Constantine Samuel Rafinesque was a quintessential nineteenth-century American scientist and naturalist. Exalted by some, cursed by others, Rafinesque gave Latin names to over 6,700 plant species, was acknowledged by Darwin for his early insights into biological variation, and is frequently mentioned in the great natural history archives. Yet he has been almost forgotten in our own day. During his long career, which included some five years as an innovative professor at Transylvania University in Kentucky, Rafinesque's colorful and sometimes difficult personality led to troubles with his colleagues. In Constantine Samuel Rafinesque, the first full-length biography of this brilliant, original, and misunderstood naturalist, Leonard Warren presents a fair and surprising look at Rafinesque's life and contributions to the world of science.

With a foreword by Jennifer Baumgardner and Amy RichardsGirls Rock! explores the many ways women have defined themselves as rock musicians in an industry once dominated and controlled by men. Integrating history, feminist analysis, and developmental theory, the authors describe how and why women have become rock musicians -- what inspires them to play and perform, how they write, what their music means to them, and what they hope their music means to listeners. As these musicians tell their stories, topics emerge that illuminate broader trends in rock's history. From Wanda Jackson's revolutionary act of picking up a guitar to the current success of independent artists such as Ani DiFranco, Girls Rock! examines the shared threads of these performers' lives and the evolution of women's roles in rock music since its beginnings in the 1950s. This provocative investigation of women in rock is based on numerous interviews with a broad spectrum of women performers -- those who have achieved fame and those just starting bands, those playing at local coffeehouses and those selling out huge arenas. Girls Rock! celebrates what female musicians have to teach about their experiences as women, artists, and rock musicians.

The crossing of America's first great divide -- the Appalachian Mountains -- has been a source of much fascination but has received little attention from modern historians. In the eighteenth century, the Wilderness Road and Ohio River routes into Kentucky presented daunting natural barriers and the threat of Indian attack.Running Mad for Kentucky brings this adventure to life. Primarily a collection of travel diaries, these day-to-day accounts illustrate the dangers thousands of Americans, adult and child, black and white, endured to establish roots in the wilderness. Ellen Eslinger's vivid and extensive introductory essay draws on numerous diaries, letters, and oral histories of trans-Appalachian travelers to examine the historic consequences of the journey, a pivotal point in the saga of the continent's indigenous people. The book demonstrates how the fabled soil of Kentucky captured the imagination of a young nation.

From South Carolina to South Vietnam, America's two hundred-year involvement in guerrilla warfare has been extensive and varied. America and Guerrilla Warfare analyzes conflicts in which Americans have participated in the role of, on the side of, or in opposition to guerrilla forces, providing a broad comparative and historical perspective on these types of engagements.Anthony James Joes examines nine case studies, ranging from the role of Francis Marion, the Swamp Fox, in driving Cornwallis to Yorktown and eventual surrender to the U. S. support of Afghan rebels that hastened the collapse of the Soviet Empire. He analyzes the origins of each conflict, traces American involvement, and seeks patterns and deviations. Studying numerous campaigns, including ones staged by Confederate units during the Civil War, Joes reveals the combination of elements that can lead a nation to success in guerrilla warfare or doom it to failure.In a controversial interpretation, he suggests that valuable lessons were forgotten or ignored in Southeast Asia. The American experience in Vietnam was a debacle but, according to Joes, profoundly atypical of the country's overall experience with guerrilla warfare. He examines several twentieth-century conflicts that should have better prepared the country for Vietnam: the Philippines after 1898, Nicaragua in the 1920s, Greece in the late 1940s, and the Philippines again during the Huk War of 1946-1954. Later, during the long Salvadoran conflict of the 1980s, American leaders seemed to recall what they had learned from their experiences with this type of warfare.Guerrilla insurgencies did not end with the Cold War. As America faces recurring crises in the Balkans, sub-Saharan Africa, the Middle East, and possibly Asia, a comprehensive analysis of past guerrilla engagements is essential for today's policymakers.

Monica Appleby and Helen Lewis reveal the largely untold story of women who stood up to the Church and joined Appalachians in their struggle for social justice. Their poignant story of how faith, compassion, and persistence overcame obstacles to progress in Appalachia is a fascinating example of how a collaborative and creative learning community fosters strong voices. Mountain Sisters is a prophetic first-person account of the history of American Catholicism, the war on poverty, and the influence of the turbulent 1960s on the cultural and religious communities of Appalachia. Founded in 1941, The Glenmary Sisters embraced a calling to serve rural Appalachian communities where few Catholics resided. The sisters, many of them seeking alternatives to the choices available to most women during this time, zealously pursued their duties but soon became frustrated with the rules and restrictions of the Church. Outmoded doctrine -- even styles of dress -- made it difficult for them to interact with the very people they hoped to help. In 1967, after many unsuccessful attempts to persuade the Church to ease its requirements, some seventy Sisters left the security of convent life. Over forty of these women formed a secular service group, FOCIS (Federation of Communities in Service). Mountain Sisters is their story.

Cecil B. DeMille was the most successful filmmaker in early Hollywood history.

After more than two hundred years in the shadows of Washington and Jefferson, John Adams enjoys fame as one of our top presidents. Of unprepossessing appearance and feisty temperament, he expressed his personal feelings in copious correspondence and public documents along with two unfinished autobiographies.Paul M. Zall draws from Adams's own letters, diaries, notes and autobiographies to create a fresh portrait. Adams's writings, both public and private, trace his rise from country lawyer to the nation's highest office by the sheer force of his personality. Lacking the advantages of money, connections, class, or patronage, Adams used "the severest and most incessant labor" to promote American independence.Zall's commentary illuminates Adams's words, focusing on how Adams's inner strengths -- in conflict with a sense of inferiority and an obsession with fame -- helped win government under law at home and national respect abroad. Borne along by an irresistible sense of Spartan duty and refusing to compromise high principles for cheap popularity, he sacrificed family, fortune, and even fame. In Adams on Adams we are at last able to hear Adams describe his extraordinary journey in his own words.

Hal Wallis might not be as well known as David O. Selznick or Samuel Goldwyn, but the films he produced -- Casablanca, Jezebel, Now Voyager, The Life of Emile Zola, Becket, True Grit, and many other classics (as well as scores of Elvis movies) -- have certainly endured. As producer of numerous films, Wallis made an indelible mark on the course of America's film industry, but his contributions are often overlooked and no full-length study has yet assessed his incredible career. A former office boy and salesman, Wallis first engaged with the business of film as the manager of a Los Angeles movie theater in 1922. He attracted the notice of the Warner brothers, who hired him as a publicity assistant. Within three months he was director of the department, and appointments to studio manager and production executive quickly followed. Wallis went on to oversee dozens of productions and formed his own production company in 1944.Bernard F. Dick draws on numerous sources such as Wallis's personal production files and exclusive interviews with many of his contemporaries to finally tell the full story of his illustrious career. Dick combines his knowledge of behind-the-scenes Hollywood with fascinating anecdotes to create a portrait of one of Hollywood's early power players.

The Korean War in World History features the accomplishments of noted scholars over the last decade and lays the groundwork for the next generation of scholarship. These essays present the latest thinking on the Korean War, focusing on the relationship of one country to the war. William Stueck's introduction and conclusion link each essay to the rich historiography of the event and suggest the war's place within the history of the twentieth century. The Korean War had two very different faces. On one level the conflict was local, growing out of the internal conditions of Korea and fought almost entirely within the confines of a small Asian country located far from Europe. The fighting pitted Korean against Korean in a struggle to determine the balance of political power within the country. Yet the war had a huge impact on the international politics of the Cold War. Combat threatened to extend well beyond the peninsula, potentially igniting another global conflagration and leaving in its wake a much escalated arms race between the Western and Eastern blocs. The dynamics of that division remain today, threatening international peace and security in the twenty-first century. Contributors: Lloyd Gardner, Chen Jian, Allan R. Millett, Michael Schaller, and Kathryn Weathersby

Chinese diplomat V.K. Wellington Koo (1888-1985) was involved in virtually every foreign and domestic crisis in twentieth-century China. After earning a Ph.D. from Columbia University, Koo entered government service in 1912 intent on revising the unequal treaty system imposed on China in the nineteenth century, believing that breaking the shackles of imperialism would bring China into the "family of nations."His pursuit of this nationalistic agenda was immediately interrupted by Chinese civil war and Japanese imperialism during World War I. In the 1930s Koo attempted to use international law to force western powers to honor their treaty obligations to punish Japanese expansion. Koo also participated in creating the League of Nations and later the United Nations in the hope that collective security would become reality.

With a foreword by James Randi Paranormal investigator Joe Nickell has spent more than thirty years solving the world's most perplexing mysteries. This new casebook reveals the secrets of the Winchester Mystery House, the giant Nazca drawings of Peru, the Shroud of Turin, the "Mothman" enigma, the Amityville Horror house, the vicious goatsucking El Chupacabras, and numerous other "unexplainable" paranormal phenomena. Nickell has traveled far and wide to solve cases, which include a weeping icon in Russia, the elusive Bigfoot-like "yowie" in Australia, the reputed power of a headless saint in Spain, and an "alien hybrid" in Germany. He has gone undercover -- often in disguise -- to reveal the tricks of those who pretend to talk to the dead, accompanied a Cajun guide into a Louisiana swamp in search of a fabled monster, and gained an audience with a voodoo queen. Superstar psychic medium John Edward, pet psychic Sonya Fitzpatrick, evangelist and healer Benny Hinn, and many other well-known figures have found themselves under Nickell's careful scrutiny. The Mystery Chronicles examines more than three dozen intriguing mysteries. Nickell uses a hands-on approach and the scientific method to steer between the extremes of mystery mongering and debunking. His investigative skills have won him both acclaim and controversy during his long career as one of the world's foremost paranormal investigators.

WITH A FOREWORD BY WALTER MURCH Gene Phillips blends biography, studio history, and film criticism to complete the most comprehensive work on Coppola ever written. The force behind such popular and critically acclaimed films as Apocalypse Now and the Godfather trilogy, Coppola has imprinted his distinct style on each of his movies and on the landscape of American popular culture. In Godfather, Phillips argues that Coppola has repeatedly bucked the Hollywood "factory system" in an attempt to create distinct films that reflect his own artistic vision -- often to the detriment of his career and finances. Phillips conducted interviews with the director and his colleagues and examined Coppola's production journals and screenplays. Phillips also reviewed rare copies of Coppola's student films, his early excursions into soft-core pornography, and his less celebrated productions such as One from the Heart and Tucker: The Man and His Dream. The result is the definitive assessment of one of Hollywood's most enduring and misunderstood mavericks.

The literature often considered the most American is rooted not only in European and Western culture but also in African and American Creole cultures. Keith Cartwright places the literary texts of such noted authors as George Washington Cable, W.E. B. DuBois, Alex Haley, Zora Neale Hurston, Ralph Ellison, William Faulkner, Joel Chandler Harris, Herman Melville, Toni Morrison, and many others in the context of the history, spiritual traditions, folklore, music, linguistics, and politics out of which they were written.Cartwright grounds his study of American writings in texts from the Senegambian/Old Mali region of Africa. Reading epics, fables, and gothic tales from the crossroads of this region and the American South, he reveals that America's foundational African presence, along with a complex set of reactions to it, is an integral but unacknowledged source of the national culture, identity, and literature.

The Underground Railroad, an often misunderstood antebellum institution, has been viewed as a simple combination of mainly white "conductors" and black "passengers." Keith P. Griffler takes a new, battlefield-level view of the war against American slavery as he reevaluates one of its front lines: the Ohio River, the longest commercial dividing line between slavery and freedom. In shifting the focus from the much discussed white-led "stations" to the primarily black-led frontline struggle along the Ohio, Griffler reveals for the first time the crucial importance of the freedom movement in the river's port cities and towns. Front Line of Freedom fully examines America's first successful interracial freedom movement, which proved to be as much a struggle to transform the states north of the Ohio as those to its south. In a climate of racial proscription, mob violence, and white hostility, the efforts of Ohio Valley African Americans to establish and maintain communities became inextricably linked to the steady stream of fugitives crossing the region. As Griffler traces the efforts of African Americans to free themselves, Griffler provides a window into the process by which this clandestine network took shape and grew into a powerful force in antebellum America.

In the early 1920s, in many a sawmill town across the South, the last quitting-time whistle signaled the cutting of the last log of a company's timber holdings and the end of an era in southern lumbering. It marked the end as well of the great primeval forest that covered most of the South when Europeans first invaded it.Much of the first forest, despite the labors of pioneer loggers, remained intact after the Civil War. But after the restrictions of the Southern Homestead Act were removed in 1876, lumbermen and speculators rushed in to acquire millions of acres of virgin woodland for minimal outlays. The frantic harvest of the South's first forest began; it was not to end until thousands of square miles lay denuded and desolate, their fragile soils -- like those of the abandoned cotton lands -- exposed to rapid destruction by the elements. With the end of the sawmill era and the collapse of the southern farm economy, the emigration routes from the South to the industrial cities of the North and Midwest were thronged with people forced from the land.Yet in the first quarter of this century, even as the destruction of forest and land continued, a day of renewal was dawning. The rise of the conservation movement, the beginnings of the national forests, the development of scientific forestry and establishment of forest schools, the advance of chemical research into the use of wood pulp -- all converged even as the 1930s brought to the South the sweeping reclamation programs of the Civilian Conservation Corps and the Tennessee Valley Authority; in their wake came a new generation of wood-using industries concerned not so much with the immediate exploitation of timber as with the maintenance of a renewable resource.In The Greening of the South, this dramatic story is told by one of the participants in the renewal of the forest. Thomas D. Clark, author of many books about southern history, is also an active timber producer on lands in both Kentucky and South Carolina

Provides a day-by-day account of the action on all fronts and of the events surrounding the conflict, from the guns of August 1914 to the November 1918 Armistice and its troubled aftermath. Daily entries, topical descriptions, biographical sketches, maps, and illustrations combine to give a ready and succinct account of what was happening in each of the principal theaters of war.