For nearly five decades, readers have been enthralled and enchanted by Peter Everwine’s calmly dazzling poems. He’s never been a writer clearly aligned with any single school or style, yet adherents of all schools and styles admire his graceful turns of phrase and intense vision. From the Meadow features selections from four previous collections, along with a group of new works. The poems, which include Everwine’s deft translations from Hebrew and interpretations from Nahuatl, vibrate with the intensity of small truths distilled to their very essences.

Death haunts the pages of Natural Causes, but so does compassion and love. There is little darkness here, and less despair, despite the abundance of cemeteries, loss, and ghosts—both real and imagined.Mark Cox’s youthful bravado has given way in these poems to an assured sense of understatement. The weight of fatherhood, the loss of a grandmother, the fear of loneliness—these are the details around which Cox plumbs the depths of mortality and memory.Fully comfortable with the domestic tableau from which he writes, this is a poet never complacent. The penchants for metaphor and the resonant turn of phrase that informed Cox’s earlier work remain as vibrant as ever, indeed are heightened, as he masterfully affirms and celebrates the range of familial complexity and human connectedness.

esse Lee Kercheval writes with wit, vivid language, and devastating honesty in these autobiographical poems. Tracing the timelines of her life forward and backward, she offers a moving examination of the role of family and the possible/probable/hoped for existence of God—and how our perceptions of the divine can be transformed from a kindergartner’s dyslexically scrawled "doG loves U" to the ever-present but oft-ignored Dog Angel of the title. Ranging from a cross-country drive to bury her mother’s ashes at Arlington National Cemetery, to a family vacation in Spain, to an imagined final exam given by her children, Kercheval explores the vagaries of love, loss, faith, grief, and joy with a calm, convincing wisdom that permeates this resonant and wonderful collection.

Bob Hicok's poems are often edgy, brazen, and funny. They’re just as likely to be soulful, reflective, and provocative. Usually at the same time. As Hicok builds toward the punchline of a poem set up with his characteristic wit, he zigs into seriousness. A thoughtful meditation that builds to a moment of epiphany zags into comedy. Hicok's fluid ability to shift moods, the richness of his visual palette, and his idiosyncratic use of language fill the pages of Insomnia Diary. The fourth collection of poetry from this former automotive die designer delivers more of the cunning brilliance that has become Hicok's hallmark.

There is a proverb in China, hu kou ba ya, literally “pulling teeth from a tiger's mouth,” used to describe any extremely difficult task. When Shao Wei first arrived in the United States at age thirty-one, her desire to write poems in English seemed almost impossible. Pulling a Dragon's Teeth, a first stop on the successful journey toward that goal, is filled with the rhythms and visions of this exciting young poet. Shuttling between her childhood in a small mountain city on the shores of the Yangtze River (soon to be flooded by the Three Gorges Dam Project) and adulthood in Manhattan, Shao Weicaptures the pains and joys of tradition and displacement familiar to any immigrant. Blending fairy tales, New York images, family stories, and the universal rites of passage associated with growing up, she paints a vibrant canvas of passion and imagination.

In a poetic voice that is at once reflective and lively, Sandra Kohler explores the patterns of everyday life and the inner drama of imagination. Though these poems are mostly set amidst the familiarity of a suburban household and the family garden, this environment appears far from mundane as Kohler peels away the veneer of domestic tranquility to reveal a world busy with human passion and the rhythms of the earth. Nature is present at every turn, an ethereal twin, as the narrator’s emotions take the form of cardinals in flight, a rushing river, or a potato sprouting from the dark.

Ostinato Vamps is Wanda Coleman's first book of poetry since the demise of her longtime publisher, Black Sparrow Press. It continues and enlarges the traits that have been her hallmark for more than three decades: a fierce adherence to the truth and a language so musical one can almost hear the blues line underneath her stanzas.Linguistically daring, lyrically breathtaking, stylistically bold, these poems both explore familiar territory and shatter stereotypes. Life is difficult, often unfair, but it belongs to the living, as Coleman reminds us in no uncertain terms. Racing between an earthy eroticism and fatalistic despair, filled with humor and tragedy, these poems are alive. They breathe. They challenge us even as they reward us for seeking the truth.

Suffused with pain and power, Minnie Bruce Pratt's poetry is as evocative of the swamps and streets of the southern United States as it is of the emotional lives of those too often forced into the margins of society. Vivid, lush, and intensely honest, these poems capture the rough edges of the world and force us to pay attention.

The poems in The Starry Messenger explore the many facets of Galileo Galilei's life and times--his troubled childhood, his appetites and love affairs, his early scientific discoveries, his famed exploration of the heavens, his house arrest, his blindness. Emphasizing Galileo's independent nature and his affection for his mistress and daughter, George Keithley provides one of the most personal portraits of the astronomer ever written. In the process, he depicts the sensuous world of religion, magic, and science that was seventheenth-century Florence, Padua, Venice, Ostia, and Rome.

Long for This World features the best of Ronald Wallace's work from his previous collections of poetry--Plums, Stones, Kisses & Hooks , Tunes for Bears to Dance To, People and Dog in the Sun, The Makings of Happiness, Time's Fancy and The Uses of Adversity--along with a generous selection of twenty-six new poems. If Wallace's recent poems sometimes seem darker and deeper, more meditative and complex, less sanguine about the tragedies of daily life, they never sacrifice the comic sense, the synthesis of technical skill and strong emotion, and the sensory immediacy that have become his hallmarks.

Song of Thieves delves into issues of racial identity and politics, the immigrant experience, and the search for "home" and family histories. In this follow-up to her award-winning debut collection, The Water Between Us, Shara McCallum artfully draws from the language and imagery of her Caribbean background to play a haunting and soulful tune.

Written in the spaces between otherness and brotherhood, Otherhood combines traditional lyricism with experimentalism, passionate engagement with cold-eyed investigation, and personal details with a depersonalized distance to create a new poetic synthesis.

Edited and with an Afterword by David St. JohnWhen Larry Levis died suddenly in 1996, Philip Levine wrote that he had years earlier recognized Levis as \u201cthe most gifted and determined young poet I have ever had the good fortune to have in one of my classes. .

Winner of the 2001 Cave Canem PrizeSelected by Marilyn NelsonFinalist, 2003 Paterson Poetry Prize"Imagine Leda black—" begins Lyrae Van Clief-Stefanon’s exciting new collection of poems. Mixing vernacular language with classical mythology, modern struggles with Biblical trials, she gives voice to silenced women past and present.In Van Clief-Stefanon’s powerful voice, last night’s angry words "puffed / into the dark room like steam / punching through the thick surface / of cooking grits. " She remembers a child’s innocence "lost / in the house where I learned the red rug / against my chest, my knees / my tongue, . . . ." Black Swan is filled with pain, loss, hope, and the promise of salvation.

Rouge Pulp explores notions of body and beauty, birth and death, in a contemporary America driven by its contradictions: material plenty and spiritual lack. Dorothy Barresi writes about strippers, hair salons, cancer, good credit ratings, cockfights, childbirth, maternal love, war. Her poems take the world’s brutal vitality as their music, and they refuse to despair.

Winner of the 2001 Agnes Lynch Starrett Poetry PrizeRunner-up, Society of Midland Authors 2002 Poetry PrizeGabriel Gudding’s poems not only defend against the pretense and vanity of war, violence, and religion, but also against the vanity of poetry itself. These poems sometimes nestle in the lowest regions of the body, and depict invective, donnybrooks, chase scenes, and the abuse of animals, as well as the indignities and bumblings of the besotted, the lustful, the annoyed, and the stupid.In short, Gudding seeks to reclaim the lowbrow. Dangerous, edgy, and dark, this is an innovative writer unafraid to attack the unremitting high seriousness of so much poetry, laughing with his readers as he twists the elegiac lyric "I" into a pompous little clown.