Challenging assumptions about science fiction’s Western origins, Nathaniel Isaacson traces the development of the genre in China, from the late Qing Dynasty through the New Culture Movement. Through careful examination of a wide range of visual and print media—including historical accounts of the institutionalization of science, pictorial representations of technological innovations, and a number of novels and short stories—Isaacson makes a case for understanding Chinese science fiction as a product of colonial modernity. By situating the genre’s emergence in the transnational traffic of ideas and material culture engendered by the presence of colonial powers in China’s economic and political centers, Celestial Empires explores the relationship between science fiction and Orientalist discourse. In doing so it offers an innovative approach to the study of both vernacular writing in twentieth-century China and science fiction in a global context.

For fifty years Samuel Delany has cultivated a special relationship with language in works of fiction, criticism, and memoir that have garnered critical praise and legions of fans. The present volume – the first in a series – reveals a new dimension of his genius. In Search of Silence presents over a decade’s worth of Delany’s private journals, commencing in 1957 when he was still a student at the Bronx High School of Science, and ending in 1969 when he was living in San Francisco and on the verge of reconceiving the novel that would become Dhalgren. In these pages, Delany muses on the writing of the stories that will establish him as a science fiction wunderkind, the early years of his marriage to the poet Marilyn Hacker, performances as a singer-songwriter during the heyday of the American folk revival, travels in Europe, experiences in a New York City commune, and much more – and crosses paths with artists working in many genres, including poets such as Robert Frost, W. H. Auden, and Marie Ponsot, and science fiction writers such as Arthur C. Clarke, Michael Moorcock, Roger Zelazny, and Joanna Russ. Delany scholar Kenneth R. James presents the journal entries alongside generous samplings of story outlines, poetry, fragments of novels and essays that have never seen publication, and more; James also provides biographical synopses and an extensive set of endnotes to supply contextual information and connect journal material to Delany’s published work.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

Today, movie theaters are packed with audiences of all ages marveling to exciting science fiction blockbusters, many of which are also critically acclaimed. However, when the science fiction film genre first emerged in the 1950s, it was represented largely by exploitation horror films—lurid, culturally disreputable, and appealing to a niche audience of children and sci-fi buffs. How did the genre evolve from B-movie to blockbuster? Escape Velocity charts the historical trajectory of American science fiction cinema, explaining how the genre transitioned from eerie low-budget horror like It Came from Outer Space to art films like Slaughterhouse-Five, and finally to the extraordinary popularity of hits like E.T. Bradley Schauer draws on primary sources such as internal studio documents, promotional materials, and film reviews to explain the process of cultural, aesthetic, and economic legitimation that occurred between the 1950s and 1980s, as pulp science fiction tropes were adapted to suit the tastes of mainstream audiences. Considering the inescapable dominance of today’s effects-driven blockbusters, Escape Velocity not only charts the history of science fiction film, but also gives an account of the origins of contemporary Hollywood.

Don Giovanni chooses a piazza as a place for a lover’s tryst: a piazza that was once, in other times, a theatre of torture and death. The recurring vision of a wooden monument in flames, erected in the great piazza in memory of a man of free thought, is a source of constant disquiet for Don Giovanni, a frightfully terrible trial that evokes fear, anxiety, terror and horror. The image of the wooden monument burning keeps coming back to Don Giovanni’s mind, to the extent that it becomes an obsession, which in the end the great personage realises it somehow represents the inexorable tragic epilogue of his own life. A group of ten people, men and women, persecute Don Giovanni, the loathed seducer, manifestly seeking revenge. Again and again they scorn and sully his senses, the source of his faculty of love, with the aim of crippling his sense of taste, hearing, smell, touch and sight. Deformed in body and humiliated in thought, Don Giovanni wanders the capitals of the world, desperate, now incapable of loving, doomed to die.

Ancient language study is becoming an increasingly sophisticated and complex discipline, as scholars not only consider methods being used by specialists of other languages, but also absorb developments in other disciplines to facilitate their own research investigations. This interdisciplinary approach is reflected in the scope of research papers offered here, invited and peer-reviewed by the ISLP.

The articles in this number of Romantik include new research on reverie and dream as the locus of metaphor in Percy Bysshe Shelley’s Prometheus Unbound; an enquiry into the Royal Swedish Society for the Publication of Manuscripts Relating to Scandinavian History and the role it played in the construction of national memory and heritage; a discussion of Philippe Jacques de Loutherbourg’s and John Martin’s iconographies of the sublime in the intersection between art and popular visual spectacle; archival discoveries related to the publication of medieval romance in early nineteenth-century Britain; and a reassessment of The Prelude as a formation narrative, arguing that William Wordsworth displays a conflicted attitude to the growth and progress usually found in the Bildungsroman. The journal also contains reviews of new books on the romantic period published in the Nordic countries.

This is the first-ever study of Judeo-Urdu, that is, the Hindi/Urdu language written in Hebrew script. It provides background and an introduction to the Judeo-Urdu corpus, presents nearly two hundred entries from one text — a Hebrew-Judeo-Urdu glossary — and analyzes the orthography, phonology, and morphology of Judeo-Urdu. Comparison is made to standard Hindi and Urdu, from which Judeo-Urdu diverges in many interesting ways.

Marilynne Robinson is arguably one of the most important writers of our time. Her voice resonates across the richly imagined American landscapes within which she grounds her stories of love and loss, alienation and belonging, injustice and redemption. Robinson's award-winning body of work -- including Gilead, winner of the 2005 Pulitzer Prize for Fiction and the National Book Critics Circle Award; Home, winner of the Orange Prize and the Los Angeles Times Book Prize; and Lila, winner of the National Book Critics Circle Award -- has cultivated admiration all over the world, offering readers new and profound interpretations of the meanings of transience, presence, convention, and resistance. In A Political Companion to Marilynne Robinson, Shannon L. Mariotti and Joseph H. Lane Jr. assemble both rising and established political theorists to explore the juxtaposition of Robinson's nonfiction works and her novels, and to examine their connections to contemporary political issues. The collection analyzes Robinson's writings on American democracy, community, and freedom, and it includes an engrossing interview with the author specifically conducted for this volume. From an exploration of the democratic potential in being a "housekeeper of homelessness" to a study of models of action against racial injustice, this volume provides fascinating new insights into Robinson's work and how it reflects and reassesses American political culture and theory.

Carl Abbott, who has taught urban studies and urban planning in five decades, brings together urban studies and literary studies to examine how fictional cities in work by authors as different as E. M. Forster, Isaac Asimov, Kim Stanley Robinson, and China Miéville might help us to envision an urban future that is viable and resilient. Imagining Urban Futures is a remarkable treatise on what is best and strongest in urban theory and practice today, as refracted and intensely imagined in science fiction. As the human population grows, we can envision an increasingly urban society. Shifting weather patterns, rising sea levels, reduced access to resources, and a host of other issues will radically impact urban environments, while technology holds out the dream of cities beyond Earth. Abbott delivers a compelling critical discussion of science fiction cities found in literary works, television programs, and films of many eras from Metropolis to Blade Runner and Soylent Green to The Hunger Games, among many others.

The Journal of Language Relationship is an international periodical publication devoted to the issues of comparative linguistics and the history of the human language. The Journal contains articles written in English and Russian, as well as scientific reviews, discussions and reports from international linguistic conferences and seminars.

Sarah Fielding (1710-1768), the younger sister of Henry Fielding, and the close friend of his literary rival Samuel Richardson, was one of the very few English women to master ancient languages like Latin and Greek. With the help of Shaftesbury's nephew, James Harris, a distinguished writer, scholar and grammarian, she embarked on the ambitious project of translating Xenophon's Memorabilia and the Apology of Socrates from the Greek. This work, titled Memoirs of Socrates, with the Defence of Socrates before his Judges, was finally released in 1762. She proved a discreet editor and a talented Hellenist, whose elegant style garnered praise from Tobias Smollett in his Critical Review. This superb translation is re-published in its entirety for the first time since the 18th century.

El Diccionario Gorgias Siriaco-Español, basado en el Gorgias Concise Syriac-English, English-Syriac Dictionary de Brock y Kiraz, ha sido concebido como un recurso académico, concebido tanto para el siriaco clásico como para el siriaco literario moderno. A Concise Syriac-Spanish Dictionary. Based on Brock and Kiraz's 2015 Gorgias Concise Syriac-English, English-Syriac Dictionary, it is designed to be a convenient academic resource for Classical Syriac.

The aim of this collection of essays is to explore “negative characters” in espionnage narratives of some of the most esteemed English writers, such as Conrad, Maugham, Ambler, Greene, Fleming, MacEwan, among others. The role of women will be analysed, in particular with the figure of Mata Hari, so as to provide a gender perspective on women as villains and /or double agents. The relationship between literature and film studies will also be considered in a comparative approach.

This volume reassesses the field of Chicana/o literary studies in light of the rise of Latina/o studies, the recovery of a large body of early literature by Mexican Americans, and the "transnational turn" in American studies. The chapters reveal how "Chicano" defines a literary critical sensibility as well as a political one and show how this view can yield new insights about the status of Mexican Americans, the legacies of colonialism, and the ongoing prospects for social justice. Chicana/o literary representations emerge as significant examples of the local that interrogate globalization's attempts to erase difference. They also highlight how Chicana/o literary studies' interests in racial justice and the minority experience have produced important intersections with new disciplines while also retaining a distinctive character. The recalibration of Chicana/o literary studies in light of these shifts raises important methodological and disciplinary questions, which these chapters address as they introduce the new tools required for the study of Chicana/o literature at this critical juncture.

Fernando J. Rosenberg explores Latin American artistic production concerned with the possibility of justice after the establishment, rise, and ebb of the human rights narrative around the turn of the last century. Prior to this, key literary and artistic projects articulated Latin American modernity by attempting to address and supplement the state's inability to embody and enact justice. Rosenberg argues that since the topics of emancipation, identity, and revolution no longer define social concerns, Latin American artistic production is now situated at a point where the logic and conditions of marketization intersect with the notion of rights through which subjects define themselves politically. Rosenberg grounds his study in discussions of literature, film, and visual art (novels of political refoundations, fictions of truth and reconciliation, visual arts based on cases of disappearance, films about police violence, artistic collaborations with police forces, and judicial documentaries). In doing so, he provides a highly original examination of the paradoxical demands on current artistic works to produce both capital value and foster human dignity.