Melchior Lorck (1526/27-1583?) is an extraordinary artist with an unusual career. Born in Flensburg on the border between Denmark and Germany, he grew up far from the artistic centers of his time. Supported by a travelling fund from the Danish king, he set out on an itinerary that would continue much longer and further than planned, leading him through Germany and Italy all the way to the Ottoman Empire, to Constantinople. Here, he laid the foundations of a life’s work that stands out to this day.This volume concludes the total survey of Lorck’s life and work, the remainder of which was published in 2009 in four volumes. The first presents Lorck's biography and all the known documents about him. The next three volumes catalogue his two most well-known outputs: The so-called “Turkish Publication” (vol. 2 & 3) and the Prospect of Constantinople (vol. 4). The present volume 5 surveys the rest of Lorck's manifold production – from his earliest to latest works, from Lutheran propaganda to projects for costume books, from designs for imperial entries to portraits of sultans and scholars, from emblematic images to cartography. The emerging image is as rich as it is fascinating.

In a globalized and networked world, where media crosses national borders, contributors reveal how transnational processes have shaped popular representations of scientific and religious ideas in the United Kingdom, Argentina, Ecuador, India, Spain, Turkey, Israel, and Japan. Most Adaptable to Change demonstrates the varied and divergent ways evolutionary ideas and nonscientific traditions and ways of understanding life on Earth have transformed across the globe. By examining a range of popular media forms across a multitude of different geopolitical contexts from the 1920s to today, this book traces how different evolutionary traditions and figures have been championed or discredited by different religious traditions, their spiritual leaders, and politicians using the cultural authority of religion as leverage. It analyzes the ways in which evolutionary theory has been mobilized explicitly for the purposes of addressing wider sociopolitical questions, and it is the first collection of its kind to explicitly explore the role of popular media formats themselves as mediators in institutional debates on the relationship between evolution and religion.

A new addition to the University of Pittsburgh Press's Science and Culture in the Nineteenth Century series.

Early urban societies transformed social networks. This was also the case for Northern Europe’s emporia – maritime trading towns that emerged around the North and Baltic Seas in the first stages of the Viking Age. The surprising pace and scope of this change is rarely more evident than in the archaeology of Ribe, Denmark. This is the second and final volume presenting the results of the Northern Emporium research project and the high-definition excavations carried out within this programme in 2017-18 in Ribe. The 21 chapters survey the remarkable range of finds retrieved from this hub of the North Sea world in the eighth and ninth centuries AD: artefacts made from pottery, stone, shell, glass, metals, amber, leather, wood, textile, bone and antler. They offer detailed insights that highlight discoveries such as the assemblages from glass bead or comb-making workshops, and rare finds such as wooden furnishings and musical instruments.The focus of the book is on assembling Ribe’s early urban network. By analysing finds and their context, we develop a picture of social roles and interactions between residents and visitors in the emporium. And we follow the connections they created with other worlds as we trace the flows of glass vessels, pottery and wine barrels from Western Europe; iron, stone and animal products from North and Central Scandinavia and beads and coins that travelled from the Middle East and the Indian Ocean into northern Europe’s new maritime frontier.

In formally adventurous stories rooted in Zambian literary tradition, Obligations to the Wounded explores the expectations and burdens of womanhood in Zambia and for Zambian women living abroad. The collection converses with global social problems through the depiction of games, social media feuds, letters, and folklore to illustrate how girls and women manage religious expectation, migration, loss of language, death, intimate partner violence, and racial discrimination. Although the women and girls inhabiting these pages are separated geographically and by life stage, their shared burdens, culture, and homeland inextricably link them together in struggle and triumph.

Fred Rogers is an American cultural and media icon, whose children’s television program, Mister Rogers’ Neighborhood, ran for more than thirty years (1967-2001) on the Public Broadcasting System (PBS). In this highly original book, Alexandra C. Klarén shows how Rogers captured the moral, social, and emotional imaginations of multiple generations of Americans. She explores the nuanced complexity of the thought behind the man and the program, the dialogical integration of his various influences, and the intentional ethic of care behind the creation of a program that spoke to the affective, socio-cultural, and educational needs of children (and adults) during a period of cultural upheaval. Richly informed by newly available archival materials, On Becoming Neighbors chronicles the evolution of Rogers’ thought on television, children, pedagogy, and the family through a rhetorical, cultural, and ethical lens. Klarén probes how Rogers creates the conditions for dialogue in which participants explore possibilities and questions relating to the social and material world.

It is widely agreed that the birth of modern archaeology happened in Denmark in the 19th century. A particular set of intellectual and material circumstances came together in a small northern European country to forge the making of a new academic field of enquiry. The history of this event has been widely constructed from the vantage points of certain schools and subjects. This anthology aims to demonstrate that the early Danish pioneers saw little distinction between the study of classical antiquity, the middle ages, prehistory, ethnography and human evolution, nor between humanities and natural sciences. The contributions show how Danish scholars remained key actors and delivered pioneering achievements in the archaeology of Europe, the Mediterranean and the Middle East. In many cases, a full appreciation of their work has been blinded by the disciplinary boundaries of post-war academia. Rediscovering the intimate links between what was later to become separate subjects within the work of individual scholars, this book recasts the history of archaeology in the 19th and early 20th centuries as a joint quest for a global understanding of human history.

Pilgrims in Place, Pilgrims in Motion: Sacred Travel in the Ancient Mediterranean brings together exciting interdisciplinary scholarship on the connected poles of pilgrimage: the sanctuaries being visited, and the journeys to get there. Contributions investigate different concepts of place, community, social tensions and expectations of pilgrim behaviour; long-term meanings of place as embodied in memory and topography; mobility, migration and place-making; connectivity and its relationship to pilgrimage. Individual chapters discuss shrines, sanctuaries and sacred places as well as journeys and mobility across Greek, Roman and late antique contexts, framed as part of a key debate within the study of pilgrimage, the central tension between place and motion.

Over 170 years, Pittsburgh rose from remote outpost to industrial powerhouse. With the formation of the United States, the frontier town located at the confluence of three rivers grew into the linchpin for trade and migration between established eastern cities and the growing settlements of the Ohio Valley. Resources, geography, innovation, and personalities led to successful glass, iron, and eventually steel operations. As Pittsburgh blossomed into one of the largest cities in the country and became a center of industry, it generated great wealth for industrial and banking leaders. But immigrants and African American migrants, who labored under insecure, poorly paid, and dangerous conditions, did not share in the rewards of growth. Pittsburgh Rising traces the lives of individuals and families who lived and worked in this early industrial city, jammed into unhealthy housing in overcrowded neighborhoods near the mills. Although workers organized labor unions to improve conditions and charitable groups and reform organizations, often helmed by women, mitigated some of the deplorable conditions, authors Muller and Ruck show that divides along class, religious, ethnic, and racial lines weakened the efforts to improve the inequalities of early twentieth-century Pittsburgh—and persist today.

“Pulse is essential to life. Everything we do as humans is influenced by the phenomenon of rhythm.”The Hildebrandt Method is about rhythm – or more precisely polyrhythm. A polyrhythm is the rhythmic pattern that results when two or more independent rhythm or tempo layers are played simultaneously. Polyrhythms are used in virtually every culture throughout the world, from Polynesian folk music to Beethoven symphonies, and from avant-garde compositions to jazz, pop and electronica.This book presents a polyrhythmic method that guides the reader through the jungle of polyrhythms, equipping them with tools to understand and execute even the most challenging constellations of rhythms.The Hildebrandt Method sets new standards of what is possible within the field of polyrhythms. Through analyses of rhythm structures, polyrhythm is presented in a new and simplified light. The method is for anyone who wishes to improve their polyrhythmic ability.

Taking as its point of departure the astounding longevity and ubiquity in our culture of so many themes, genres, visual forms and personalities from the ancient Greek and Roman world, this volume focuses on popular receptions of Classical Antiquity. In doing so, it will explore specific receptions that make immediate sense in a ‘present’ and among large, popular audiences. In particular, it will focus on three main themes: the reception of Classical Antiquity in Danish popular culture, in popular European music, as well as the popular reception of individual lives in both antiquity and later periods.

Purchase is for those who are grieving, who feel frightened by the world’s meanness, who are solitary. It is for those who, even in the midst of mourning, find themselves distracted from despair by the natural world. It is for everyone looking to find comfort and understanding. From a hidden river in upstate New York to a massive flood in Kentucky, currents of all strengths run through these poems, taking the reader through grief, estrangement, and the too-often unseen interiority of Black women, landing at a new perspective, the light of faith dawning.

Winner of the 2024 Agnes Lynch Starrett Poetry Prize

How can exhibitions stage encounters between art and science that not only make sense for visitors but encourage them to explore the intricate relationship between themselves and the world further? This book presents a collection of texts that explore exhibitions as a medium for new insights into connections between aesthetic and scientific knowledge production and how such insights facilitate new, more holistic understandings of entanglements between self and lifeworld. The texts all take their outset in a series of three exhibitions called Wunderkammer at Esbjerg Art Museum in Denmark from 2018 to 2022. The three main texts cover the conception, presentation, and reception of the exhibitions, respectively elaborating the curatorial process, the aesthetics of the exhibitions and the reception of the exhibitions by individual visitors. Also included is a written dialogue of a more associative nature between members of the research group of art historians who were invited to experience the exhibitions and contemplate and discuss the implications of the series of exhibitions.

This book is the first of three planned volumes from the project Gokstad Revitalised, which is an archaeological revisit at the famous Viking Age ship grave originally excavated in 1880. The volume collect experiences from other archaeological revisits over the last decades, including the ship grave sites from Hedeby, Ladby and Sutton Hoo, as well as the royal monument at Jelling. It also reports on the research history of the Gokstad find and on a number of methodological feasibility studies carried out as preparation of the project. These include iron provenancing, aDNA, isotope analyses, osteology and new dendrochronological results. The final part of the volume discusses the paradox of planning a multi-year, frontrunner project in a field where methodological development is rapid and uncertainty abound, and share the project's experiences so far.

The story of the “conflict thesis” between science and religion—the notion of perennial conflict or warfare between the two—is part of our modern self-understanding. As the story goes, John William Draper (1811–1882) and Andrew Dickson White (1832–1918) constructed dramatic narratives in the nineteenth century that cast religion as the relentless enemy of scientific progress. And yet, despite its resilience in popular culture, historians today have largely debunked the conflict thesis. Unravelling its origins, James Ungureanu argues that Draper and White actually hoped their narratives would preserve religious belief. For them, science was ultimately a scapegoat for a much larger and more important argument dating back to the Protestant Reformation, where one theological tradition was pitted against another—a more progressive, liberal, and diffusive Christianity against a more traditional, conservative, and orthodox Christianity. By the mid-nineteenth century, narratives of conflict between “science and religion” were largely deployed between contending theological schools of thought. However, these narratives were later appropriated by secularists, freethinkers, and atheists as weapons against all religion. By revisiting its origins, development, and popularization, Ungureanu ultimately reveals that the “conflict thesis” was just one of the many unintended consequences of the Protestant Reformation.