This book investigates the interaction between grammatical norms and poetic technique on the basis of a corpus selected from the oeuvre of the payyetan Eleazar be-rabbi Qillir. As a basis for this investigation, a descriptive/comparative analysis of the Qillirian dialect is offered. The first portion of the work is a grammar devoted mainly to morphology and syntax. The second portion of the work is an investigation of the poetic norms, as well as rhetorical techniques employed by Qillir, together with an assessment of their impact on the grammar. The overall aim of the project is to design an analytical framework within which a self-conscious poetic dialect might be investigated.

An anthology of Syriac texts from the Syriac fathers. Each author is first introduced in Syriac, and then excerpts from his writings are given. The texts begin with the Abgar Legend (the Acts of Addai) and end with the writings of the sixteenth century author Abdisho of Jazirah.

American Indian Rhetorics of Survivance presents an original critical and theoretical analysis of American Indian rhetorical practices in both canonical and previously overlooked texts: autobiographies, memoirs, prophecies, and oral storytelling traditions. Ernest Stromberg assembles essays from a range of academic disciplines that investigate the rhetorical strategies of Native American orators, writers, activists, leaders, and intellectuals.The contributors consider rhetoric in broad terms, ranging from Aristotle's definition of rhetoric as “the faculty . . . of discovering in the particular case what are the available means of persuasion,” to the ways in which Native Americans assimilated and revised Western rhetorical concepts and language to form their own discourse with European and American colonists. They relate the power and use of rhetoric in treaty negotiations, written accounts of historic conflicts and events, and ongoing relations between American Indian governments and the United States. This is a groundbreaking collection for readers interested in Native American issues and the study of language. In presenting an examination of past and present Native American rhetoric, it emphasizes the need for an improved understanding of multicultural perspectives.

Isaac Armalet’s catalogue gives the first detailed description of the Syriac, Garshuni and Arabic manuscripts at the Syriac Catholic Patriarchal Library at the Monastery of Charfet in Lebanon. The manuscript collection was established there in the eighteenth century and contains biblical, liturgical, and theological texts of importance to understanding the Christian heritage of the East.

The Avant-Garde and Geopolitics in Latin America examines the canonical Latin American avant-garde texts of the 1920s and 1930s in novels, travel writing, journalism, and poetry, and presents them in a new light as formulators of modern Western culture and precursors of global culture. Particular focus is placed on the work of Roberto Arlt and M-rio de Andrade as exemplars of the movement. Fernando J. Rosenberg provides a theoretical historiography of Latin American literature and the role that modernity and avant-gardism played in it. He finds significant parallels between the cultural battles of the interwar years in Latin America and current debates over the role of the peripheral nation-state within the culture of globalization. Rosenberg establishes that the Latin American avant-garde evolved on its own terms, in polemic dialogue with the European movements, critiquing modernity itself and developing a global geopolitical awareness. In the process these writers created a bridge between postcolonial and postmodern culture, forming a distinct movement that continues its influence today.

Toward a Civil Discourse examines how, in the current political climate, Americans find it difficult to discuss civic issues frankly and openly with one another. Because America is dominated by two powerful discourses--liberalism and Christian fundamentalism, each of which paints a very different picture of America and its citizens' responsibilities toward their country-there is little common ground, and hence Americans avoid disagreement for fear of giving offence. Sharon Crowley considers the ancient art of rhetoric as a solution to the problems of repetition and condemnation that pervade American public discourse. Crowley recalls the historic rhetorical concept of stasis--where advocates in a debate agree upon the point on which they disagree, thereby recognizing their opponent as a person with a viable position or belief. Most contemporary arguments do not reach stasis, and without it, Crowley states, a nonviolent resolution cannot occur.Toward a Civil Discourse investigates the cultural factors that lead to the formation of beliefs, and how beliefs can develop into densely articulated systems and political activism. Crowley asserts that rhetorical invention (which includes appeals to values and the passions) is superior in some cases to liberal argument (which often limits its appeals to empirical fact and reasoning) in mediating disagreements where participants are primarily motivated by a moral or passionate commitment to beliefs.Sharon Crowley examines numerous current issues and opposing views, and discusses the consequences to society when, more often than not, argumentative exchange does not occur. She underscores the urgency of developing a civil discourse, and through a review of historic rhetoric and its modern application, provides a foundation for such a discourse-whose ultimate goal, in the tradition of the ancients, is democratic discussion of civic issues.

Arayathinal’s grammar is among the most comprehensive Syriac grammars ever produced. Designed as a teaching text, this volume is also a solid reference grammar for use by advanced scholars and beginners alike.

Arayathinal’s grammar is among the most comprehensive Syriac grammars ever produced. Designed as a teaching text, this volume is also a solid reference grammar for use by advanced scholars and beginners alike.

Arayathinal’s grammar is among the most comprehensive Syriac grammars ever produced. Designed as a teaching text, this volume is also a solid reference grammar for use by advanced scholars and beginners alike.

Langston Hughes was one of the most important American writers of his generation, and one of the most versatile, producing poetry, fiction, drama, and autobiography. In this innovative study, R. Baxter Miller explores Hughes's life and art to enlarge our appreciation of his contribution to American letters. Arguing that readers often miss the complexity of Hughes's work because of its seeming accessibility, Miller begins with a discussion of the writer's auto-biography, an important yet hitherto neglected key to his imagination. Moving on to consider the subtle resonances of his life in the varied genres over which his imagination "wandered," Miller finds a constant symbiotic bond between the historical and the lyrical. The range of Hughes's artistic vision is revealed in his depiction of Black women, his political stance, his lyric and tragi-comic modes.This is one of the first studies to apply recent methods of literary analysis, including formalist, structuralist, and semiotic criticism, to the work of a Black American writer. Miller not only affirms in Hughes's work the peculiar qualities of Black American culture but provides a unifying conception of his art and identifies the primary metaphors lying at its heart.Here is a fresh and coherent reading of the work of one of the twentieth century's greatest voices, a reinterpretation that renews our appreciation not only of Black American text and heritage but of the literary imagination itself.

Managing Literacy, Mothering America accomplishes two monumental tasks. It identifies and defines a previously unstudied genre, the domestic literacy narrative, and provides a pioneering cultural history of this genre from the early days of the United States through the turn of the twentieth century.Domestic literacy narratives often feature scenes that depict women-mostly middle-class mothers-teaching those in their care to read, write, and discuss literature, with the goal of promoting civic participation. These narratives characterize literature as a source of shared knowledge and social improvement. Authors of these works, which were circulated in a broad range of publication venues, imagined their readers as contributing to the ongoing formation of an idealized American community.At the center of the genre's history are authors such as Lydia Sigourney, Catharine Maria Sedgwick, and Frances Harper, who viewed their writing as a form of teaching for the public good. But in her wide-ranging and interdisciplinary investigation, Robbins demonstrates that a long line of women writers created domestic literacy narratives, which proved to be highly responsive to shifts in educational agendas and political issues throughout the nineteenth century and beyond.Robbins offers close readings of texts ranging from the 1790s to the 1920s. These include influential British precursors to the genre and early twentieth-century narratives by women missionaries that have been previously undervalued by cultural historians. She examines texts by prominent authors that have received little critical attention to date-such as Lydia Maria Child's Good Wives--and provides fresh context when discussing the well-known works of the period. For example, she reads Uncle Tom's Cabin in relation to Harriet Beecher Stowe's education and experience as a teacher.Managing Literacy, Mothering America is a groundbreaking exploration of nineteenth-century U.S. culture, viewed through the lens of a literary practice that promoted women's public influence on social issues and agendas.

This volume is the first in a series of collected essays that addresses issues of Syriac linguistics as they relate to a contemporary approach to lexicography. The international team of authors invited to participate represents a wide range of disciplines and opens new horizons in lexical thinking. Special emphasis is placed on the role that technology has, does, and will play in the evolving field of lexicography.

Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster's Aspects of the Novel and Lajos Egri's Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere.

Translated for the first time, with annotations and useful additions, this long under-appreciated work of S. D. Luzzatto is now available to modern scholars. A history of both Hebrew and Hebrew scholarship, it is replete with valuable information and insight.

"The evil that men do" has been chronicled for thousands of years on the European stage, and perhaps nowhere else is human fear of our own evil more detailed than in its personifications in theater. In Stages of Evil, Robert Lima explores the sociohistorical implications of Christian and pagan representations of evil and the theatrical creativity that occultism has engendered. By examining examples of alchemy, astronomy, demonology, exorcism, fairies, vampires, witchcraft, hauntings, and voodoo in prominent plays, Stages of Evil explores American and European perceptions of occultism from medieval times to the modern age.

For over two hundred years, Kentucky has inspired many of the nation's finest writers, both natives of the Bluegrass State and outsiders who were entranced by its rich natural wonders and culture. Now, for the first time, celebrated Kentucky literary historian Wade Hall has assembled a comprehensive collection of writings embodying the hopes, concerns, and aspirations that have made the state unique and yet so typically American. Hunters, soldiers, adventurers, tourists, farmers, lawyers, preachers, educators, journalists, historians, playwrights, poets, and novelists offer readers an unparalleled literary tour of Kentucky. Early descriptive and political writings by such figures as George Rogers Clark, John James Audubon, and Henry Clay give way to the flourishing body of poetry and fiction by such authors as John Fox Jr., Irvin S. Cobb, James Lane Allen, Elizabeth Madox Roberts, and Robert Penn Warren. The concerns of contemporary nationally known Kentucky writers Bobbie Ann Mason, Silas House, Sena Jeter Naslund, Sue Grafton, Frank X Walker, Barbara Kingsolver, and Maurice Manning center on the struggle to reconcile the place they call home with an increasingly global community. The Kentucky Anthology is the ultimate celebration of the state's literary heritage, which Wendell Berry once described as "local life aware of itself."