The digital age has witnessed the development of a new kind of archive: immaterial, “living and moving,” largely user-generated, and conceived for managing a wide variety of audio-visual materials, besides traditional films and videos. The first part of this anthology investigates the ways in which media forms like web-documentaries, video art and digital art, web series, amateur productions, and also mobile films can be stored and preserved within the new digital repositories. The second part focuses on archival and preservation practices of the video game. This approach understands the archive not simply as a “memory box,” but as a fully contemporary practice that locates new media objects in the present and acknowledges their changing cultural and social configurations. The democratic, often immaterial, living, mobile nature of contemporary archives forces us to question whether or not the traditional notion of “the archive” still has a heuristic value. Or if it would be perhaps better to reject any “conventional” idea of archive and embrace the notion of anarchive.

In Rose Eichenbaum's latest book on the confluence of art making and human expression, she sits down with thirty-five modern day storytellers—the directors of theater, film, and television. Eichenbaum's subjects speak with revealing clarity about the entertainment industry, the role and life of the director, and how theatrical and cinematic storytelling impacts our culture and our lives. The Director Within includes interviews with Peter Bogdanovich (The Last Picture Show), Julie Taymor (The Lion King), Mel Brooks (Blazing Saddles), Tim Van Patten (The Sopranos, Boardwalk Empire), Hal Prince (The Phantom of the Opera), Barry Levinson (Rain Man), and many others. The interviews are skillfully crafted, sensitively executed, and brimming with honesty and insight. The accompanying portraits demonstrate Eichenbaum's mastery of photography and convey the truth, depth, and intimacy of their subjects. The Director Within is an inspirational, informative, and entertaining resource for anyone interested in creativity, art making, and artistic collaboration. The book includes a listing of works from each of the directors.

Collection of 30 texts, 1915-1928, & 3 facsimiles, some in first English translation, plus Nina Kogan on Cubism and Ilya Chashnik on Suprematism. Chronological sections trace Malevich’s analyses of Cubism and Futurism, the Supremus Society of Artists, Suprematism Triumphant, UNOVIS, Theory of Creativity as Artistic Culture, and the Non-Objective World of Sensations. A presentation of sensations from Cézanne to Suprematism is followed by a discussion of how consciousness and the environment influence artistic creativity in P. Railing, Malevich on Creativity.

While it is by no means exhaustive, Premonition - aims to provide a broad introduction to the highly diverse and energetic nature of Ukraine's art-scene while exploring movements and trends over the last decade or so. Some of the artists have established reputations in Ukraine and emerged in the 1990s while others have only recently graduated from art college. Yet few, if any, are well known outside their homeland. Consequently Premonition: Ukrainian Art Now presents a wonderful opportunity to provide a showcase for this exciting group of artists.

The ancient Celtic world evokes debate, discussion, romanticism and mythicism. On the one hand it represents a specialist area of archaeological interest, on the other, it has a wide general appeal. The Celtic world is accessible through archaeology, history, linguistics and art history. Of these disciplines, art history offers the most direct message to a wider audience. This volume of 37 papers brings together a truly international group of pre-eminent specialists in the field of Celtic art and Celtic studies. It is a benchmark volume the like of which has not been seen since the publication of Paul Jacobsthal’s Early Celtic Art in 1944. The papers chart the history of attempts to understand Celtic art and argue for novel approaches in discussions spanning the whole of Continental Europe and the British Isles. This new body of international scholarship will give the reader a sense of the richness of the material and current debates. Artefacts of rich form and decoration, which we might call art, provide a most sensitive set of indicators of key areas of past societies, their power, politics and transformations. With its broad geographical scope, this volume offers a timely opportunity to re-assess contacts, context, transmission and meaning in Celtic art for understanding the development of European cultures, identities and economies in pre- and proto-history. Essays in honour of Vincent Megaw on his 80th birthday.

This study explores different visions of contemporary London using the tools of cultural and literary studies and comparing works by Iain Sinclair and Will Self. Both indebted to the tradition of psychogeography, these two authors consider the act of walking as the best way to investigate the changes, evolutions and revisions of the city. For both, London is basically an experience where the physical and topographical environment evokes the endless reservoir of films, novels, images, and cultural materials that finds in this city a fruitful source of inspiration. The book features individual chapters devoted to the analysis of Great Apes, Sorry Meniscus, London Orbital, and The Book of Dave.

How was national consciousness developed? The present book aims to investigate such matter trough a series of different case studies, in which the terms nation, homeland and people have been applied. This Romantic lexicon identifies similar conceptions of the national idea in some countries dominated by Italian, German and Slavic cultures, and in some groups or minorities such as the Jews and the Vlachs in Central and Mediterranean Europe. In order to clarify the cultural framework, the authors explore the construction of identity through folk tunes, poetry inspired by popular culture, and opera in which the national myths or heroes appear. In the self-making tradition, the national traits are sustained by the process of embodiment of any regional utterance, and also by the elimination of the ‘other’, especially the minorities. The symbols of the nation, as an achievement of the power that flourishes from the sense of belonging, are defined per differentiam.

This catalogue presents a view of the First World War through a multifarious record of two and three dimensional works of art: paintings, drawings, prints, sculpture, reliefs, posters, postcards, photographs, silhouettes and ceramics appear in the following pages. The material has been grouped into 14 subsections under the general headings of Combat, The Home Front and The Aftermath. These groupings highlight the themes that inspired both the fine and popular arts, although some are looser in association than others, and none are mutually exclusive. The introduction gives a more general survey of the underlying factors that influenced or determined the visual responses to the First World War.

Jack Parsons has been investigating the incredible landscapes, amazing light, and diverse cultures of the American Southwest for more than thirty-five years, in turn becoming a master of photographic art. He has been the photographer for fifteen acclaimed books, including the seminal 1993 publication of Santa Fe Style, which helped to chronicle and establish a regional aesthetic for New Mexico's architecture that is now recognized worldwide.In his commitment to capturing and comprehending the land and life of New Mexico, Parsons has made more than 400,000 photographs of every type of landscape and culture in the 'Land of Enchantment,' as New Mexico is called. Dark Beauty features 100 of his rarely seen or published photographs of New Mexico, taken from the time of his arrival in the summer of 1969 right up to the present day.From captivating images of small towns, fiestas, and everyday life, to spectacular views of mountains, rivers, and plains, from enduring glimpses of old adobe houses, Pueblo villages, and religious structures, to refreshingly new views of murals, Main Streets, and iconography, Parsons presents a personal, elegiac narrative of his 'home place.' Seen as a whole, the photographs in Dark Beauty reveal a deep understanding and reverence for New Mexico's complex and rich history, unique multiculturalism, and unparalleled beauty. With Jack Parsons as our guide, we gain a true sense and appreciation of New Mexico's lure as a uniquely American place.From the Preface"I first came to New Mexico in the summer of 1969, driving into Taos in the late afternoon in an old VW convertible. I had gone to school in Boulder, and the West had been deeply imprinted on me. My master's thesis was on D. H. Lawrence, and this had made me wonder what effect this magical land would have on me. It didn't disappoint. Almost immediately, I fell in love with this difficult, demanding, dark, and profound world. All that we take for granted having lived here—the beautiful, slanting afternoon light, the Sangre de Cristos turning a deep red as the sun starts to disappear, sagebrush plains stretching far to the west—all of this greeted me when I first arrived in Taos, and I felt that, after many years, I was finally home." —Jack ParsonsFrom the Introduction"Among the things I admire about the photographs of Jack Parsons is that he is not afraid of the picturesque. He has not retreated from it nor found some arch way around it. Instead, Parsons walks right up to his subjects and points his lens at mountains, sunsets, cloud formations, weathered buildings, and Hispanic art. But he does so in ways that require us to really look at these things and ponder the meanings embedded in those very picturesque aspects of New Mexico that bring visitors out here while they turn many other artists away. It takes an artist to evoke this long and yet unfolding drama, yet in virtually every one of the images contained in these pages it is here for us to discover. But we have to be willing to look past the picturesque." —Frederick Turner

Route 66 was the iconic highway of twentieth-century America, stretching from downtown Chicago to the Mississippi River at East St. Louis and proceeding through the Indian lands of Oklahoma and the Southwest to Los Angeles and the Pacific Coast, connecting Americans physically and culturally. In this engaging, meticulously researched, and fully illustrated study, Arthur Krim explores the fascinating history and complex symbolism behind this most famous American highway—both on the ground and in the mind. Route 66 traces the iconography of US 66 first as an idea, then as a fact, and finally as an enduring symbol found in classic American books and films, songs and television programs, and pop art. While the antecedents of Route 66 are to be found in the prehistoric trade and hunting paths of the Indian peoples, in the Spanish expeditions of the seventeenth and eighteenth centuries, and in the wagon trails and railroad routes of the nineteenth century, construction of Route 66 during the twentieth century ushered in the revolutionary era of the modern American highway and of cross-country automobile travel.In his innovative study, Krim discloses how the highway transcended its gravel and concrete physicality to become an enduring metaphor for the American spirit of exploration and discovery, freedom and hope that is historically found by its people heading west. He draws on a wealth of scholarly and visual materials to examine how Route 66 evolved through each passing generation, from Main Street boosters during the road's early development to John Steinbeck's The Grapes of Wrath during the Dust Bowl years, from Bobby Troup's unforgettable '(Get Your Kicks on) Route 66' to renditions of the song by Chuck Berry and the Rolling Stones during the early rock and roll years, from Jack Kerouac's classic book, On the Road, to the cult film, 'Easy Rider,' and the television drama, 'Route 66,' during the pop culture years, to recent regional and mass-marketing advertising of products that rely on the transcendent Route 66 name.Combining history and geography, metaphor and captivating iconography, Krim reveals how Route 66 compressed disparate socio-economic events, traditional democratic ideals, and emerging cultural ideas into the national memory of Route 66 that prevails today. Route 66, now available in an elegant paperback edition, is a pioneering book not to be missed.** Nominated for a 2015 IPPY Award" from the Independent Publishers Association **

Composer and peformer Alvin Lucier brings clarity to the world of experimental music as he takes the reader through more than a hundred groundbreaking musical works, including those of Robert Ashley, John Cage, Charles Ives, Morton Feldman, Philip Glass, Pauline Oliveros, Steve Reich, Christian Wolff, and La Monte Young. Lucier explains in detail how each piece is made, unlocking secrets of the composers' style and technique. The book as a whole charts the progress of American experimental music from the 1950s to the present, covering such topics as indeterminacy, electronics, and minimalism, as well as radical innovations in music for the piano, string quartet, and opera. Clear, approachable and lively, Music 109 is Lucier's indispensable guide to late 20th-century composition. No previous musical knowledge is required, and all readers are welcome.

Rachel Kneebone (born 1973, Oxfordshire) is a London-based artist internationally renowned for her porcelain sculptures that intricately fuse human, natural and abstract forms to explore universal themes such as sexual desire, mortality, anguish and despair. Launched in anticipation of ‘399 Days’, Kneebone’s latest presentation at White Cube, London, in summer 2014, this publication features works from Kneebone’s acclaimed solo exhibition at Brooklyn Museum in 2012, which included eight of the artist’s works in dialogue with fifteen bronze sculptures by Auguste Rodin.Featuring a foreword by Catherine Morris and a text by Ali Smith, this beautifully designed and produced hardback publication contains over fifty colour reproductions and has been developed with support from Brooklyn Museum.

Honoring the Doughboys: Following My Grandfather's World War I Diary is a stunning presentation of contemporary photographs taken by the author that are paired with diary entries written by his grandfather, George A. Carlson, who was a soldier in the U.S. Army during World War I. Lowdermilk followed his grandfather's path through France, Belgium, Luxembourg, and Germany and returned with these meticulously crafted photographs and his own engaging stories that bring the diary to life for contemporary readers.Lowdermilk's passion for World War I and military history began as a young boy when he listened to his grandfather tell his stories about serving as an infantryman— a "doughboy"—in Europe during the Great War. When his grandfather passed away in 1983, Lowdermilk's mother gave him her father's diary, which included not only lengthy descriptions of the landscapes, towns, and battles he had experienced, but also keen observations and insights about life as a doughboy for Mr. Carlson and his buddies.Lowdermilk became fascinated with the diary, first transcribing it and then plotting his grandfather's course. He immersed himself in the history of World War I and its geography, eventually retracing, more than a dozen years, the path of his grandfather's journey.This image-rich tour of European landscapes, battlefields, and monuments offers the reader an experience that is at once an intimate reliving of Carlson's time as a doughboy, a lively collection of Lowdermilk's travel anecdotes, and a moving expression of gratitude to American veterans of the Great War. The foreword by Helen Patton, granddaughter of General George

Ireland is a place of mystical, enduring appeal, especially for the many millions of Americans who claim its special heritage, more than one in six according to the last U.S. Census. But Ireland has also become an international place of pilgrimage and discovery for all who venture there.This unique collaboration between Elizabeth Billups, a Santa-Fe-based photographer and activist, and Gerry Adams, the renowned leader of Sinn Fein, reveals a side of Ireland―and of Gerry Adams―not often portrayed in the guidebooks or magazines or news media. In this special book, the two kindred spirits wander the country together and share a deep love of the land and its people, with Ms. Billups taking gorgeous photographs and sharing her experiences and Mr. Adams contributing additional stories, tales, and facts about his country and his family's history.While Mr. Adams has written many acclaimed books concerning his political vision for Ireland, until now he has refrained from sharing his affection for his native land. And so, with Ms. Billups, we are able travel to his and her favorite places, the places that, to them, bespeak of Ireland as one island without borders.Looking at Ms. Billups's beautiful and captivating photographs—and reading her text and Mr. Adams's family stories, personal anecdotes, and relevant historical details, legends, and myths—we come to understand why Ireland is such a special place and why he fought so long and hard to achieve peace for the many generations to come.** Nominated for a 2015 IPPY Award" from the Independent Publishers Association **

Positioned on a major trade route, the Toba Batak people of Sumatra have long witnessed the ebb and flow of cultural influence from India, the Middle East, and the West. Living as ethnic and religious minorities within modern Indonesia, Tobas have recast this history of difference through interpretations meant to strengthen or efface the identities it has shaped. Antiphonal Histories examines Toba musical performance as a legacy of global history, and a vital expression of local experience. This intriguingly constructed ethnography searches the palm liquor stand and the sanctuary to show how Toba performance manifests its many histories through its "local music"-Lutheran brass band hymns, gong-chime music sacred to Shiva, and Jimmie Rodgers yodeling. Combining vivid narrative, wide-ranging historical research, and personal reflections, Antiphonal Histories traces the musical trajectories of the past to show us how the global is manifest in the performative moment.

With the rapid development of computer science and the expanding use of computers in all facets of American life, there has been made available a wide range of instructional and informational films on automation, data processing, and computer science. Here is the first annotated bibliography of these and related films, gathered from industrial, institutional, and other sources.This bibliography annotates 244 films, alphabetically arranged by title, with a detailed subject index. Information is also provided concerning the intended audience, rental-purchase data, ordering procedures, and such specifications as running time and film size.