In 1899, a fundraising program for Berea College featured a group of students from the mountains of eastern Kentucky singing traditional songs from their homes. The audience was entranced. That small en-counter at the end of the last century lies near the beginning of an unparalleled national -- and international -- fascination with the indigenous music of a single state. Kentucky has long figured prominently in our national sense of traditional music. Over the years, a diverse group of people -- reformers, enthusiasts, the musically literate and the musically illiterate, radicals, liberals, a British gentleman and his woman companion, amateurs, local residents, and academics -- have been sufficiently captivated by that music to have devoted considerable energy to harvesting it from its fertile ground, studying its various manifestations, and considering its many performers.Kentucky Folkmusic: An Annotated Bibliography is a guide to the literature of this remarkable music. More than seven hundred entries, each with an evaluative annotation, comprise the largest bibliographic resource for the folkmusic of any state or region in North America. Divided into eight sections, the bibliography covers collections and anthologies; fieldworkers and scholars; singers, musicians, and other performers; text-centered studies; studies of history, context, and style; festivals; dance; and discographies, check-lists, and other reference tools. A subject index, an author index, and an index of periodicals provide access to the materials. From early hymnals and songsters to Kentucky performers of traditional music, the bibliography is a comprehensive guide to music which has for many years been one of the major emblems of American traditional music.

During the fifteen years of Herman L. Donovan's presidency (1941-56), the University of Kentucky entered a new era of maturity as an educational institution.The period was characterized by many administrative crises, such as those arising from the flood of veteran students following World War II, the rapidly rising costs of maintenance and expansion, and the apathy or active opposition of many Kentuckians to the concept of a free and developing university. Nevertheless, during this same period tremendous advances, both in material assets and in the less tangible qualities of academic life, were made.Realizing that evaluation of his administration must wait for the perspective of future historians, Mr. Donovan has not undertaken a history of the University during his presidency. He has chosen, instead, to give his readers something which only he could give -- an intimate view of the president's personal, day-to-day struggles during this crucial period of the University's history.Mr. Donovan's account of the problems and satisfactions of being a university president is humorous and sincere. His story will be of absorbing interest to college administrators who face similar problems, and to all friends of the University of Kentucky. In addition, President Donovan has included a valuable appendix of statistical material which will be useful to the historian of higher education, and he has compiled a reading list of works of special interest to the college administrator.

These original essays by major scholars of judicial behavior explore the frequency, intensity, and especially the causes of conflict and consensus among judges on American appellate courts. Together, these studies provide new insights into judges' attitudes and values, role perceptions, and small group interactions.

Of the many books written over the past century about the Old South and the American Civil War, a very few explore the scientific history of the South or the medical history of the war itself. In the first volume of this impressive biography of Joseph Jones, Mr. Breeden does much to illuminate the development of scientific thought and of medicine in the nineteenth-century South. Jones was far in advance of most of his fellow physicians. The thoroughness of his research, the tenacity of his effort, and the brilliance of his findings won him respect while he was still a very young scholar. When the war came, he showed himself fiercely patriotic as a soldier but coldly empirical as a scientific investigator of many infectious diseases. In the course of the biography the author illumines the development of modern medicine in this country and the state of the nation's medical schools in the middle of the nineteenth century.The greater part of this volume is devoted to Jones's wartime service, which was mainly behind the battle lines in the hospitals and prison camps. The growth of the problem of gangrene among the wounded -- a horrifying result of overcrowding and lack of sanitation -- is examined in particularly telling detail; the ravaging of the Andersonville prison camp by this and other diseases was the subject of some of Jones's most controversial research, and his written report as a reluctant witness in the trial of the Southerners held responsible. At the outset of the war, Joseph Jones was an energetic and well trained young doctor with considerable experience in teaching and research; by its end he was perhaps the foremost expert on infectious diseases in the South or in the nation.

As early as the eighteenth century, New England's ministers were decrying public morality. Evangelical leaders such as Jonathan Edwards called for rulers to become spiritual as well as political leaders who would renew the people's covenant with God. The prosperous merchant Jonathan Belcher (1682-1757) self-consciously strove to become such a leader, an American Nehemiah. As governor of three royal colonies and early patron of the College of New Jersey (later Princeton University), Belcher became an important but controversial figure in colonial America.In this first biography of the colonial governor, Michael C. Batinski depicts a man unusually riddled with contradictions. While governor of Massachusetts, Belcher deftly maneuvered longstanding rivals toward a political settlement; yet as chief executive of New Hampshire, he plunged into bitter factional disputes that destroyed his administration. The quintessential Puritan, Belcher learned to thrive in London's cosmopolitan world and in the whiggish realm of the marketplace. He was at once the courtier and the country patriot.An insightful blend of social and political history, this biography demands that Belcher be recognized as the embodiment of the Nehemiah, perhaps as important in his own realm as Cotton Mather was in religious circles. Grappling with the contradictions of Belcher's actions, the author explains much about the complexities of the world in which Belcher lived and wielded influence.

Though little known to most students of the American Revolution, the British Radicals of the 1770s championed the rights of Americans while advocating parliamentary reform and denouncing British colonial policies. Outspoken, eloquent, and innovative, the Radicals encouraged the American cause. They voiced ideas on liberty and empire that would echo through American revolutionary documents. Liberty and Empire focuses on five British Radicals. The farsighted John Cartwright's ideas of reformation anticipated the Commonwealth of Nations. James Burgh's treatise on parliamentary reform became a classic text for both English and American reformers and an influence on the thinking of successive generations. The venerable Dr. Richard Price wrote one of the era's most eloquent statements on human liberty and the meaning of the American Revolution. Granville Sharp's advocacy of legislative rights for Ireland and America prophesied later principles of responsible government and home rule. Catharine Macaulay, fervent and notorious, urged the people of Great Britain to side with America.In this first comprehensive study of the British Radicals, Robert Toohey provides an overview of their political milieu and a synthesis of their ideas about the American crisis and related issues. Toohey outlines the ideological relationships among Radicals of diverse background and character. He discusses their impact on American thinking through their writings and their associations with Benjamin Franklin and others. And he reveals that Americans held no monopoly on enlightened concepts of human liberty, empire, and reformation.

In 1919 the Soviet government directed Ludwig Martens to open a trade bureau in New York. Before his deportation two years later, Martens had established contact with nearly one thousand American firms and conducted trade in the face of a stiff Allied embargo. His work planted the seeds for growing commercial ties between the U. S. and the U.S.S.R. throughout the 1920s.Because the United States did not recognize the Soviet Union until 1933, historians have viewed the early Soviet--American relationship as an ideological stand-off. Katherine Siegel, drawing on public, private, and corporate documents as well as newly opened Soviet archives, paints a different picture. She finds that business ties flourished between 1923 and 1930, American sales to the Soviets grew twentyfold and American firms supplied Russians with more than a fourth of their imports. American businesses were only too eager to tap into huge Soviet markets.Under the Soviets' New Economic Policy and first Five Year Plan, American firms invested in the U.S.S.R. and sold technical processes, provided consulting services, built factories, and trained Soviet engineers in the U.S. Most significantly, Siegel shows, this commercial relationship encouraged policy shifts at the highest levels of the U.S. government.Thus when Franklin D. Roosevelt opened diplomatic relations with Russia, he was building on ties that had been carefully constructed over the previous fifteen years. Siegel's study makes an important contribution to a new understanding of early Soviet-American relations.

The figure of John Adams looms large in American foreign relations of the Revolutionary and post-Revolutionary years. James H. Hutson captures this elusive personality of this remarkable figure, highlighting the triumphs and the despairs that Adams experienced as he sought -- at times, he felt, single-handedly -- to establish the new Republic on a solid footing among the nations of the world. Benjamin Franklin, thirty years Adams's senior and already a world-respected figure, was his personal nemesis, seeming always to dog his steps in his diplomatic missions.The diplomacy of the American Revolution as exemplified by John Adams was not radically revolutionary or peculiarly American. Whereas the prevailing progressive interpretation of Revolutionary diplomacy sees it as repudiating the standard European theories and practices, Hutson finds that Adams adhered consistently to a policy that was in fact basically European and conservative. Adams assumed -- as did his contemporaries -- that power was aggressive and that it should be contained in a balance, so his actions while in diplomatic service were generally directed toward this goal. Adams's basic ideas survived his turbulent diplomatic missions with undiminished coherence. For him the value of the protective system of the balance of power -- having been tested in the harsh theater of European diplomacy -- was indisputable and could be applied to domestic political arrangements as well as to international relations.

Freedom did not solve the problems of the Proctor family. Nor did money, recognition, or powerful supporters. As free blacks in eighteenth- and nineteenth-century America, three generations of Proctor men were permanently handicapped by the social structures of their time and their place. They subscribed to the Western, middle-class value system that taught that hard work, personal rectitude, and maintenance of family life would lead to happiness and prosperity. But for them it did not -- no matter how hard they worked, how clever their plans, or how powerful their white patrons.The eldest, Antonio, born a Spanish slave, became a soldier for three nations and received government recognition for his daring and his skills as a translator. His son, George, an entrepreneur, achieved material success in the building trade but was so hampered by his status as a free black that he eventually lost not only his position in the community but his family. John, George's son, seized the opportunity proffered by Reconstruction and spent ten years in the Florida state legislature before segregation forced him to return to the life of a tradesman.Warner describes the Proctor men as "inarticulate." They left no personal papers and no indication of their attitudes toward their hardships. As a result, this work relies heavily on local government documents and oral history. Inference and intimation become vital tools in the search for the Proctors. In important ways the author has produced a case study of nontraditional methodology, and he suggests new ways of describing and analyzing inarticulate populations.The Proctors were not typical of the black population of their era and their location, yet the story of their lives broadens our knowledge of the black experience in America.

New Orleans is the largest American city ever occupied by enemy forces for an extended period of time. Falling to an amphibious Federal force in the spring of 1862, the city was threatened with the possibility of Confederate recapture even as late as 1864. How this tension affected the lives of both civilians and soldiers during the occupation is here examined. Gerald M. Capers finds that the occupation policies of General Benjamin F. Butler and General Nathaniel P. Banks were successful and that Butler's harsh policies were by no means as vicious as legend would have it. Banks at first reversed Butler's harsh policies, but was gradually compelled to become less lenient. Banks did succeed in establishing a civil government under Lincoln's orders, but Congress refused to recognize the civil government and imposed a reconstruction government at war's end.Life for the average resident of New Orleans, Capers states, was much better during the occupation than it was for Southerners in areas still in Confederate control. Relative economic decline had begun in the 1850's but New Orleans even enjoyed a war boom during the last two years. And although America's only brief experience as an occupation force at the time had been in Vera Cruz during 1846, Butler and Banks performed their duties well.

Few inhabitants of the South in 1800 thought of it as a "region" or of themselves as "southerners." In time, the need to defend the entire southern way of life became obsessive for many writers, too often precluding efforts at originality in form or style. Especially after the publication of Uncle Tom's Cabin, southern identity and southern nationalism emerged as the grand themes, and literature became subservient to regional interests. The devastation of the Civil War and the collapse of the Confederacy, instead of pointing southern writers in new directions, only intensified their preoccupation with a now-dead past.The popular genres of the time -- historical romance and "local color" writing -- became tools to voice this preoccupation and have been important influences on America's view of the South and on American literature in general. The myth of the idyllic plantation South has had an extraordinary pervasiveness in the American consciousness. J.V. Ridgely speculates on the ways in which this tarnished but durable myth helped to produce the powerful Southern Renascence of the twentieth century in this concise survey of the literature of America's most distinctive region during a crucial formative period.

Jean-Baptiste Lully is perhaps best known in the history of music as the founder of French opera. Although Italian-born himself, he created a form of opera so suited to French tastes and needs that it alone, among the attempts of various other nations at operatic forms of their own, was able to resist domination by Italian opera and to maintain its individual identity during the seventeenth and eighteenth centuries.The impress he made upon French music was enormous, and it affected every musical medium of his day. Evidence of his influence in a field as remote from his own as the literature for the organ is seen in the nine pieces that make up this present collection.Despite their operatic origins, the Lully transcriptions should be useful to the present-day church organist, as the pieces have no secular associations for present-day listeners. The overtures make excellent preludes for festive services, and the marches are suitable both for processionals and postludes. For recital use, several of the pieces could be very successfully grouped together into a suite.

For more than three decades race relations have been at the forefront of historical research in America. These new essays on race and slavery -- some by highly regarded, award-winning veterans in the field and others by talented newcomers -- point in fresh directions. They address specific areas of contention even as together they survey important questions across four centuries of social, cultural, and political history. Looking at the institution itself, Robert McColley reconsiders the origins of black slavery in America, while William W. Freehling presents a striking interpretation of the Denmark Vesey slave conspiracy of 1822. In the political arena, William E. Gienapp and Stephen E. Maizlish assess the power of race and slave issues in, respectively, the Republican and Democratic parties of the 1850s.For the Civil War and Reconstruction eras, Reid Mitchell profiles the consciousness of the average Confederate soldier, while Leon F. Litwack explores the tasks facing freed slaves. Arthur Zilversmit switches the perspective to Washington with a reevaluation of Grant's commitments to the freedmen.Essays on the twentieth century focus on the South. James Oakes traces the rising fortunes of the supposedly vanquished planter class as it entered this century. Moving to more recent times, John G. Sproat looks at the role of South Carolina's white moderates during the struggle over segregation in the late 1950s and early 1960s and their failure at Orangeburg in 1968. Finally, Joel Williamson assesses what the loss of slavery has meant to southern culture in the 120 years since the end of the Civil War.A wide-ranging yet cohesive exploration, New Perspectives on Race and Slavery in America takes on added significance as a volume that honors Kenneth M. Stampp, the mentor of all the authors and long considered one of the great modern pioneers in the history of slavery and the Civil War.

In this closely reasoned study, John J. Conder has created a new and more vital understanding of naturalism in American literature. Moving from the Hobbesian dilemma between causation and free will down through Bergson's concept of dual selves, Conder defines a view of determinism so rich in possibilities that it can serve as the inspiration of literary works of astonishing variety and unite them in a single, though developing, naturalistic tradition in American letters. At the heart of this book, beyond its philosophic discussion, is Conder's reading of key works in the naturalistic canon, beginning with Stephen Crane's "The Open Boat" and "The Blue Hotel." The special character of determinism in Crane is, Conder holds, the source of his complexity and striking originality. He finds a stricter determinism in Norris's McTeague. In Dreiser, however, the naturalistic tradition develops toward a fusion of determinism and freedom in a single work, and this fusion in a different guise operates in Dos Passos's view of self in Manhattan Transfer. With Steinbeck's The Grapes of Wrath the uniting of determinism and freedom finds its fullest realization in the concept of dual selves, one determined, one free. In Faulkner's The Sound and the Fury and Absalom, Absalom! the concept of the dual self appears in its most complex form. The developments in the work of Steinbeck and Faulkner, Conder believes, bring the classic phase of American literary naturalism to a close.Naturalism in American Fiction illuminates a group of major literary works and revives a theoretic consideration of naturalism. It thus makes a fundamental contribution to American studies.

Nowhere is the richness and variety of the English Renaissance better shown than in the dramatic works of the period which combined to an unusual degree the arts of poetry, music, acting, and dance. This collection of essays by a number of distinguished scholars offers a series of views of the music of this drama -- ranging from the mystery cycles still performed in the late sixteenth century to the cavalier drama of the early seventeenth.The essays included here are mainly concerned with the minor dramatic forms -- the mystery plays, the "entertainments," the masques, and the works of such playwrights as Marston and Cartwright -- which reveal more extensively the blending of music and drama; and they illustrate a variety of approaches to the dramatic art. The collection as a whole demonstrates the need for an interdisciplinary consideration of this important area of study. Of especial value to musicologists is the bibliography of extant music used in dramatic works of the period.

This book deals with the multiple problem of education in the public schools as it relates to moral and spiritual values. The author cuts a wide swath through the tangled underbrush of church and state, religion and education, sacred and secular, spiritual and materialistic, "body and soul," and lets in a lot of light. To these problems the author brings a lifetime of courageous reflection and experience. To them he also brings, as case studies, the actual experiences of actual children and teachers in actual classrooms in Kentucky, where an experimental program of education in moral and spiritual values has been in process for the past several years.