The orphaned James Sands anticipated a magnificent career as apprentice in an Elizabethan theater troupe. But when his masters dies unexpectedly, Sands must fight for his art, his home, and ultimately his life as the violent reign of King James I overshadows the glory and creative life of the Elizabethan era. An historical novel with profound reverberations today in the U. S., the UK, and Europe.

Britain is widely considered the cradle of independent music culture. Bands like Radiohead and Belle and Sebastian, which epitomize indie music's sounds and attitudes, have spawned worldwide fanbases. This in-depth study of the British independent music scene explores how the behavior of fans, artists, and music industry professionals produce a community with a specific aesthetic based on moral values. Author Wendy Fonarow, a scholar with years of experience in the various sectors of the indie music scene, examines the indie music "gig" as a ritual in which all participants are actively involved. This ritual allows participants to play with cultural norms regarding appropriate behavior, especially in the domains of sex and creativity. Her investigation uncovers the motivations of audience members when they first enter the community and how their positions change over time so that the gig functions for most members as a rite of passage. Empire of Dirt sheds new light on music, gender roles, emotion, subjectivity, embodiment, and authenticity.

Written for serial publication in 1822 under the pseudonym Horace de Saint-Aubin, this Faustian tale by Balzac has never before been available in English. More than a long-lost curiosity by an important writer, The Centenarian is also a seminal work of early science fiction, crucial to understanding both the development of the genre and the craft of this great author. Beringheld, a 400-year-old "mad scientist," discovered the fluid necessary to human life, but he must extract the vital fluid of others to enlarge his own powers. Balzac intertwines the mythic and the modern in ways that would prove enormously influential to science fiction. Like Mary Shelley's Frankenstein, this novel bridges the gap that separates alchemy and magic from the practice and problems of science. It is also crucial to an understanding of Balzac's oeuvre, as it anticipates significant themes of power, knowledge, and secrecy. This Wesleyan edition features notes, appendices, and a critical introduction.

Musical Childhoods and the Cultures of Youth is an immensely rich contribution to childhood studies and shows how children are socialized into the musical life of their communities. Children have rarely been central to musicological or anthropological studies, and childhood was once dismissed as too early in the human developmental process to be of significant interest. In a variety of historical, social, and cultural frameworks, these 10 essays address subjects as diverse as choirboys in early modern Seville, the griot culture of West Africa, and Jewish youth at summer camp. The essays reveal childhood as a time all its own, a time when individual identities are forged through music, and when voices emerge in ways that are as personal as they are communally bound and musically varied. This is an important book for music scholars, educators, cultural and social historians, and for scholars across the social sciences, as well as anyone interested in childhood. It sheds new light on children and youth cultures as alternately dependent upon and independent from the "grown-up" musical worlds that surround them.

A Game for Dancers examines the difficulties American modern dancers faced as the Cold War took hold and the genre became institutionalized after its pioneering phase. It draws on the sociology of Pierre Bourdieu to explore the interconnections between art and politics while paying close attention to modern dance's ambivalent relationship to the market. At the heart of the book is an inquiry into modernism itself, and how dancers struggled with modernist ideas of abstraction and autonomy while rarely questioning them. Crucial, too, is the issue of embodiment, which appeared to answer modernist skepticism of representation and aid modern dance's elusive pursuit of independence. Subjects include modernist dance theory, the emergence of new constituencies including African-American choreographers, and the work of Merce Cunningham and Alwin Nikolais, whose objectivism was declared a new modern dance vanguard in the 1950s.

Women's contributions to science fiction over the past century have been lasting and important, but critical work in the field has only just begun to explore its full range. Justine Larbalestier has collected 11 key stories-many of them not easily found, and all of them powerful and provocative-and sets them alongside 11 new essays, written by top scholars and critics, that explore the stories' contexts, meanings, and theoretical implications. The resulting dialogue is one of enormous significance to critical scholarship in science fiction, and to understanding the role of feminism in its development. Organized chronologically, this anthology creates a new canon of feminist science fiction and examines the theory that addresses it. Daughters of Earth is an ideal overview for students and general readers.

In this witty and sharply observant memoir, David R. Slavitt recounts his day-to-day life on the campaign trail, describing the often surreal experience of being a pro-choice, pro-gay-marriage GOP candidate running against a pro-life, anti-gay-marriage Democrat. When Slavitt decided to make a run for the Massachusetts State Legislature in 2004, he knew the odds were against him. Though a well-respected writer, he was a political novice and a moderate Republican in a district where defeating any Democrat was next to impossible. But in the grandest of American traditions, hoping for the best and wanting to do some good, he threw his hat into the ring-and the result was a circus he could never have anticipated. From fundraising and door-knocking to angling for good press and mixing with nationally known candidates and officials, Slavitt navigates the choppy waters of state politics, learning as he goes. This is a fast and funny read that shows that American politics still has a heart.

Few recent topics have claimed as much media and political attention as the fight for the right of same-sex couples to marry legally. Striking at the heart of beliefs about sexuality, marriage, family, and child-rearing, the debate has touched off national and international debate. In this practical guide to the issues and their history, the authors present the issues as a courtroom case would be presented to the jury-with an opening statement, expert testimony, and a closing argument in support of same-sex marriage. Chapters explore how we have arrived at our current understandings of homosexuality and marriage, the impact of same-sex marriage on same-sex relationships and families, the practical civil benefits denied to persons who are not allowed to marry, and the 40-year evolution in the law as it relates to sex and reproduction. This book provides a reasoned and informed history of the subject, and is ideal for readers in government, social work, and the law-and anyone curious about where this contentious issue is headed.

Elizabeth Willis's new collection is a stunning collision of the pastoral tradition with the politics of the post-industrial age. These poems are allusive and tough. While they celebrate the pleasures of the natural world-mutability, desire, and the flowering of things-they are compounded by a critical awareness of contemporary culture. As we traverse their associative leaps, we discover a linguistic landscape that is part garden, part wilderness, where a poem can perform its own natural history. Divided into four cantos interrupted by lyrics and errata, Meteoric Flowers mirrors the form of Erasmus Darwin's 18th-century scientific pastorals. In attending to poetry's investigative potential, Willis shifts our attention from product to process, from commodity to exchange, from inherited convention to improvisational use.

Lust is arguably the most basic of human desires. It determines much of our behavior and our culture, but is it understood? Building on his groundbreaking work in Ecstasy and Rage, Michael Eigen confronts lust, mining the history of psychology and religion as well as the literary depths of the Symposium, the Iliad, and the book of Genesis. He also takes us into his own sessions as a psychoanalyst to show how lust expresses itself in the daily lives of real people. This comprehensive and accessible account of a still-taboo subject includes lust's inescapable ties to reproduction and its ultimate resolution in death. The author uses contemporary and historical examples to show how lust is simultaneously a positive force and potentially destructive. In championing the life-affirming aspects of lust, Eigen's conclusions are thought-provoking, illuminating, and ultimately healing.

How do we write and think about poetry and visual art in the wake of postmodernism? Questions like this are central to poetry and art, especially when taught within an academic context. Another Future is a collection of critical essays on contemporary poetry, art, culture, and politics that investigates the current state of these fields by bringing together writings on the work of a number of poets and visual artists. Reading the social poetically and poetry socially, Gilbert illuminates poetic and artistic practices in the present and creates a new discourse for thinking beyond postmodernism. Both meticulous and comprehensive, Another Future makes an important contribution to the critical discussion of contemporary poetry and cultural aesthetics.Essays cover authors, artists, and topics such as the Barbie Liberation Organization, Anselm Berrigan, Brenda Coultas, documentary aesthetics, Benjamin Friedlander, globalization, Andreas Gursky, Renee Gladman, Kevin Killian, David LaChapelle, Harryette Mullen, Mark Nowak, Keith Piper, pirate radio, "post-black" art, Martha Rosler, Edward Sanders, Andrew Schelling, Allan Sekula, September 11th, Prageeta Sharma, Roberto Tejada, Lorenzo Thomas, Anne Waldman, and the Zapatistas.

Each year hundreds of children around the world are born to lesbian mothers who conceived through alternative insemination. This unique form of family-making creates families with no legal or psychological father, and challenges some of our most basic assumptions about what it means to be a family. How and why do lesbians use insemination to build their families? How best could it be protected by law? Is it a feminist issue? Is insemination the ultimate in lesbian liberation or a sell-out to nuclear family norms? How are race, class, and human engineering involved? Drawing on legal findings and personal interviews, as well as medical and psychoanalytic research, sociologist Amy Agigian looks at the impact and potential of this form of reproduction.Baby Steps is the first in-depth discussion of the issues and questions raised by lesbian insemination, and the book has been designed to serve the interests of general readers and health care providers as well as teachers and students in women's studies, gay and lesbian studies, sociology, legal studies, and bioethics.

Direct, informal, and richly evocative of his Jewish heritage and New York City home, Harvey Shapiro's poetry has occupied a unique place in American letters for over 50 years. This new collection brings together his latest work and much of his 11 previous collections, revealing the full arc of his carefully calibrated poetics. Shapiro engages themes including the immigrant experience, urban landmarks and lifestyles, family life, and war. The reader will see the more formal British-tinged cadences of his earlier work give way to the colloquial, personal nature of his later poems, and how Shapiro's candor and simplicity mark his work throughout the last five decades. Bringing the city and its balance of despair and exuberance into stark relief, this poetry is intimately attuned both to life's quiet disappointments and to its unanticipated miracles.

Dying for a Laugh looks at the evolution of the contemporary disaster film from the 1970s to the present. Ken Feil argues that contemporary camp culture has influenced and reformed the conventions of the 1970s disaster film, in both its production and reception. The book chronicles how the genre rose to prominence, sank into critical and popular disrepute, and became unintentionally campy. Through close readings of films including The Poseidon Adventure, The Swarm, Ghostbusters, Independence Day, and Mars Attacks!, along with film reviews, entertainment reports and publicity materials as evidence, Feil shows that the renewal of the disaster genre in the 1990s hinged on self-parody, ironic self-consciousness, and state-of-the-art effects. Feil also looks at the impact of 9/11 on the genre's campy, sadistic pleasures through movies such as The Sum of All Fears, The Core, and The Day After Tomorrow. This analysis of "high concept camp" draws from diverse methodologies and theories, such as historical reception, textual analysis, neoformalism, political economy, genre analysis, feminism, and queer theory.

Award-winning novelist Samuel R. Delany has written a book for creative writers to place alongside E. M. Forster's Aspects of the Novel and Lajos Egri's Art of Dramatic Writing. Taking up specifics (When do flashbacks work, and when should you avoid them? How do you make characters both vivid and sympathetic?) and generalities (How are novels structured? How do writers establish serious literary reputations today?), Delany also examines the condition of the contemporary creative writer and how it differs from that of the writer in the years of Hemingway, Fitzgerald, and the high Modernists. Like a private writing tutorial, About Writing treats each topic with clarity and insight. Here is an indispensable companion for serious writers everywhere.

Echo and Reverb is the first history of acoustically imagined space in popular music recording. The book documents how acoustic effects-reverberation, room ambience, and echo-have been used in recordings since the 1920s to create virtual sonic architectures and landscapes. Author Peter Doyle traces the development of these acoustically-created worlds from the ancient Greek myth of Echo and Narcissus to the dramatic acoustic architectures of the medieval cathedral, the grand concert halls of the 19th century, and those created by the humble parlor phonograph of the early 20th century, and finally, the revolutionary age of rock 'n' roll. Citing recordings ranging from Gene Austin's 'My Blue Heaven' to Elvis Presley's 'Mystery Train,' Doyle illustrates how non-musical sound constructs, with all their rich and contradictory baggage, became a central feature of recorded music. The book traces various imagined worlds created with synthetic echo and reverb-the heroic landscapes of the cowboy west, the twilight shores of south sea islands, the uncanny alleys of dark cityscapes, the weird mindspaces of horror movies, the private and collective spaces of teen experience, and the funky juke-joints of the mind.