The American conflict over slavery reached a turning point in the early 1840s when three leading abolitionists presented provocative speeches that, for the first time, addressed the slaves directly rather than aiming rebukes at white owners. By forthrightly embracing the slaves as allies and exhorting them to take action, these three addresses pointed toward a more inclusive and aggressive antislavery effort.These addresses were particularly frightening to white slaveholders who were significantly in the minority of the population in some parts of low country Georgia and South Carolina. The Rise of Aggressive Abolitionism includes the full text of each address, as well as related documents, and presents a detailed study of their historical context, the reactions they provoked, and their lasting impact on U.S. history.

Apostles of Rock is the first objective, comprehensive examination of the contemporary Christian music phenomenon. Some see CCM performers as ministers or musical missionaries, while others define them as entertainers or artists. This popular musical movement clearly evokes a variety of responses concerning the relationship between Christ and culture. The resulting tensions have splintered the genre and given rise to misunderstanding, conflict, and an obsessive focus on self-examination. As Christian stars Amy Grant, Michael W. Smith, DC Talk, and Sixpence None the Richer climb the mainstream charts, Jay Howard and John Streck talk about CCM as an important movement and show how this musical genre relates to a larger popular culture. They map the world of CCM by bringing together the perspectives of the people who perform, study, market, and listen to this music. By examining CCM lyrics, interviews, performances, web sites, and chat rooms, Howard and Streck uncover the religious and aesthetic tensions within the CCM community. Ultimately, the conflict centered around Christian music reflects the modern religious community's understanding of evangelicalism and the community's complex relationship with American popular culture.

A telling memoir by an exciting new voice, Multicolored Memories of a Black Southern Girl explores journalist Kitty Oliver's coming of age as she makes the crossing from an all-black to a predominantly white world.Born and raised in an all-black area of Jacksonville, Florida, Oliver was one of the first African American freshmen to enter the University of Florida. Though she chronicles the strains of her transition from Jim Crow to desegregation, this book is much more than a memoir of the turbulent sixties. It is an upbeat journal of self-discovery in the aftermath of that decade, a look at one woman's coming to terms with living an integrated life in America. With humor, poignancy, and lyrical language (reminiscent at times of another Florida writer, Zora Neale Hurston), Oliver shares her passage from the "old world" to the new -- an immigrant's journey indicative of the American experience.Blending past and present, she searches for roots from the Gullah or "Geechee" culture of South Carolina to the urban streets of northern Florida to the multicultural mix of South Florida's diverse ethnic cultures, serving up family stories with large helpings of southern "folktalk," food, and music along the way.

An important new collection of original essays that examine how Ellison's landmark novel, Invisible Man (1952), addresses the social, cultural, political, economic, and racial contradictions of America. Commenting on the significance of Mark Twain's writings, Ralph Ellison wrote that "a novel could be fashioned as a raft of hope, perception and entertainment that might help keep us afloat as we tried to negotiate the snags and whirlpools that mark our nation's vacillating course toward and away from the democratic ideal." Ellison believed it was the contradiction between America's "noble ideals and the actualities of our conduct" that inspired the most profound literature -- "the American novel at its best. "Drawing from the fields of literature, politics, law, and history, the contributors make visible the political and ethical terms of Invisible Man, while also illuminating Ellison's understanding of democracy and art. Ellison hoped that his novel, by providing a tragicomic look at American ideals and mores, would make better citizens of his readers. The contributors also explain Ellison's distinctive views on the political tasks and responsibilities of the novelist, an especially relevant topic as contemporary writers continue to confront the American incongruity between democratic faith and practice. Ralph Ellison and the Raft of Hope uniquely demonstrates why Invisible Man stands as a premier literary meditation on American democracy.

In 1908 John C. Campbell was commissioned by the Russell Sage Foundation to conduct a survey of conditions in Appalachia and the aid work being done in these areas to create "the central repository of data concerning conditions in the mountains to which workers in the field might turn." Originally published in 1921, The Southern Highlander and His Homeland details Campbell's experiences and findings during his travels in the region, observing unique aspects of mountain communities such as their religion, family life, and forms of entertainment. Campbell's landmark work paved the way for folk schools, agricultural cooperatives, handicraft guilds, the frontier nursing service, better roads, and a sense of pride in mountain life -- the very roots of Appalachian preservation.

A national bestseller when first published in 1901, Mrs. Wiggs of the Cabbage Patch endures today as one of the most memorable literary creations by a Kentucky author. This immensely popular novel spawned several movies (with such stars as W. C. Fields and Shirley Temple), countless stage productions, radio shows, and even dolls.Alice Hegan Rice spins the memorable tale of a family struggling against all odds in the Cabbage Patch, an old Louisville slum "where ramshackle cottages played hop-scotch over the railroad tracks." This hopeful story follows the Wiggs as they face eviction from their dilapidated house and take in two orphanage fugitives. Out of print for many years, this charming, funny chronicle of hope triumphing over despair is finally available to a new generation of readers.

Tourism is the world's largest industry, and ecotourism is rapidly emerging as its fastest growing segment. As interest in nature travel increases, so does concern for conservation of the environment and the well-being of local peoples and cultures. Appalachia seems an ideal destination for ecotourists, with its rugged mountains, uniquely diverse forests, wild rivers, and lively arts culture. And ecotourism promises much for the region: protecting the environment while bringing income to disadvantaged communities. But can these promises be kept? Ecotourism in Appalachia examines both the potential and the threats that tourism holds for Central Appalachia. The authors draw lessons from destinations that have suffered from the "tourist trap syndrome," including Nepal and Hawaii. They conclude that only carefully regulated and locally controlled tourism can play a positive role in Appalachia's economic development.

"In three days the number of so-called 'volunteers' reached over three hundred men. Very quickly they organized us into military units. Just like that I became a North Korean soldier and was on the way to some unknown place. " -- from the bookSouth Korean Lee Young Ho was seventeen years old when he was forced to serve in the North Korean People's Army during the first year of the Korean War. After a few months, he deserted the NKPA and returned to Seoul where he joined the South Korean Marine Corps. Ho's experience is only one of the many compelling accounts found in Voices from the Korean War.Unique in gathering war stories from veterans from all sides of the Korean War -- American, South Korean, North Korean, and Chinese -- this volume creates a vivid and multidimensional portrait of the three-year-long conflict told by those who experienced the ground war firsthand. Richard Peters and Xiaobing Li include a significant introduction that provides a concise history of the Korean conflict, as well as a geographical and a political backdrop for the soldiers' personal stories.

G.C. "Red" Jones's classic memoir of growing up in rural eastern Kentucky during the Depression is a story of courage, persistence, and eventual triumph. His priceless and detailed recollections of hardscrabble farming, of the impact of Prohibition on an individualistic people, of the community-destroying mine wars of "Bloody Harlan," and of the drastic dislocations brought by World War II are essential to understanding this seminal era in Appalachian history.

During the turbulent 1960s, civil rights leader Whitney M. Young Jr. devised a new and effective strategy to achieve equality for African Americans. Young blended interracial mediation with direct protest, demonstrating that these methods pursued together were the best tactics for achieving social, economic, and political change.Militant Mediator is a powerful reassessment of this key and controversial figure in the civil rights movement. It is the first biography to explore in depth the influence Young's father, a civil rights leader in Kentucky, had on his son. Dickerson traces Young's swift rise to national prominence as a leader who could bridge the concerns of deprived blacks and powerful whites and mobilize the resources of the white America to battle the poverty and discrimination at the core of racial inequality. Alone among his civil rights colleagues -- Martin Luther King Jr., Roy Wilkins, James Farmer, John Lewis, and James Forman -- Young built support from black and white constituencies.As a National Urban League official in the Midwest and as a dean of the School of Social Work at Atlanta University during the 1940s and 1950s, Young developed a strategy of mediation and put it to work on a national level upon becoming the executive director of the League in 1961. Though he worked with powerful whites, Young also drew support from middle-and working-class blacks from religious, fraternal, civil rights, and educational organizations. As he navigated this middle ground, though, Young came under fire from both black nationalists and white conservatives.

As one of only two states in the nation to still allow slavery by the time of the Thirteenth Amendment in 1865, Kentucky's history of slavery runs deep. Based on extensive research, The Antislavery Movement in Kentucky focuses on two main antislavery movements that emerged in Kentucky during the early years of opposition. By 1820, Kentuckians such as Cassius Clay called for the emancipation of slaves -- a gradual end to slavery with compensation to owners. Others, such as Delia Webster, who smuggled three fugitive slaves across the Kentucky border to freedom in Ohio, advocated for abolition -- an immediate and uncompensated end to the institution. Neither movement was successful, yet the tenacious spirit of those who fought for what they believed contributes a proud chapter to Kentucky history.

Miskwabik, Metal of Ritual examines the thousands of beautiful and intricate ritual works of art -- from ceremonial weaponry to delicate copper pendants and ear ornaments -- created in eastern North America before the arrival of Europeans. The first comprehensive examination of this 3,000-year-old metallurgical tradition, the book provides unique insight into the motivation of the artisans and the significance of these objects, and highlights the brilliance and sophistication of the early civilizations of the Americas.Comparing the ritual architecture and metallurgy of the original Americans with the ethnological record, Amelia M. Trevelyan begins to unravel the mystery of the significance of the objects as well as their special functions within the societies that created them. The book includes dozens of striking color and black and white photographs.

John T. Shawcross's groundbreaking new study of John Milton is an essential work of scholarship for those who seek a greater understanding of Milton, his family, and his social and political world. Shawcross uses extensive new archival research to scrutinize several misunderstood elements of Milton's life, including his first marriage and his relationship with his brother, brother-in-law and nephews. Shawcross examines Milton's numerous royalist connections, complicating the conventional view of Milton as eminent Puritan and raising questions about the role his connections played in his relatively mild punishment after the Restoration.Unique in its methodology, The Arms of the Family is required reading not only for students of Milton but also for students of biography in general. Entire chapters dedicated to Milton's brother Christopher, his brother-in-law Thomas Agar, and his nephews Edward and John Phillips, illuminate the domestic forces that helped shape Milton's point of view. The final chapters reconsider Milton's political and sociological ideology in the light of these domestic forces and in the religious context of his three major poetic works: Paradise Lost, Paradise Regain'd, and Samson Agonistes. The Arms of the Family is a seminal work by a preeminent Miltonist, marking a major advance in Milton studies and serving as a model for those engaged in family history, social history, and the early modern period.

Despite their centuries-old history and traditions, witchcraft and magic are still very much a part of modern Anglo-American culture. In Lucifer Ascending, Bill Ellis looks at modern practices that are universally defined as "occult," from commonplace habits such as carrying a rabbit's foot for good luck or using a Ouija board, to more esoteric traditions, such as the use of spell books. In particular, Ellis shows how the occult has been a common element in youth culture for hundreds of years. Using materials from little known publications and archives, Lucifer Ascending details the true social function of individuals' dabbling with the occult. In his survey of what Ellis terms "vernacular occultism," the author is poised on a middle ground between a skeptical point of view that defines belief in witchcraft and Satan as irrational and an interpretation of witchcraft as an underground religion opposing Christianity. Lucifer Ascending examines the occult not as an alternative to religion but rather as a means for ordinary people to participate directly in the mythic realm.

In Unchained Voices, Vincent Carretta has assembled the most comprehensive anthology ever published of writings by eighteenth-century people of African descent, enabling many of these authors to be heard for the first time in two centuries.Their writings reflect the surprisingly diverse experiences of blacks on both sides of the Atlantic-America, Britain, the West Indies, and Africa-between 1760 and 1798. Letters, poems, captivity narratives, petitions, criminal autobiographies, economic treatises, travel accounts, and antislavery arguments were produced during a time of various and changing political and religious loyalties. Although the theme of liberation from physical or spiritual captivity runs throughout the collection, freedom also clearly led to hardship and disappointment for a number of these authors.Briton Hammon, James Albert Ukawsaw Gronniosaw, John Marrant, Ignatius Sancho, Ottobah Cugoano, and Olaudah Equiano told their stories as Afro-Britons who recognized the sovereignty of George III; Johnson Green, Belinda, Benjamin Banneker, and Venture Smith spoke and wrote as African Americans n the United States; Phillis Wheatley, initially an Afro-British poet, later chose an African American identity; Francis Williams and George Liele wrote in Jamaica; David George and Boston King, having served with the British forces in the American Revolution and later lived in Canada, composed their narratives as British subjects in the newly established settlement in Sierra Leone, Africa.In his introduction, Carretta reconstructs the historical and cultural context of the works, emphasizing the constraints of the eighteenth-century genres under which these authors wrote. The texts and annotations are based on extensive research in both published and manuscript holdings of archives in the United States and the United Kingdom. Appropriate for undergraduates as well as for scholars, Unchained Voices gives a clear sense of the major literary and cultural issues at the heart of African literature written in English.

Culinary Tourism is the first book to consider food as both a destination and a means for tourism. The book's contributors examine the many intersections of food, culture and tourism in public and commercial contexts, in private and domestic settings, and around the world. The contributors argue that the sensory experience of eating provides people with a unique means of communication. Editor Lucy explains how and why interest in foreign food is expanding tastes and leading to commercial profit in America, but the book also show how tourism combines personal experiences with cultural and social attitudes toward food and the circumstances for adventurous eating.