The War to End All Wars is considered by many to be the best single account of America's participation in World War I. Covering famous battles, the birth of the air force, naval engagements, the War Department, and experiences of the troops, this indispensable volume is again available in paperback for students and general readers.

In an exciting reinterpretation of the early nineteenth century, Leo Hirrel demonstrates the importance of religious ideas by exploring the relationship between religion and reform efforts during a crucial period in American history. The result is a work that moves the history of antebellum reform to a higher level of sophistication.Hirrel focuses upon New School Congregationalists and Presbyterians who served at the forefront of reform efforts and provided critical leadership to anti-Catholic, temperance, antislavery, and missionary movements. Their religion was an attempt to reconcile traditional Calvinist language with the prevalent intellectual trends of the time. New School theologians preserved Calvinist language about depravity, but they incorporated an assertion of nominal human ability to overcome sin and a belief in the fixed, immutable nature of truth.Describing both the origins of New School Calvinism and the specific reform activities that grew out of these beliefs, Hirrel provides a fresh perspective on the historical background of religious controversies.

Published by the Kentucky Historical Society and distributed by the University Press of Kentucky The history and beauty of the Bluegrass State come alive in words and pictures, as this volume chronicles the Kentucky experience in all its variety. Rare black-and white historic images combine with more than two hundred modern color photographs to complement a narrative written by some of the commonwealth's most celebrated wordsmiths: Thomas D. Clark, George Ella Lyon, John Ed Pearce, Gerald L. Smith, Michal Smith-Mello, and Michael T. Childress. Photographs by Dan Dry of Louisville, Kentucky. excerpt: Where are you from? ""Kentucky,"" I say. I'm from a place where people still stop for funerals, where they know who your grandmother was, where they tell stories at Corn Island at the state park at the dinner table where they pass on their youngest's outgrown clothes and bring a casserole as soon as someone dies. --George Ella Lyon

"Do unto others as ye would have them do unto you" are the words upon which Samuel M. Jones, self-made millionaire and mayor of Toledo, Ohio (1897-1904) organized his life, business, and political career.Unlike most progressive reformers, Jones was in a position to initiate real change. His factory workers shared in the profits and took advantage of day-care facilities for their children. As mayor, he was a nationally revered public figure who supported municipal ownership of utilities, ended the practice of jailing the homeless, and made available free legal counsel to those who needed it.Marnie Jones relies upon a rich collection of unpublished documents to tell the compelling story of the only man in America to have run a city on the principles of the Sermon on the Mount.

Though many scholars will acknowledge the Anglo-Saxon character of black American nationalism, few have dealt with the imperialistic ramifications of this connection. Now, Nigerian-born scholar Tunde Adeleke reexamines nineteenth-century black American nationalism, finding not only that it embodied the racist and paternalistic values of Euro-American culture but also that nationalism played an active role in justifying Europe's intrusion into Africa.Adeleke looks at the life and work of Martin Delany, Alexander Crummell, and Harry McNeal Turner, demonstrating that as supporters of the mission civilisatrice ("civilizing mission") these men helped lay the foundation for the colonization of Africa. By exposing the imperialistic character of nineteenth-century black American nationalism, Adeleke reveals a deep historical and cultural divide between Africa and the black diaspora. Black American nationalists had a clear preference--Euro-America over Africa--and their plans were not designed for the immediate benefit of Africans but to enhance their own fortunes. Arguing that these men held a strong desire for cultural affinity with Europe, Adeleke makes a controversial addition to the ongoing debate concerning the roots of black nationalism and Pan-Africanism.

"In this volume, the contributors -- a veritable Who's Who of Joyce specialists -- provide an excellent introduction to the central issues of contemporary Joyce criticism."

Milton's poems invariably depict the decisive instant in a story, a moment of crisis that takes place just before the action undergoes a dramatic change of course. Such instants look backward to a past that is about to be superseded or repudiated and forward, at the same time, to a future that will immediately begin to unfold. Martin Evans identifies this moment of transition as "the Miltonic Moment. "This provocative new study focuses primarily on three of Milton's best known early poems: "On the Morning of Christ's Nativity," "A Mask Presented at Ludlow Castle (Comus)," and "Lycidas." These texts share a distinctive perceptual and cognitive structure, which Evans defines as characteristically Miltonic, embracing a single moment that is both ending and beginning.The poems communicate a profound sense of intermediacy because they seem to take place between the boundaries that separate events. The works illuniated here, which also include Samson Agonistes and Paradise Regained, are all about transition from one form to another: from paganism to Christianity, from youthful inexperience to moral maturity, and from pastoral retirement to heroic engagement. This transformation is often ideological as well as historical or biographical.Evans shows that the moment of transition is characteristic of all Milton's poetry, and he proposes a new way of reading one of the seminal writers of the seventeenth century. Evans concludes that the narrative reversals in Milton's poetry suggest his constant attempts to bring about an intellectual revolution that, at a time of religious and political change in England, would transform an age.

One of America's great poets writes of his father, lost through death and discovered again through insistent recollection. A death in the family forces a re-sorting and reshaping of all that we can recall of times and people gone from us as we measure our identities by their remembered images.While prowling in the past, Warren is drawn to likenesses between himself and his father, between himself and others of his family. The poet finds that his father too, in his long silent youth, ventured into the writing of poetry, as have so many, but in time put it away for other things. Gradually this elegy for his father becomes Warren's reverie on the many Warrens and Penns who live now only in his memory. We encounter his mother and his mother's mother, his father's Warren line thrown back over three generations, as he draws forth sameness, giving shape and full form and then sharp recognition to family members who were and must yet remain mysteries. Then we see that Warren is delineating the tenuous threads of all our many unsettled and fragmentary American family histories, that he is tracing all our steps from the coast over mountain trails into the dark wilderness to the west. With him, when we stop to consider our loved and lost ones, we realize the delicacy of our accepted relationships.In this autobiographical essay and the accompanying poem sequence that echoes it, "Mortmain," Warren's look into the mystery of the past evokes for us the loss and recovery and wonder that death brings.

The first comprehensive atlas of the state published in over 20 years, the Atlas of Kentucky brings together a wealth of information on the geography, industry, economy, development, and people of the Commonwealth. Includes over 600 maps and 200 color illustrations. Richard Ulack, professor and former chair of the Department of Geography at the University of Kentucky and former State Geographer, is author of Atlas of Southeast Asia and co-editor of Lexington and Kentucky's Inner Bluegrass Region. Kentucky State Geographer Karl Raitz, professor and current chair of the Department of Geography at the University of Kentucky, is the editor of The National Road and co-author of Appalachia: A Gegional Geography. Gyula Pauer, former director of the Center for Cartography and Geographic Information at the University of Kentucky, has served as cartographer for numerous publications, including Historical Atlas of Political Parties in the U.S. Congress and The Himalayan Kingdoms.

The Adventures of David Simple (1744), Sarah Fielding's first and most celebrated novel, went through several editions, the second of which was heavily revised by her brother Henry. This edition includes Henry's "corrections" in an appendix. In recounting the guileless hero's search for a true friend, the novel depicts the derision with which almost everyone treats his sentimental attitudes to human nature. Acclaimed as an accurate portrait of mid-eighteenth-century London, The Adventures of David Simple sets forth some provocative feminist ideas. Also included is Fielding's much darker sequel, Volume the Last (1753).

The Lion and the Star not only offers an informed glimpse into the intricacies of daily German life but also confirms the continuing danger of making sweeping generalizations about German Jews and non-Jews. In the aftermath of World War II, many viewed the Third Reich as an aberration in German history and laid blame with Hitler and his followers. Since the 1960s, historians have widened their focus, implicating "ordinary" Germans in the demise of German Jewry. Jonathan Friedman addresses this issue by investigation everyday relations between German Jews and their Gentile neighbors. Friedman examines three German communities of different sizes -- Frankfurt am Main, Giessen, and Geisenheim. Symbolized by the Hessian heraldic lion, these communities represent a cross-section of both Gentile and Jewish society in Germany during the Weimar and Nazi years. Researching in the United States, Germany, England, and Israel, he gleaned information from interviews, memoirs, diaries, letters, newspapers, church and synagogue records, censuses, government documents, and reports from Nazi and resistance organizations. Friedman's comparative analysis offers a balanced response to recent scholarly works condemning the entire German people for their complicity in the Holocaust.

On January 20, 1942, black oil mill worker Cleo Wright assaulted a white woman in her home and nearly killed the first police officer who tried to arrest him. An angry mob then hauled Wright out of jail and dragged him through the streets of Sikeston, Missouri, before burning him alive.Wright's death was, unfortunately, not unique in American history, but what his death meant in the larger context of life in the United States in the twentieth-century is an important and compelling story. After the lynching, the U.S. Justice Department was forced to become involved in civil rights concerns for the first time, provoking a national reaction to violence on the home front at a time when the country was battling for democracy in Europe.Dominic Capeci unravels the tragic story of Wright's life on several stages, showing how these acts of violence were indicative not only of racial tension but the clash of the traditional and the modern brought about by the war. Capeci draws from a wide range of archival sources and personal interviews with the participants and spectators to draw vivid portraits of Wright, his victims, law-enforcement officials, and members of the lynch mob. He places Wright in the larger context of southern racial violence and shows the significance of his death in local, state, and national history during the most important crisis of the twentieth-century.

Fernando Pessoa (1888--1935) is perhaps the most engaging of the great Western modernists of this century. Born in Portugal but raised and educated in southern Africa, Pessoa wrote poetry, fiction, and nonfiction.George Monteiro provides refreshingly new interpretations of Pessoa's Mensagem ( Message) and the modernist novella 0 Banqueiro Anarquista ( The Anarchist Banker). But he is primarily interested in tracing Pessoa's influence on a wide range of contemporary writers.Among those Monteiro finds putting Pessoa's work to their own surprising -- and sometimes comic -- uses are Joyce Carol Oates, Allen Ginsberg, John Wain, Lawrence Ferlinghetti, and earlier poets including Thomas Merton, Edouard Roditi, and Roy Campbell. In addition, the complete text of Campbell's pioneering biocritical study of Pessoa is published here for the first time.

It is hard to believe that at one time burley tobacco was not the chief cash crop in Kentucky. Yet for more than half a century hemp dominated the state's agricultural production.James Hopkins surveys the hemp industry in Kentucky from its beginning through its complete demise at the end of World War II, describing the processes of seeding and harvesting the plant, and marketing manufactured goods made of the fiber. With debate presently raging over the legalization of industrial hemp, it is essential that an accurate portrait of this controversial resource be available. Although originally published in 1951, Hopkins's work remains remarkably current as hemp manufacturing today is little changed from the practices the author describes. This edition includes an updated bibliography of recent publications concerning the scientific, economic, and political facets of industrial hemp.

A leading figure in modern southern literature, described by Newsweek as "one of the best American storytellers," Peter Taylor secured a national following through his long relationship with the New Yorker and his widely read volumes from the 1980s, The Old Forest and Other Stories and A Summons to Memphis. The Pulitzer Prize-winning author's portrayals of the battles of strong-willed fathers and mothers with their equally strong-willed sons are at the center of his achievement in fiction.David Robinson presents Taylor as a writer deeply concerned with the interworkings of family relationships, and emphasizes his role as chronicler of the shifts in southern culture in this century. World of Relations provides an important critical assessment of the work of one of the South's greatest writers, and includes the first extensive critical discussion of Taylor's last two works, The Oracle of Stoneleigh Court (1993) and In the Tennessee Country (1994).

Since the nineteenth century, the Ohio River has represented a great divide for African Americans. It provided a passage to freedom along the underground railroad, and during the industrial age, it was a boundary between the Jim Crow South and the urban North. The Ohio became known as the "River Jordan," symbolizing the path to the promised land. In the urban centers of Pittsburgh, Cincinnati, Louisville, and Evansville, blacks faced racial hostility from outside their immediate neighborhoods as well as class, color, and cultural fragmentation among themselves. Yet despite these pressures, African Americans were able to create vibrant new communities as former agricultural workers transformed themselves into a new urban working class. Unlike most studies of black urban life, Trotter's work considers several cities and compares their economic conditions, demographic makeup, and political and cultural conditions. Beginning with the arrival of the first blacks in the Ohio Valley, Trotter traces the development of African American urban centers through the civil rights movement and the developments of recent years.