Drawing on a wide array of primary material, civil engineer Richard DeLuca examines how land, law, and technology have shaped Connecticut and its transportation systems, including aviation, roads, bridges, ferries, steamboats, canals, railroads, electric trolleys, and water ports, in Connecticut and along the multi-state travel corridor from New York to Boston. This well-illustrated book focuses on key events in the development of transportation technology and legislation. It is arranged chronologically, highlighting themes from each period, showing the implications of state’s transportation history on the ongoing debates around infrastructure and funding.

How do people in an intensely multicultural city live alongside one another while maintaining clear boundaries? This question is at the core of Parameters and Peripheries of Culture, which illustrates how the Maroons (descendants of escaped slaves) of Suriname, on the northern coast of South America, have used culture-representational performance to sustain their communities within Paramaribo, the capital. Focusing on three collectives known locally as “cultural groups,” which specialize in the music and dance traditions of the Maroons, it marks a vital contribution to knowledge about the cultural map of the African diaspora in South America, Latin America, and the Caribbean.

Just how “Irish” is traditional Irish music? Trad Nation combines ethnography, oral history, and archival research to challenge the longstanding practice of using ethnic nationalism as a framework for understanding vernacular music traditions. Tess Slominski argues that ethnic nationalism hinders this music’s development today and in an increasingly multiethnic Ireland. She discusses early-twentieth century women whose musical lives were shaped by Ireland’s struggles to become a nation; follows the career of Julia Clifford, a fiddler who lived much of her life in England, and explores the experiences of women, LGBTQ+ musicians, and musicians of color in the early-twenty-first century.

Between 1855 and his death in 1867, Charles Baudelaire inaugurated a new - and in his own words "dangerous" - hybrid form in a series of prose poems known as Paris Spleen. Important and provocative, these fifty poems take the reader on a tour of 1850s Paris, through gleaming cafes and filthy side streets, revealing a metropolis on the eve of great change. In its deliberate fragmentation and merging of the lyrical with the sardonic, Le Spleen de Paris may be regarded as one of the earliest and most successful examples of a specifically urban writing, the textual equivalent of the city scenes of the Impressionists. In this compelling new translation, Keith Waldrop delivers the companion to his innovative translation of The Flowers of Evil. Here, Waldrop's perfectly modulated mix releases the music, intensity, and dissonance in Baudelaire's prose. The result is a powerful new re-imagining that is closer to Baudelaire's own poetry than any previous English translation.

Hartford Seen is the first modern-day art photography book to focus on Connecticut’s capital. Comprising more than 150 full-color images, it has been in the making since Pablo Delano began teaching photography at Trinity College in 1996. In this personal meditation on the city’s built environment, he implements a methodical but intuitive approach, using color and meticulous compositions to evoke the city’s essence, particularly the way global population flows impact the city’s physical structures. Hartford Seen is meant to be taken as a whole, as a visual document that can shed light on the unique characteristics of one city’s past, present, and potential futures.

Moving Bodies, Navigating Conflict is a groundbreaking ethnographic examination of dance practice in Colombo, Sri Lanka, during the civil war (1983–2009). It is the first book of scholarship on bharata natyam (a classical dance originating in India) in Sri Lanka, and the first on the role of dance in the country’s war. Focusing on women dancers, Ahalya Satkunaratnam shows how they navigated conditions of conflict and a neoliberal, global economy, resisted nationalism and militarism, and advocated for peace. Her interdisciplinary methodology combines historical analysis, methods of dance studies, and dance ethnography.

Ethnomusicologist Eric Charry’s innovative and road-tested textbook is an introduction to Rock and R&B suitable for general education courses in music and also accessible for general readers interested in a novel approach to gaining a historically rich, yet concise understanding of these genres. The book is organized around a series of timelines, tables, and figures created by the author, and provides fresh perspectives that bring readers into the heart of the social and cultural import of the music. Charry lays out key theoretical issues, covers the technical foundations of the music industry, and provides a capsule history of who did what when, with particular emphasis on the rapid emergence of distinct genres in the music industry. The book’s figures distill the history and provide new insight into understanding trends. Over 1000 artists, albums, and songs are included here, such as Muddy Water, Elvis Presley, Bob Dylan, Aretha Franklin, The Velvet Underground, Janis Joplin, Jimi Hendrix, Stevie Wonder, Prince, Madonna, Talking Heads, and Public Enemy.

Hailed by Milan Kundera as “an heir of Joyce and Kafka,” Prix Goncourt winner Patrick Chamoiseau is among the leading Francophone writers today. With most of his novels having appeared in English, this book opens a new window on his oeuvre. A moving poetic essay that bears witness to the forgotten history of the French penal colony in French Guiana, French Guiana: Memory Traces of the Penal Colony (Guyane: Traces-Mémoires du bagne) is accompanied by more than sixty evocative color photographs by Rodolphe Hammadi and translated, here for the first time, deftly by Matt Reeck.

In 1773, a young, African American woman named Phillis Wheatley published a book of poetry that challenged Western prejudices about African and female intellectual capabilities. Based on fifteen years of archival research, The Age of Phillis, by award-winning writer Honorée Fanonne Jeffers, imagines the life and times of Wheatley: her childhood in the Gambia, West Africa, her life with her white American owners, her friendship with Obour Tanner, and her marriage to the enigmatic John Peters. Woven throughout are poems about Wheatley’s “age”—the era that encompassed political, philosophical, and religious upheaval, as well as the transatlantic slave trade. For the first time in verse, Wheatley’s relationship to black people and their individual “mercies” is foregrounded, and here we see her as not simply a racial or literary symbol, but a human being who lived and loved while making her indelible mark on history.

North American Women Poets in the 21st Century: Beyond Lyric and Language is an important new addition to the American Poets in the 21st Century series. Like the earlier anthologies, this volume includes generous selections of poetry by some of the best poets of our time as well as illuminating poetics statements and incisive essays on their work. Among the insightful pieces included in this volume are essays by Catherine Cucinella on Marilyn Chin, Meg Tyler on Fanny Howe, Elline Lipkin on Alice Notley, Kamran Javadizadeh on Claudia Rankine, and many more. A companion web site will present audio of each poet’s work.

Mezzaluna gathers poems from all nine of Michele Leggott’s prior books. In complex lyrics, sampling thought and song, voice and vision, Leggott creates lush textured soundscapes. Her poetry covers a wide rage of topics rich in details of her New Zealand life, full of history and family, lights and mirrors, the real and the surreal.

The University of Hartford’s Hartt School of Music celebrates its centennial in this lavishly illustrated book. The Hartt School holds unique qualities that continue to distinguish it from other performing arts institutions. Through personal and official written communications, school newsletters, speeches, and the exquisite quality of artistic expression, a belief in the value of art is continually reinforced, often with great eloquence, sometimes with humor, and always from the heart.

For more than a century, Friedrich Hölderlin has been considered one of the key figures in modern European literature. The translations in Odes and Elegies, including poems never before available in English, render forcefully and directly the deep longing and heartbreak of Hölderlin's poetic world. A bilingual edition, this book is the first major translation of these poems since the 1960s. Odes and Elegies opens to the English reader the unique poetic voice that marks Hölderlin's achievement and continuing influence on poetry and philosophy today.

Going Up the Country is part oral history, part nostalgia-tinged narrative, and part clear-eyed analysis of the multifaceted phenomena collectively referred to as the counterculture movement in Vermont. This is the story of how young migrants, largely from the cities and suburbs of New York and Massachusetts, turned their backs on the establishment of the 1950s and moved to the backwoods of rural Vermont, spawning a revolution in lifestyle, politics, sexuality, and business practices that would have a profound impact on both the state and the nation. The movement brought hippies, back-to-the-landers, political radicals, sexual libertines, and utopians to a previously conservative state and led us to today's farm to table way of life, environmental consciousness, and progressive politics as championed by Bernie Sanders.

Edges & Fray is an embodied meditation that cultivates receptivity and deep listening to the ways we inhabit language and its ethereal resilience. Combining close observation of birds’ nests and the writing process, Danielle Vogel brings the reader into communion with language as a mode of presence. Experimental and deeply grounded, its construction is intuitive and masterful, its many threads interwoven and intrinsically linked. This is a beautiful and inspiring book at the intersection of poetry, somatics, ecology, and divination.

Told through the words of those whose lives the meetinghouse shaped, Facing the Past uncovers a hidden past. It begins with the displacement of Indigenous people in the area before Europeans arrived, continues with disputes over worship and witchcraft in the early colonial settlement, and looks ahead to the use of Connecticut’s most iconic white church as a refuge and sanctuary. Relying on the resources of local archives, the contents of family attics, and the extensive records of the Congregational Church, this community portrait details the long ignored genocide and enslaved people and reshapes prevailing ideas about history’s makers.