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

Simonides of Keos was one of the most important praise-poets of the early fifth century BCE, ranking alongside Pindar and Bacchylides. In Simonides Lyricus, a group of leading international experts revisit familiar questions about his lyric poetry, and pose new ones. Themes discussed include textual criticism and attribution of fragments; poetic genre and the place of the poet’s melic fragments in his larger oeuvre; the historical, cultural and political background of the poems; and Simonides’ afterlife in the biographical and anecdotal traditions that formed around his name. The volume makes a substantial contribution to modern discussions of Simonides’ place in Greek literary and cultural history and to the understanding of this poet’s often fragmentary and difficult texts.

Journal of the Association for the Study of Language in Prehistory.