Broke Neck, Kentucky, lies deep in Appalachia. Its people are descendents of the men and women who settled the country during the Revolutionary War, and their ways have not changed much in the past two hundred years.Shady Grove chronicles the riotous adventures and misadventures of Broke Neck's Fowler clan, among them Frony, the feisty and articulate widow who narrates the tale, and Sudley, the thrice-married farmer and quintessential "ridge man. " Sudley, who wields considerable political influence among his kin and community, isn't happy when a new preacher from "outside" comes in from his city-based denomination with ideas about what's wrong in Broke Neck. What follows is a compelling example of the tension between urban viewpoints and rural traditions, a central conflict in Appalachia.The town's delicate balance is disturbed when other outsiders -- federal revenue officials and four suitors responding to a personal ad -- converge in an unlikely climax that is both comic and telling. In her last book of fiction about her adopted Kentucky homeland, Janice Holt Giles cleverly dispels the common stereotypes of rural peoples by creating honest, believable characters who cherish their soil, churches, songs, and lines of kin. Shady Grove is a novel that makes us laugh and touches our hearts.Janice Holt Giles (1905-1979), author of nineteen books, lived and wrote near Knifley, Kentucky, for thirty-four years. Her biography is told in Janice Holt Giles: A Writer's Life.

Lumen was first published by Camille Flammarion (1842-1925) in 1872 as part of the Stories of Infinity collection. Flammarion was a well-known French astronomer, writer and highly successful popularizer of science during the late 19th century. This famous novel, written in the form of a philosophical dialogue, features a cosmic spirit named Lumen who reveals the scientific wonders of the celestial universe to Quaerens, a young seeker of knowledge. Within its pages, the author mixes empirical observations about the nature and speed of light with vivid speculations about such diverse subjects as reincarnation, time travel, the reversibility of history and the ecospheres of alien planets. Lumen is one of the first science fiction novels to include detailed descriptions of alien life forms and the first to imagine (30 years before Einstein's theory of relativity) the differences in perception that might result from traveling at velocities close to and beyond the speed of light. This Wesleyan edition is the first English translation of the original French text in over a hundred years. The volume includes notes, appendices and a critical introduction.

The Battle of the Sexes in Science Fiction is a lively account of the role of women and feminism in the development of American science fiction during its formative years, the mid-20th century. Beginning in 1926, with the publication of the first issue of Amazing Stories, Justine Larbalestier examines science fiction's engagement with questions of femininity, masculinity, sex and sexuality. She traces the debates over the place of women and feminism in science fiction as it emerged in stories, letters and articles in science fiction magazines and fanzines. The book culminates in the story of James Tiptree, Jr. and the eponymous Award. Tiptree was a successful science fiction writer of the 1970s who was later discovered to be a woman. Tiptree's easy acceptance by the male-dominated publishing arena of the time proved that there was no necessary difference in the way men and women wrote, but that there was a real difference in the way they were read.

The last book Giles published before her death in 1979, Wellspring has been out of print for years.The nineteen selections bring together Giles's fiction, nonfiction, autobiography, and fictionalized autobiography to reveal a behind-the-scenes look at her life, her family, her love for her adopted state of Kentucky and its people, her politics, her favorite authors, her thoughts on writing, and her views of her own work. Wellspring is available again for old and new readers of Janice Holt Giles. Janice Holt Giles (1905-1979), author of nineteen books, lived and wrote near Knifley, Kentucky, for thirty-four years. Her biography is told in Janice Holt Giles: A Writer's Life.

These nine stories are teeming with people on the margins, where destitute New Yorkers and determined immigrants are as much at the mercy of social services, media attention, opportunistic politicians, and \u0022quality-of-life\u0022 campaigns as they are prey to grinding poverty, dangerous streets, and their own haunting memories. Delving into Lucy Honig's fiction, one is willingly drawn into an intimacy with these resilient, but flawed characters—among them, a woman who cleans a beauty salon, a high school kid who\u2019s lost a parent, a runaway Cambodian bride, an actress, and a homeless woman. Crossing paths, these difficult characters often misunderstand and sometimes demean each other, yet they also redeem and rescue one other in odd and unexpected ways. In The Truly Needy, Lucy Honig has created a heartbreaking, imaginative world that is the American urban landscape.

At a time when Verne is making a comeback in the US as a mainstream literary figure, Wesleyan is pleased to publish a new translation of one of his best-known novels, The Mysterious Island. Although several editions under the same title are in print, most reproduce a bowdlerized nineteenth-century translation which changes the names of the characters, omits several important scenes, and ideologically censors Verne's original text.The Mysterious Island was published in 1874, and it is one of Verne's longest novels. The plot depicts a group of men who have become castaways stranded on an island in the Pacific during the American Civil War. The novel describes their attempts not only to survive but also, with the aid of the scientific and technological know-how, to rebuild their world from the meager resources of the island. At the end, however, it is realized that Captain Nemo, from Twenty Thousand Leagues Under the Sea, has secretly been helping the settlers. A marvelous adventure story, The Mysterious Island is also notable for its modern retelling of the utopian deserted-island myth, with repeated echoes of Robinson Crusoe and the Swiss Family Robinson. This Wesleyan edition features notes, appendices and an introduction by Verne scholar William Butcher, as well as reproductions of the illustrations from the original French edition.

Brion Gysin (1916-1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the 'cut-up' technique -- a collage of texts, not pictures -- which his longtime collaborator William S. Burroughs put to more extensive use. He is also considered one of the early innovators of sound poetry, which he defines as 'getting poetry back off the page and into performance. ' Back in No Time gathers materials from the entire Gysin oeuvre: scholarly historical study, baroque fiction, permutated and cut-up poetry, unsettling memoir, selections from The Process and The Last Museum, and his unproduced screenplay of Burroughs' novel Naked Lunch. In addition, the Reader contains complete texts of several Gysin pieces that are difficult to find, including "Poem of Poems," "The Pipes of Pan," and "A Quick Trip to Alamut."

More than thirty stories, plays, poems, and songs featuring the making of quilts--written from 1845 to the present, mainly by American women--document women's literary history. Featuring the work of Bobbie Ann Mason, Joyce Carol Oates, Alice Walker, Sharyn McCrumb, Harriet Beecher Stowe, Marge Piercy, Adrienne Rich, and many others, Quilt Stories is a colorful literary album of stories, poems, and plays that celebrate quilting as a pattern in women's history. These stories -- grouped under the themes of memory, courtship, struggle, mystery, and wisdom -- reflect the importance of quilting in the lives of American women, not only as a practical craft and a creative outlet, but also as an integral part of the social community.

After writing Hill Man, Janice Holt Giles said, "I was struck by its strength. It is the most realistic ridge book we have written, completely honest and presenting the truest picture of most of the ridge men."Giles originally published the book in paperback in 1954 under the pseudonym John Garth. Her usual publisher declined to issue the novel, arguing that it was too sexual and violent for a writer whose other books were popular family book club selections. Now one of the most sought-after novels in the Giles canon, Hill Man is desired as much for its rarity as for its compelling and unromanticized portrayal of poor, rural Kentuckians. This special edition marks the first time the book has ever been available in hardback.The novel's hero is Rady Cromwell, a man with dangerous ways that make men admire him and women love him. Born the son of a preacher in the hills of Kentucky, Rady grows into a shrewd but likeable prankster and hell-raiser with a gift for separating people from their money. Beginning his adult life with nothing more than a gun, a dog, and a guitar, Rady becomes a backwoods entrepreneur, working diligently to climb the social and economic ladder.Hill Man follows Rady from his poor beginnings through his conquests of various women and pieces of property. Bold, inventive, hard working, and good natured, Rady follows every opportunity that comes along and takes great pride in raising a herd of cattle or a successful crop of corn or tobacco. Yet he also delights in singing folk ballads around a fire, in the thrill of a foxhunt by moonlight, and in the refreshing waters of a stream after a long day in the fields.

Carl Freedman traces the fundamental and mostly unexamined relationships between the discourses of science fiction and critical theory, arguing that science fiction is (or ought to be) a privileged genre for critical theory. He asserts that it is no accident that the upsurge of academic interest in science fiction since the 1970s coincides with the heyday of literary theory, and that likewise science fiction is one of the most theoretically informed areas of the literary profession. Extended readings of novels by five of the most important modern science fiction authors illustrate the affinity between science fiction and critical theory, in each case concentrating on one major novel that resonates with concerns proper to critical theory. Freedman's five readings are: Solaris: Stanislaw Lem and the Structure of Cognition; The Dispossessed: Ursula LeGuin and the Ambiguities of Utopia; The Two of Them: Joanna Russ and the Violence of Gender; Stars in My Pocket Like Grains of Sand: Samuel Delany and the Dialectics of Difference; The Man in the High Castle: Philip K. Dick and the Construction of Realities.

First published in an era when most novels about young women concentrated on courtship and ended with marriage, The Recess daringly portrays women involved in political intrigues, overseas journeys, and even warfare. The novel is set during the reign of Elizabeth I and features as narrators twin daughters of Mary, Queen of Scots, by a secret marriage. One of the earliest Gothic novels, The Recess pioneered the genre of historical fiction. The novel was also one of the first to describe characters and events from conflicting points of view and was wildly popular in its day.

Winner of the 1997 Appalachian Studies Award Appalachian Writers Association 1999 Book of the Year Winner of the Susan Koppleman Award of the Popular Culture Association for Best Edited Collection in Women's Studies Joyce Dyer is director of writing and associate professor of English at Hiram College, Ohio."

Considered her finest work and an American classic, Roberts's novel traces the coming of age of Ellen Chesser, the daughter of a poor itinerant farmer. Against all privations and the forces that would subdue her, Ellen is sustained by a sense of wonder and by an awareness of her own being. Reduced to the bare elements of life, her world becomes a ceremony of daily duties that bind her to the natural world and her family. The Time of Man stands as a beautifully written tribute to the human spirit.

A young Victorian doctor seeks a miraculous cure for the "pederast's wife." This is a fascinating novel about the world of late Victorian England, the "new" medicine, sex and scandals, and a revealing portrait of the suffering woman who was in the shadows during the famous Oscar Wilde trial - his wife, Constance Wilde. Clare Elfman paints a vivid picture of this Victorian world: genteel rooms where gentlewomen buttoned to the throat and trapped in log-o-mutton sleeves take tea among the lady fern and aspidistra, while in hidden rooms a fin-de-siecle decadence culminates in the shocking trial of Oscar Wild for "gross indecency. " "With skill and finesse, Elfman speculates on the strange marriage of Oscar and Constance Wilde.. Elfman uses fine period detail to create a Victorian setting in which her character's wickedly clever dialogue runs true." - Publishers Weekly

" Golden Kite Award winner, 1989 Booklist, Editor's Choice School Library Journal, Best Books of 1988 Publisher's Weekly, Best Books of 1988 Twelve-year-old Amanda Perritt is pitched head-first into adult responsibilities when she has to quit school to care for her newborn brother and invalid mother. She gets an excape, she thinks, when she's offered a trip to stay with her grandmother and her sophisticated Aunt Laura in Memphis. But during the visit, she discovers unexpected parallels between her mother's childhood and her own and comes to understand her own individuality as well as what it means to be part of a family.

The Reform'd Coquette (1724) tells the story of Amoranda, a good but flighty young woman whose tendency toward careless behavior is finally tamed. Familiar Letters Betwixt a Gentleman and a Lady (1725), a satire of both political debate and women's place in society, portrays a Tory man and a Whig woman who find themselves discussing love, even though they have pledged to remain platonic friends. The Accomplish'd Rake (1727) follows the exploits of Sir John Galliard from youth to manhood, when he is forced to accept responsibility for his actions. Mary Davys (1674?-1732) was one of the earliest female novelists in Britain, and after the death of her husband she supported herself by writing and running a coffeehouse. Her writing sparkles, especially in its witty dialogue. Although these three short epistolary novels are framed in a clear moral universe in which virtue is rewarded and transgressions is punished, her works are not overtly religious and punishment is as likely to come from society as from providence.