On March 15, 1865, three weeks before the end of the Civil War, twenty-year-old M. Jerome Clarke was hanged as a Confederate guerrilla in Louisville, Kentucky, as a crowd of thousands looked on. In the official charges against him, Clarke's description included the alias "Sue Mundy. " By the time of his execution, Sue Mundy had earned a reputation as the region's most dangerous and enigmatic female outlaw. Sue Mundy is the story of Jerome Clarke, a quiet orphan boy who follows a near relative into the ranks of the Confederate infantry. Following his capture by Union forces and his subsequent escape, Jerome joins John Hunt Morgan's notorious Raiders. After Morgan's death, Jerome becomes a Confederate ""irregular,"" one of the many guerrillas in Kentucky who ignored the rules of military engagement and the laws of the land. As stability and familiarity disappear from his and his compatriots' lives, Jerome is unwillingly transfigured by the chaos of war and the efforts of an ambitious journalist into Sue Mundy, she-scourge of Kentucky Unionists. Richard Taylor seamlessly joins narrative and history to tell the compelling story of the Civil War in a state dangerously divided, neighbor against neighbor. Meticulously researched and elegantly written, Sue Mundy reveals the psychology of one of the Civil War's most fascinating figures while providing an accurate account of this tumultuous period in American history.

This entertaining anthology delivers great reading and an overview of German-language science fiction, including works by the "German father of science fiction" Kurd Lasswitz, the Austrian writer Ludwig Hevesi (author of "Jules Verne in Hell"), the fantasist Paul Scheerbart (a scurrilous, idiosyncratic writer who was an outsider in both literature and science fiction), popular writers Otto Willi Gail and Hans Dominik, as well as the contemporary luminaries of the genre: Wolfgang Jeschke, Herbert W. Franke, Andreas Eschbach, and Carl Amery. The introduction by the editor gives a succinct history of German language science fiction, including its representation in Hugo Gernsback's popular magazines. With select bibliographies of German language science fiction and writings on German science fiction, this book will be appreciated by scholars and general readers alike.

As an orphan under the care of her selfish aunt who pressures her to convert to Catholicism and enter a loveless marriage, Henrietta learns to live by her wits. Henrietta's story draws attention to the difficulty for women of earning a living in mid-eighteenthcentury England and offers readers strikingly insightful and modern reflections on human nature. Charlotte Lennox was a friend of both Samuel Richardson and Samuel Johnson and was generally admired by many of their contemporaries. A major influence on Jane Austen, Lennox is an innovator in the tradition of English women's fiction. Out of print since the late eighteenth century, Henrietta is now available in an edited and fully annotated modern edition.

This is the first full-length study of emerging Anglo-American science fiction's relation to the history, discourses, and ideologies of colonialism and imperialism. Nearly all scholars and critics of early science fiction acknowledge that colonialism is an important and relevant part of its historical context, and recent scholarship has emphasized imperialism's impact on late Victorian Gothic and adventure fiction and on Anglo-American popular and literary culture in general. John Rieder argues that colonial history and ideology are crucial components of science fiction's displaced references to history and its engagement in ideological production. He proposes that the profound ambivalence that pervades colonial accounts of the exotic "other" establishes the basic texture of much science fiction, in particular its vacillation between fantasies of discovery and visions of disaster. Combining original scholarship and theoretical sophistication with a clearly written presentation suitable for students as well as professional scholars, this study offers new and innovative readings of both acknowledged classics and rediscovered gems.Includes discussion of works by Edwin A. Abbott, Edward Bellamy, Edgar Rice Burroughs, John W. Campbell, George Tomkyns Chesney, Arthur Conan Doyle, H. Rider Haggard, Edmond Hamilton, W. H. Hudson, Richard Jefferies, Henry Kuttner, Alun Llewellyn, Jack London, A. Merritt, Catherine L. Moore, William Morris, Garrett P. Serviss, Mary Shelley, Olaf Stapledon, and H. G. Wells.

The stories in this new collection from Tom Noyes show us everyday characters weighing the evidence of their circumstances and seeking ways to understand more fully the mysteries that define their lives. The beauty of each story comes from the reckless hope of these characters, their sometimes blind faith in the possibilities of human connection. "Stories that follow truly human characters as they deal with the common problems of life, such as the death of a father and the relationship with his son, a boy struggling with illiteracy, the suicide of a loved one- all things that everyday people may deal with, but all written intriguingly to glue readers to the page. 'Spooky Action at a Distance' is deftly written and highly recommended." - Midwest Book Review "Humor, surprise, and eminently engaging narrators." NewPages.com "His command of craft allows him to unfold characters in a way that moves past mere cleverness and down into emotional tectonics of faith, affection, loyalty, and grief." - Image Magazine

A collection of folktales from Iraq, dating from the 1930s, found in the archives of the famous English Lady E. S. Drower (1879–1972), who was novelist, folklorist, specialist on the Mandaeans, and writer of travel accounts. New tales edited by Jorunn Buckley form a second volume of Drower’s Folktales. The stories—carrying recognizable Near Eastern folk-tale features—feature monsters and heroes, maidens and fairies and they give a vivid picture of a now extinct oral folktale tradition. This Gorgias Press edition includes previously unpublished tales in addition to those of the 1931 edition.

"A rich tale of healing, redemption, and social responsibility." -- Publishers Weekly "A compelling, skillfully told story…. Lyon's finest achievement. " -- Lexington Herald-Leader "Lyon gives readers a story rich in precise, gorgeous language that glows like a sword on the forge and cuts as deep…. Tragedies old and new weave a tiny Kentucky town into the center of the universe." -- Booklist (starred review) "Lyon consistently reveals in her work an ability to render the peculiarities of the people and the places she knows best, while at the same time exploring concerns that lend her stories and poems universal appeal. The same is true of With a Hammer for My Heart, a powerful first novel that catapults Lyon into the ranks of other well-respected contemporary novelists." -- Southern Register

Jules Verne, celebrated French author of Twenty Thousand Leagues Under the Sea and Around the World in 80 Days, wrote over 60 novels collected in the popular series "Voyages Extraordinaires." A handful of these have never been translated into English, including Invasion of the Sea, written in 1904 when large-scale canal digging was very much a part of the political, economic, and military strategy of the world's imperial powers.Instead of linking two seas, as existing canals (the Suez and the Panama) did, Verne proposed a canal that would create a sea in the heart of the Sahara Desert. The story raises a host of concerns -- environmental, cultural, and political. The proposed sea threatens the nomadic way of life of those Islamic tribes living on the site, and they declare war. The ensuing struggle is finally resolved only by a cataclysmic natural event. This Wesleyan edition features notes, appendices and an introduction by Verne scholar Arthur B. Evans, as well as reproductions of the illustrations from the original French edition.

Climbing through the recesses of a mine, an English man falls into a deep chasm and finds himself suddenly trapped in a subterranean world inhabited by an ancient race of advanced beings. From Jules Verne's Journey to the Center of the Earth to Chris Marker's La Jetée, subterranean worlds have been a source of both fascination and fear for the literary imagination and The Coming Race is no exception. An evolutionary fantasy first published in 1871, the story draws upon ideas of Darwinism to describe a near future world characterized by female dominance, physical perfection, and vast technological progress. The novel was extremely popular in its time and is now considered a seminal science fiction text by contemporary scholars. This Wesleyan edition includes scholarly notes and an introduction that places the work in an intellectual and literary context, and describes the author's interest in the occult.

In his 1898 War of the Worlds, H. G. Wells imagined aliens from Mars descending to Earth with violent intentions. In Star Begotten, first published in 1937, the suspicion arises that the Martians may have returned-this time using cosmic rays to alter human chromosomes. The protagonist Joseph Davis, an author of popular histories, grows fearfully obsessed with rumors of the Martian plan. He considers the possibility that mutation may have already occurred, and that his child, his wife, and even he may already be Martians. An ironic and often comic novel, Star Begotten portrays discoveries in evolutionary biology and contemplates the benefits as well as the horrors of mutation. This new annotated edition situates the novel in its literary and historical contexts, explains its place in Wells's late development, and highlights its importance as a precursor to the dark comedies of delusion by writers like Robert Sheckley and Philip K. Dick.

News is "one of the few things that connects us as a nation" observes the protagonist in the title story of Newsworld, a new collection by Todd James Pierce that explores America's obsession with news and entertainment culture. The characters in "Newsworld" seek to design realistic theme park attractions, such as "OJ's Bronco: The Ride" and "Seige at Waco," that allow park guests to experience the complexities of contemporary news events for themselves. In the story "Columbine: The Musical," high school students stage a musical written as a means of discussing school violence, while their vice principal wrangles a 10 percent discount on a school security system in exchange for corporate sponsorship of the play. In "Wrestling Al Gore," a national wrestling federation uses costumed wrestlers to cast the Gore/Bush election recount into the ring. In an ironic twist, fans become sympathetic to the underdog Gore, champion his cause, and ultimately reflect on the fate of the real politician. In "The Yoshi Compound: A Story of Post-Waco Texas," the followers of the Dalai Yoshi amass weapons and riot gear in hopes of attracting media attention in order to spread their message of love and world peace. The characters in Newsworld, like many Americans, are engulfed in a life-imitating-art phenomenon caused by the hyperreality presented in the media, and they struggle with this overwhelming influence trying to understand whether their own lives fall within or outside its domain.

Written for serial publication in 1822 under the pseudonym Horace de Saint-Aubin, this Faustian tale by Balzac has never before been available in English. More than a long-lost curiosity by an important writer, The Centenarian is also a seminal work of early science fiction, crucial to understanding both the development of the genre and the craft of this great author. Beringheld, a 400-year-old "mad scientist," discovered the fluid necessary to human life, but he must extract the vital fluid of others to enlarge his own powers. Balzac intertwines the mythic and the modern in ways that would prove enormously influential to science fiction. Like Mary Shelley's Frankenstein, this novel bridges the gap that separates alchemy and magic from the practice and problems of science. It is also crucial to an understanding of Balzac's oeuvre, as it anticipates significant themes of power, knowledge, and secrecy. This Wesleyan edition features notes, appendices, and a critical introduction.

Women's contributions to science fiction over the past century have been lasting and important, but critical work in the field has only just begun to explore its full range. Justine Larbalestier has collected 11 key stories-many of them not easily found, and all of them powerful and provocative-and sets them alongside 11 new essays, written by top scholars and critics, that explore the stories' contexts, meanings, and theoretical implications. The resulting dialogue is one of enormous significance to critical scholarship in science fiction, and to understanding the role of feminism in its development. Organized chronologically, this anthology creates a new canon of feminist science fiction and examines the theory that addresses it. Daughters of Earth is an ideal overview for students and general readers.

In a shuffling odyssey through the heart of the American Midwest (a mini-van road trip to the Ozarks with his two youngest kids), he confronts his past, imagines his future, and redefines his love for his children.

In his sixth novel, The Cave (1959), Robert Penn Warren tells the story of a young man trapped in a cave in fictional Johntown, Tennessee. His predicament becomes the center of national attention as television cameras, promoters, and newscasters converge on the small town to exploit the rescue attempts and the thousands of spectators gathered at the mouth of the cave.

Jules Verne (1828-1905) was the first author to popularize the literary genre of science fiction. Written in 1898 and part of the author's famous series Voyages Extraordinaires, The Mighty Orinoco tells the story of a young man's search for his father along the then-uncharted Orinoco River of Venezuela. The text contains all the ingredients of a classic Verne scientific-adventure tale: exploration and discovery, humor and drama, dastardly villains and intrepid heroes, and a host of near-fatal encounters with crocodiles, jungle fever, Indians and outlaws - all set in a wonderfully exotic locale. The Mighty Orinoco also includes a unique twist that will appeal to feminists - readers will need to discover it for themselves. This Wesleyan edition features notes, and a critical introduction by renowned Verne scholar Walter James Miller, as well as reproductions of the illustrations from the original French edition.CONTRIBUTORS: Walter James Miller, Stanford Luce, Arthur B. Evans.