Kentuckians in Gray is a comprehensive collection of biographical sketches of key Confederate military personnel from the Bluegrass state. In addition to providing short profiles of lesser-known colonels, lieutenant colonels, and majors, the book vividly details significant players including Tyree H. Bell, Abraham Buford, Thomas James Churchill, and Richard Taylor. This work will be a standard reference for historians and Civil War buffs of the Bluegrass for years to come.

Scholars have discussed the work of C. S. Lewis (1898--1963) for decades, but they have focused on Lewis's Christian and pagan allusions and have largely ignored his other important themes. Narnia and the Fields of Arbol: The Environmental Vision of C.

Whereas most crops drive farmers apart as they compete for the best prices, the price controls on tobacco bring growers together. The result is a culture unlike any other in America, one often forgotten or overlooked as federal and state governments fight over the spoils of the tobacco settlement. Tobacco Culture describes the process of raising a crop of burley from the perspective and experience of the farmers themselves. In the process of gathering information for the book, the authors performed most steps in the tobacco production process, from dropping plants, burning seedbeds, topping, and cutting to stripping and baling the finished product. Van Willigen and Eastwood document both present practices and historical developments in tobacco farming at the very moment a way of life stands poised for dramatic change.In addition to growing practices, the authors found other common threads linking growers and tobacco producing regions. Where tobacco is grown, it often becomes the major cash crop and carries the health of the economy. Farmer Oscar Richardson states, "It's bread and butter. It's the industry of the community, the state as a whole.... You take tobacco out of Kentucky and this farmland wouldn't be worth a nickel." Combining cultural anthropology and oral history, John van Willigen and Susan Eastwood have created a remarkable portrait of the heart of the burley belt in Central Kentucky.

Many critics agree that Joel and Ethan Coen are one of the most visionary and idiosyncratic filmmaking teams of the last three decades. Combining thoughtful eccentricity, wry humor, irony, and often brutal violence, the Coen brothers have crafted a style of filmmaking that pays tribute to classic American movie genres yet maintains a distinctly postmodern feel. Since arriving on the film scene, the Coens have amassed an impressive body of work that has garnered them critical acclaim and a devoted cult following. From Raising Arizona and Fargo to O Brother, Where Art Thou? and No Country for Old Men, the Coens have left an unmistakable imprint on Hollywood. The Philosophy of the Coen Brothers investigates philosophical themes in the works of these master filmmakers and also uses their movies as vehicles to explore fundamental concepts of philosophy. The contributing authors discuss concepts such as justice, the problem of interpretation, existential role-playing, the philosophy of comedy, the uncertainty principle, and the coldness of modernity. The Philosophy of the Coen Brothers is not just for die-hard Lebowski Fest attendees, but for anyone who enjoys big ideas on the big screen.

The fascinating third book in the Virginia at War series focuses on the Virginia experience at mid-conflict. The collection provides a comprehensive overview of the conflict's impact on children, religion, and newly freed slaves. Also included are essays that probe the South's view of Abraham Lincoln and the Civil War careers of the Hatfields and the McCoys. The 1863 installment of Judith Brockenbrough McGuire's valuable Diary of a Southern Refugee during the War rounds out the collection.

Hollywood's West examines popular perceptions of the frontier as a defining feature of American identity and history. Seventeen essays by prominent film scholars illuminate the allure of life on the edge of civilization and analyze how this region has been represented on big and small screens. Differing characterizations of the frontier in modern popular culture reveal numerous truths about American consciousness and provide insights into many classic Western films and television programs, from RKO's 1931 classic Cimarron to Turner Network Television's recent made-for-TV movies. Covering topics such as the portrayal of race, women, myth, and nostalgia, Hollywood's West makes a significant contribution to the understanding of how Westerns have shaped our nation's opinions and beliefs -- often using the frontier as metaphor for contemporary issues.

Is hunting a bygone activity, out of touch with modern life; or is it valuable as an escape from it? Does hunting promote violence, not just to animals, but to humans as well? Is hunting, with its connection to the land and frontier experience, a heritage worth preserving? These questions form the foundations for discussion in Killing Tradition: Inside Hunting and Animal Rights Controversies. Simon J. Bronner sorts through the issues and goes behind the headlines to examine the basis of this hotly-charged subject. Using case studies as evidence, Bronner looks at a topic at the center of modern cultural debate.

Without question, few directors have had such a powerful influence on the film industry and the moviegoing public as Steven Spielberg. Often referred to as the most successful American filmmaker of all time, Spielberg has been nominated for the Academy Award for Best Director six times, winning twice -- for Schindler's List in 1994 and Saving Private Ryan in 1999. Seven of his films have received the Best Picture Oscar nomination. He has brought to life some of the most popular heroes of all time, such as Indiana Jones, as well as some of the most despised villains, including Amon Goeth from Schindler's List and the killer shark from Jaws. Whatever the subject -- dinosaurs, war, extra-terrestrials, slavery, the Holocaust, or terrorism -- one clear and consistent touchstone is present in all of Spielberg's films: an interest in the human condition. In Steven Spielberg and Philosophy, Dean A. Kowalski and some of the nation's most respected philosophers investigate Spielberg's art to illuminate the nature of humanity. The book explores rich themes such as cinematic realism, fictional belief, terrorism, family ethics, consciousness, virtue and moral character, human rights, and religion in Spielberg's work. Avid moviegoers and deep thinkers will discover plenty of common ground in this collection.

Thirteen Women Strong: The Making of a Team chronicles the 2006--2007 season of the Northern Kentucky University women's basketball team. Led by a core of upperclassmen and revered head coach Nancy Winstel, the NKU Norse rallied to yet another remarkable season despite injuries and early losses. Author Robert K. Wallace was granted unparalleled access and followed the players through practices, drills, emotional meetings, and, of course, heart-stopping play. Including compelling interviews with the players themselves, Thirteen Women Strong welcomes readers into the lives of young women whose world is made up of equal parts pressure and accomplishment.

Thinking Outside the Box brings together some of the best and most challenging scholarship about TV genres, exploring their genesis, their functions and development, and the interaction of disparate genres. The authors argue that genre is a process rather than a static category and that it signifies much about the people who produce and watch the shows. In addition to considering traditional genres such as sitcoms, soap operas, and talk shows, the contributors explore new hybrids, including reality programs, teen-oriented science fiction, and quality dramas, and examine how many of these shows have taken on a global reach. Identifying historical continuities and envisioning possible trends, this is the richest and most current study of how television genres form, operate, and change.

At what stage in J.R.

Without question, Dr. Martin Luther King Jr. is the face of the civil rights revolution that reshaped the social and political landscape of the United States. Although many biographers and historians have examined Dr. King's activism, few have recognized the pivotal role that the people of Montgomery, Alabama, played in preparing him for leadership. King arrived in Montgomery as a virtually unknown doctoral student, but his activities there -- from organizing the Montgomery bus boycott to building relationships with local activists such as Rufus Lewis, E. D. Nixon, and Virginia Durr -- established him as the movement's most visible leader. Becoming King: Martin Luther King, Jr. and the Making of a National Leader illustrates how the people of Montgomery influenced King as much as he influenced them. In Montgomery, brave citizens, both black and white, spearheaded a protest movement that also launched King's public ministry. Author Troy Jackson demonstrates that spending his formative years in the city of Montgomery gave King the skills and experience to become a hero to generations of Americans.

The opening months of 1951 comprised the first winter of the Korean War, and the fighting was as intense as the weather. In The Line: Combat in Korea, January-February 1951, William T. Bowers analyzes this significant period and its effects on the remainder of the war. The Line is the first of three volumes about the Korean War that focus on combat experiences at the ground level: from battalion hierarchy to the accounts of individual soldiers. Drawn from interviews conducted by Army historians immediately after combat, the books in this series offer intensive examinations of military conflict.

What essential leadership lessons do we learn by distilling the actions and ideas of great military commanders such as George Washington, Dwight D. Eisenhower, and Colin Powell? The Art of Command illustrates that great leaders become great through a commitment not only to develop vital skills but also to surmount personal shortcomings. Harry S. Laver, Jeffrey J. Matthews, and the other contributing authors identify nine core characteristics of highly effective leadership, such as integrity, determination, vision, and charisma, and nine significant figures in American military history whose careers embody those qualities. The Art of Command examines each figure's strengths and weaknesses and how those attributes affected their leadership abilities, offering a unique perspective of military leadership in American history.

The Appalachian Volunteers formed in the early 1960s, determined to eliminate poverty through education and vocational training and improve schools and homes in the mountainous regions of the southeastern United States. In Reformers to Radicals: The Appalachian Volunteers and the War on Poverty, Thomas Kiffmeyer illustrates how the activists ultimately failed, mainly because they were indecisive about the fundamental nature of their mission. The AVs, many of them college students, were also distracted by causes not directly connected with the war on poverty, such as civil rights and opposition to the Vietnam War. Despite some progress, the organization finally lost the support of the national government, and more important, of the Appalachian people, setbacks from which it never recovered.

The 1876 United States Centennial Exhibition in Philadelphia was not only the United States' first important world's fair, it signaled significant changes in the very shape of knowledge. Quarrels between participants in the exhibition represented a greater conflict as the world transitioned between two different kinds of modernity--the Enlightenment of the seventeenth and eighteenth centuries to the High Modern period of the nineteenth and twentieth centuries.At the center of this movement was a shift in the perceived relationship between seeing and knowing and in the perception of what makes an object valuable--its usefulness as a subject of study and learning versus its ability to be bought and sold on the market. Arguments over design of the Centennial reflected these opposing viewpoints. Initial plans were rigidly structured, dividing the exhibits by country and type. But as some exhibitors became more interested in the preferences of their audience, they adopted a more modern stance. Objects traditionally displayed in isolated glass boxes were placed in fictive context -- the necklace draped over a mannequin, the vase set on a table in a model room. As a result, the audience could more easily perceive these items as commodities suitable for their own environments and the fair as a place to find ideas for a material lifestyle.Designing the Centennial is a vital first look at the design process and the nature of the display. Bruno Giberti uses official reports of the U.S. Centennial Commission and photographs of the Centennial Photographic Company, as well as the ephemera of the exhibition and literary accounts in books, magazines, and newspapers to illuminate how the 1876 fair revealed changes to come: in future world's fairs, museums, department stores, and in the nature of display itself.