The Y located at 92nd Street and Lexington Avenue in New York City is the largest and oldest continuously operating YM-YWHA in the US. Many of the most important figures in modern dance premiered on its stage, but until now no one has thought to ask why this should have been so. As Naomi Jackson shows in Converging Movements, the Y's particular conception of Jewishness laid the groundwork for the establishment of a center for dance in the 1930s. William Kolodney, who served as the Y's education director from 1934 until 1969, expanded its educational and arts programming to include a great deal of nonsectarian material, and as Jackson shows, modern dance epitomized Kolodney's humanistic ideals regarding the uplifting role of the arts.Together with his dance advisors, most notably Doris Humphrey, John Martin, and Louis Horst, Kolodney oversaw a program characterized by a broad mix of Jewish and non-Jewish performers from Alvin Ailey, Katherine Dunham, and Ruth St. Denis to Anna Sokolow, José Limón, Erick Hawkins, Hanya Holm, Pearl Primus, and national and folk companies from Israel, the Philippines, Russia, Mexico, and elsewhere. Drawing on the Y's extensive archives and illustrated with rare photographs, Jackson's book locates modern dance at the heart of the Jewish encounter with America.

Guido pioneered the radical unstructured styles made famous by his subjects - the likes of Kate Moss and Stella Tennant - reacting against slick salon styles, to enhance rather than hide people's idiosyncrasies. In this book he presents 100 classics shot by fashion photographers David Sims, Steven Klein and Paul Wetherell.

Music and Cinema brings together leading scholars from musicology, music theory, film studies, and cultural studies to explore the importance of music in the cinematic construction of ideologies. The 15 essays include "Songlines: Alternative Journeys in Contemporary European Cinema" by Wendy Everett; "Strategies of Remembrance: Music and History in the New German Cinema" by Caryl Flinn; "Designing Women: Art Deco, the Musical, and the Female Body" by Lucy Fischer; "Kansas City Dreamin': Robert Altman's Jazz History Lesson" by Krin Gabbard; "Disciplining Josephine Baker: Gender, Race, and the Limits of Disciplinarity" by Kathryn Kalinak; "Finding Release: Storm Clouds and The Man Who Knew Too Much" by Murray Pomerance, and many more.

With Steel Shadows, you don\u2019t have to visit exhibition halls at Carnegie Mellon University or the John Heinz History Center to enjoy Douglas Cooper\u2019s unique, realistic and highly personal images of Pittsburgh. Steel Shadows brings his large charcoal and paper art home to you. Cooper details the inspiration for his artistic vision, as well as the formal properties of his art and how it relates to architecture. The book features double-page spreads of his murals, his essay, and excerpts from Pittsburgh authors telling the stories of the city\u2019s ethnic and eclectic style of neighborhoods, combining details of bridge building and steel making with poetry, historical accounts, and stories of the daily lives of Pittsburghers, all set against the backdrop of the city\u2019s raw industrial landscape.Steel Shadows is a book for students of art, architecture, urban studies, and oral history. Most of all, it is a book to share with friends and family, and a book to rekindle memories of this former steel town.

A legend in the folk music community, John Jacob Niles enjoyed a lengthy career as a balladeer, folk collector, and songwriter. Ever close to his Kentucky roots, he spent much of his adulthood searching for the most well-loved songs of the southern Appalachia. The Ballad Book of John Jacob Niles brings together a wealth of songs with the stories that inspired them, arranged by a gifted performer. This new edition includes all of the melodies, text, commentary, and illustrations of the 1961 original and features a new introduction by Ron Pen, director of the John Jacob Niles Center for American Music at the University of Kentucky.

"You Better Work!" is the first detailed study of underground dance music or UDM, a phenomenon that has its roots in the overlap and cross-fertilization of African American and gay cultural sensibilities that have occurred since the 1970s. UDM not only predates and includes disco, but also constitutes a unique performance practice in the history of American social dance. Taking New York City as its geographic focus,

Kentucky emerged as a prime site for theatrical activity in the early nineteenth century. Most towns, even quite small ones, constructed increasingly elaborate opera houses, which stood as objects of local pride and symbols of culture. These theaters often hosted amateur performances, providing a forum for talent and a focus for community social life. As theatrical attendance rose, performance halls began offering everything from drama to equestrian shows to burlesque.Today many architects believe that the design of a theater should not detract from the stage or screen. Marilyn Casto shows that nineteenth-century Kentucky audiences, however, not only expected elaborate decor but considered it a delightful part of the theatergoing experience. Embellished arches and painted and gilded walls and ceilings enhanced the theatricality of the performance while adding to the excitement of an evening out.In Actors, Audiences, and Historic Theaters of Kentucky, Casto investigates the social and architectural history of Kentucky theaters, paying special attention to the actors who performed in them and the audiences who saw it all. A captivating glimpse into a disappearing slice of American popular culture, her work examines what people considered entertaining, what they hoped to gain from theatergoing, and how they chose and experienced the theaters' architectural settings. In the social and physical design of these theaters, Casto explores nearly two centuries of the state's and nation's cultural history.

This is the first thorough guide to the design and history of "Kentuck," a splendid mountain house in southwestern Pennsylvania designed in 1953-1954 by Frank Lloyd Wright. Inspired by Fallingwater, the famous house only seven miles away that Wright designed above the waterfalls of Bear Run, local businessman I. N. Hagan and his wife, Bernardine, commissioned the 86-year-old Wright to design this home. Kentuck, constructed on an isolated knoll, or knob, is now owned by Lord Palumbo of London and is open for public tours. This vivid account tells the story of how the house came to be, detailing the many complexities faced by the Hagans—from the delights and difficulties in dealing with Wright to the problems with topography and architectual plans. In fulfilling Wright's vision, the Hagans and their contractor managed to construct a building of great beauty, dignity, and serenity. More than fifty photographs, drawings, and diagrams accompany a detailed descriptive text to illustrate how the peculiarities of the plan, based on the equilateral triangle, resulted in a house that generates countless vistas, indoors and out, and spatial effects of great charm and intimacy. Frank Lloyd Wright's House on Kentuck Knob brings to life an unusual work of residential architecture. It is the perfect introduction to Kentuck, and for those who have visited there, a lovely reminder of this luminous but modest house.

" Anna Held (1870?-1918), a petite woman with an hourglass figure, was America's most popular musical comedy star during the two decades preceding World War I. In the colorful world of New York theater during La Belle Époque, she epitomized everything that was glamorous, sophisticated, and suggestive about turn-of-the-century Broadway. Overcoming an impoverished life as an orphan to become a music-hall star in Paris, Held rocketed to fame in America. From 1896 to 1910, she starred in hit after hit and quickly replaced Lillian Russell as the darling of the theatrical world. The first wife of legendary producer Florenz Ziegfeld Jr., Held was the brains and inspiration behind his Follies and shared his knack for publicity. Together, they brought the Paris scene to New York, complete with lavish costumes and sets and a chorus of stunningly beautiful women, dubbed ""The Anna Held Girls."" While Held was known for a champagne giggle as well as for her million-dollar bank account, there was a darker side to her life. She concealed her Jewish background and her daughter from a previous marriage. She suffered through her two husbands' gambling problems and Ziegfeld's blatant affairs with showgirls. With the outbreak of fighting in Europe, Held returned to France to support the war effort. She entertained troops and delivered medical supplies, and she was once briefly captured by the German army. Anna Held and the Birth of Ziegfeld's Broadway reveals one of the most remarkable women in the history of theatrical entertainment. With access to previously unseen family records and photographs, Eve Golden has uncovered the details of an extraordinary woman in the vibrant world of 1900s New York.

The Palladian style in Rhode Island furniture, eighteenth-century Newport cabinet shops and the furniture-making trades, the influence of Windsor chairmaking in early Federal Rhode Island, Rhode Island influence in the work of two North Carolina cabinetmakers, the accounts of Job Townsend, Jr., Providence provenances and pitch-pediments, serpentine furniture of colonial Newport, plus the usual book reviews, and bibliography of recent writing.

In Puritan New England, with its abiding concern for things not of this world and its distrust of forms and ceremonies, one art flourished: the symbolic art of mortuary monument stonecarvers. This carefully researched, beautifully illustrated work was the first to consider this art in depth as a meaningful aesthetic-spiritual expression. It is reissued for today's readers, with a new preface outlining changes in the field since the book appeared in 1966.

Thomas J. McCormick, a noted scholar of the century of Enlightenment, examines the phenomenon of the creation of man-made ruins as an architectural form. Picturesque grottos, Gothic Temples and "ruins to be inhabited by a hermit" are the focus of McCormick's study as he looks at these frequently playful yet melancholy monuments.

A photographic record of the architecture and engineering of the Millennium Dome. The book documents the building process of the dome at every stage, from its inspirational inception to its finished state. Specially-commissioned photographs, architectural drawings, maps, plans and computer models are included. Each image is captioned with a date and a brief explanation of the construction process featured.

Jean Ritchie, the youngest of fourteen children born and raised in Viper, Kentucky, is considered one of the greatest balladeers in this century. Her performances have influenced the resurgence of interest in folk music and given audiences a glimpse into the heart of Appalachia. Jean Ritchie's Swapping Song Book brings together twenty-one songs from the Cumberland Mountains of Kentucky. Many are old songs, brought over by settlers from Scotland, Ireland, and England. Child ballads, gospel music, play party tunes, and frolic songs have been handed down by family members, with each generation adding or embellishing verses and melodies. This new edition retains the original text, written by Ritchie, and includes her husband George Pickow's beautiful photographs to help illustrate the stories of such songs as "Jubilee," "The Old Soap Gourd," and "Ground Hog." A new foreword by Charles Wolfe shows how Ritchie's collection of songs is "part of the rich folk poetry" that makes up Appalachian culture.

London-based 'Dazed and Confused' magazine started life as a group voice for the capital's exploding creative scene. This volume combines the best of past 'Dazed' editorial and images with new commissions from fashion photographers, artists and documentary photographers. Contributors include Nick Night, Araki, Donna Trope, Rankin, Phil Poynter, Matt Collishaw, Jake and Dinos Chapman, Mike Kelly, Takashi Homma, Sam Taylor-Wood and Gillian Wearing.

This volume documents a selection of items from the Millennium Products' chosen by the UK's Design Council as a showcase of ground-breaking work by Britain's leading designers, inventors, manufacturers and retailers. These products exemplify fantastical, futuristic or radically simple solutions to age-old problems and everyday needs. The book fuses visual documentation of the development and practice of these award-winning ideas with in-depth interviews and comments from the inventors, designers, manufacturers and, crucially, the end-users themselves'