Speculative Fictions views the Chilean neoliberal transition as reflected in cultural production from the postdictatorship era of the 1970s to the present. To Alessandro Fornazzari, the move to market capitalism effectively blurred the lines between economics and aesthetics, perhaps nowhere more evidently than in Chile. Through exemplary works of film, literature, the visual arts, testimonials, and cultural theory, Fornazzari reveals the influence of economics over nearly every aspect of culture and society. Citing Karl Marx, Michel Foucault, Walter Benjamin, Willy Thayer, Milton Friedman, and others, Fornazzari forms the theoretical basis for his neoliberal transitional discourse as a logical progression of capitalism. Fornazzari identifies Casa de campo, Jos\u00e9 Donoso’s allegory of the military coup of 1973 and the ensuing monetary crisis, as a harbinger of transitional texts, challenging them to explore new forms of abstraction. Those forms are explored in the novels Oir su voz by Arturo Fontaine and Mano de obra by Diamela Eltit, where Fornazzari examines divergent views of workers in the form of neoliberal human capital or post-Fordist immaterial labor. In documentaries by Patricio Guzm\u00e1n and Silvio Caiozzi, he juxtaposes depictions of mass mobilization and protest to the mass marketing of individual memory and loss, claiming they serve as symbols of the polarities of dictatorship and neoliberalism. Fornazzari then relates the subsuming of the individual under both fascism and neoliberalism by recalling the iconic imbunche (a mutilated figure whose orifices have been sewn closed) in works by Donoso and the visual artist Catalina Parra. He continues the theme of subsumption in his discussion of the obliteration of the divide between physical labor and intellectualism under neoliberalism, as evidenced in the detective novel A la sombra del dinero by Ram\u00f3n D\u00edaz Eterovic.In these examples and others, Fornazzari presents a firmly grounded theoretical analysis that will appeal to Latin Americanists in general and to those interested in the intersection of economics and culture. The Chilean experience provides a case study that will also inform students and scholars of neoliberal transitions globally.

In Ambient Rhetoric, Thomas Rickert seeks to dissolve the boundaries of the rhetorical tradition and its basic dichotomy of subject and object. With the advent of new technologies, new media, and the dispersion of human agency through external information sources, rhetoric can no longer remain tied to the autonomy of human will and cognition as the sole determinants in the discursive act. Rickert develops the concept of ambience in order to engage all of the elements that comprise the ecologies in which we exist. Culling from Martin Heidegger’s hermeneutical phenomenology in Being and Time, Rickert finds the basis for ambience in Heidegger’s assertion that humans do not exist in a vacuum; there is a constant and fluid relation to the material, informational, and emotional spaces in which they dwell. Hence, humans are not the exclusive actors in the rhetorical equation; agency can be found in innumerable things, objects, and spaces. As Rickert asserts, it is only after we become attuned to these influences that rhetoric can make a first step toward sufficiency.Rickert also recalls the foundational Greek philosophical concepts of kairos (time), chora (space/place), and periechon (surroundings) and cites their repurposing by modern and postmodern thinkers as \u201cinformational scaffolding\u201d for how we reason, feel, and act. He discusses contemporary theory in cognitive science, rhetoric, and object-oriented philosophy to expand his argument for the essentiality of ambience to the field of rhetoric. Rickert then examines works of ambient music that incorporate natural and artificial sound, spaces, and technologies, finding them to be exemplary of a more fully resonant and experiential media.In his preface, Rickert compares ambience to the fermenting of wine—how its distinctive flavor can be traced to innumerable factors, including sun, soil, water, region, and grape variety. The environment and company with whom it’s consumed further enhance the taste experience. And so it should be with rhetoric—to be considered among all of its influences. As Rickert demonstrates, the larger world that we inhabit (and that inhabits us) must be fully embraced if we are to advance as beings and rhetors within it.

Saul Bellow is one of the twentieth century's most influential, respected, and honored writers. His novels The Adventures of Augie March, Herzog, and Mr. Sammler's Planet won the National Book Award, and Humboldt's Gift was awarded the 1976 Pulitzer Prize for fiction. In addition, his plays garnered popular and critical acclaim, and some were produced on Broadway. Known for his insights into life in a post-Holocaust world, Bellow's explorations of modernity, Jewish identity, and the relationship between art and society have resonated with his readers, but because his writing is not overtly political, his politics have largely been ignored. A Political Companion to Saul Bellow examines the author's novels, essays, short stories, and letters in order to illuminate his evolution from liberal to neoconservative. It investigates Bellow's exploration of the United States as a democratic system, the religious and ideological influences on his work, and his views on race relations, religious identity, and multiculturalism in the academy. Featuring a fascinating conclusion that draws from interviews with Bellow's sons, this accessible companion is an excellent resource for understanding the political thought of one of America's most acclaimed writers.

Too many incoming students are fluent in English but unable to discuss the language grammatically. Introductory language courses and textbooks often assume a proficiency and familiarity with grammatical terms that is not possessed by the students. This guide delivers an understanding of English grammar starting from simple concepts and presupposing no background or vocabulary. This book is designed as a textbook and a reference for students beginning a New Testament Greek, Biblical Hebrew, Aramaic or Latin course.

A student’s avatar navigates a virtual world and communicates the desires, emotions, and fears of its creator. Yet, how can her writing instructor interpret this form of meaningmaking?Today, multiple modes of communication and information technology are challenging pedagogies in composition and across the disciplines. Writing instructors grapple with incorporating new forms into their curriculums and relating them to established literary practices. Administrators confront the application of new technologies to the restructuring of courses and the classroom itself. Multimodal Literacies and Emerging Genres examines the possibilities, challenges, and realities of mutimodal composition as an effective means of communication. The chapters view the ways that writing instructors and their students are exploring the spaces where communication occurs, while also asking \u201cwhat else is possible.\u201d The genres of film, audio, photography, graphics, speeches, storyboards, PowerPoint presentations, virtual environments, written works, and others are investigated to discern both their capabilities and limitations. The contributors highlight the responsibility of instructors to guide students in the consideration of their audience and ethical responsibility, while also maintaining the ability to \u201cspeak well.\u201d Additionally, they focus on the need for programmatic changes and a shift in institutional philosophy to close a possible \u201cdigital divide\u201d and remain relevant in digital and global economies. Embracing and advancing multimodal communication is essential to both higher education and students. The contributors therefore call for the examination of how writing programs, faculty, and administrators are responding to change, and how the many purposes writing serves can effectively converge within composition curricula.

Fantasy worlds are never mere backdrops. They are an integral part of the work, and refuse to remain separate from other elements. These worlds combine landscape with narrative logic by incorporating alternative rules about cause and effect or physical transformation. They become actors in the drama-interacting with the characters, offering assistance or hindrance, and making ethical demands. In Here Be Dragons, Stefan Ekman provides a wide-ranging survey of the ubiquitous fantasy map as the point of departure for an in-depth discussion of what such maps can tell us about what is important in the fictional worlds and the stories that take place there. With particular focus on J. R. R. Tolkien's The Lord of the Rings, Ekman shows how fantasy settings deserve serious attention from both readers and critics. Includes insightful readings of works by Steven Brust, Garth Nix, Robert Holdstock, Terry Pratchett, Charles de Lint, China Miéville, Patricia McKillip, Tim Powers, Lisa Goldstein, Steven R. Donaldson, Robert Jordan, and Neil Gaiman and Charles Vess.

Science fiction emerged in Russia considerably earlier than its English version and instantly became the hallmark of Russian modernity. We Modern People investigates why science fiction appeared here, on the margins of Europe, before the genre had even been named, and what it meant for people who lived under conditions that Leon Trotsky famously described as "combined and uneven development." Russian science fiction was embraced not only in literary circles and popular culture, but also by scientists, engineers, philosophers, and political visionaries. Anindita Banerjee explores the handful of well-known early practitioners, such as Briusov, Bogdanov, and Zamyatin, within a much larger continuum of new archival material comprised of journalism, scientific papers, popular science texts, advertisements, and independent manifestos on social transformation. In documenting the unusual relationship between Russian science fiction and Russian modernity, this book offers a new critical perspective on the relationship between science, technology, the fictional imagination, and the consciousness of being modern.

From the outset, experimental writing has been viewed as a means to afford a more creative space for students to express individuality, underrepresented social realities, and criticisms of dominant socio-political discourses and their institutions. Yet, the recent trend toward multimedia texts has left many composition instructors with little basis from which to assess these new forms and to formulate pedagogies. In this original study, Patricia Suzanne Sullivan provides a critical history of experimental writing theory and its aesthetic foundations and demonstrates their application to current multimodal writing. Sullivan unpacks the work of major scholars in composition and rhetoric and their theories on aesthetics, particularly avant-gardism. She also relates the dialectics that shape these aesthetics and sheds new light on both the positive and negative aspects of experimental writing and its attempts to redefine the writing disciplines. Additionally, she shows how current debates over the value of multimedia texts echo earlier arguments that pitted experimental writing against traditional models. Sullivan further articulates the ways that multimedia is and isn’t changing composition pedagogies, and provides insights into resolving these tensions.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

A celebration of holiday poetry, fiction, essays, recipes, and songs by more than sixty of the Bluegrass state's finest writers. Gathered here are writings from some of the legendary voices of Kentucky -- and the nation -- as well as original Christmas stories and poetry from some of the state's emerging talents. Among the contributors to this handsome collection are Kentucky's visionaries, storytellers, historians, singers, cooks, children's authors, and poets, including all five Kentucky Poet Laureates. A delight for anyone interested in Kentucky literature, history, or traditions, A Kentucky Christmas promises to be a wonderful holiday gift, a treasured family keepsake, and a necessary addition for libraries and for personal collections.

Guide, grammar, and phrasebook of Eastern Syriac as spoken by the native populace, written for officers in the British Mandate of Iraq so they could understand the language of the native military forces in the area.

This volume contains Neo-Aramaic texts, with German translation, from various regions between Urmia and Mosul, a collection of 27 narratives (including proverbs and songs) that offer a wealth of cultural information.

In this essay, Lamy discusses the Chronography of east Syriac author Elias of Nisibis (975-1046). Numerous extracts in Syriac and in French translation are included.

Presented here is a complete Hebrew grammar compiled by the learned Venetian rabbi Elijah Levita.

This impressive volume is a collection of inscriptions, mostly Syriac, but also two in Akkadian and some in Aramaic, collected by Pognon during travels in the Middle East. They are accompanied with detailed notes and French translations.

This grammatical study focuses on how the relative particle is used in the Demonstrations of fourth century Syriac author Aphrahat. A great number of examples from Aphrahat’s writings are included in both Syriac and in German translation.