In 1941 Berek Jakubowicz (now Benjamin Jacobs) was deported from his Polish village and remained a prisoner of the Reich until the final days of the war. His possession of a few dental tools and rudimentary skills saved his life. Jacobs helped assemble V1 and V2 rockets in Buchenwald and Dora-Mittelbau; spent a year and a half in Auschwitz, where he was forced to remove gold teeth from corpses; and survived the RAF attack on three ocean liners turned prison camps in the Bay of Lubeck. This is his story.

" With a new foreword by Gary W. Gallagher Selected as one of the best one hundred books ever written on the Civil War by Civil War Times Illustrated and by Civil War: The Magazine of the Civil War Society A new, revised edition of the only full-scale biography of the Confederacy's top-ranking field general during the opening campaigns of the Civil War.

In 1995 and 1996 six film or television adaptations of Jane Austen's novels were produced -- an unprecedented number. More amazing, all were critical and/or box office successes. What accounts for this explosion of interest? Much of the appeal of these films lies in our nostalgic desire at the end of the millennium for an age of greater politeness and sexual reticence. Austen's ridicule of deceit and pretentiousness also appeals to our fin de siècle sensibilities. The novels were changed, however, to enhance their appeal to a wide popular audience, and the revisions reveal much about our own culture and its values. These recent productions espouse explicitly twentieth-century feminist notions and reshape the Austenian hero to make him conform to modern expectations. Linda Troost and Sayre Greenfield present fourteen essays examining the phenomenon of Jane Austen as cultural icon, providing thoughtful and sympathetic insights on the films through a variety of critical approaches. The contributors debate whether these productions enhance or undercut the subtle feminism that Austen promoted in her novels. From Persuasion to Pride and Prejudice, from the three Emmas (including Clueless ) to Sense and Sensibility, these films succeed because they flatter our intelligence and education. And they have as much to tell us about ourselves as they do about the world of Jane Austen. This second edition includes a new chapter on the recent film version of Mansfield Park.

" Holocaust survivor Harry Gordon recalls in brutal detail the anguished years of his youth, a youth spent struggling to survive in a Lithuanian concentration camp. A memoir about hope and resilience, The Shadow of Death describes the invasion of Kovno by the Red Army and the impact of Soviet occupation from the perspective of the ghetto's weakest and poorest class. It also serves as a reminder that the Germans were not alone responsible for the persecution and extermination of Jews.

J. Thomas Merton (1915-1968) was a twenty-year-old sophomore when he was introduced to fellow student Robert Lax (1915-2000) in the Columbia University cafeteria in 1935. They were brought together by an admiration for each other's writing in the college humor magazine. Upon graduation in 1938, Merton converted to Roman Catholicism; Lax began graduate study in English and took a job at the New Yorker. Three years later, Merton entered the Abbey of Gethsemani, and he and Lax saw each other only four more times. Yet their friendship was sustained for the next thirty-three years through an amazing correspondence.Their letters show Merton as an irreverent and often hilarious critic of presidents and popes. He also turned to serious issues, such as the war in Vietnam and the dangers of nuclear holocaust. Merton and Lax's correspondence is filled with reminiscences of friends and faculty from their years at Columbia, including Mark van Doren, Lionel Trilling, Ad Reinhardt, Edward Rice, and Jacques Barzun. These letters of two poets and solitaries betray a giddy delight in wordplay, unconstrained by rules of grammar or conventions of spelling. Puns, portmanteaus, and inside jokes abound. The thirty-year exchange began when Merton dashed off a note on June 17, 1938, after spending a week with Lax's family.The final epistle in this extraordinary correspondence was written by Lax on December 8, 1968. Merton died in Bangkok five days later and never received it. Arthur Biddle spent nearly ten years collecting every letter known to exist between Merton and Lax, a total of 346, two thirds of which have never been published. Biddle provides chronologies of their lives and places events and people in context within the letters. This volume also includes the text of a rare interview with Lax.Arthur W. Biddle is professor emeritus of English at the University of Vermont.

With more than 1,800 entries, The Encyclopedia of Louisville is the ultimate reference for Kentucky's largest city. For more than 125 years, the world's attention has turned to Louisville for the annual running of the Kentucky Derby on the first Saturday in May. Louisville Slugger bats still reign supreme in major league baseball. The city was also the birthplace of the famed Hot Brown and Benedictine spread, and the cheeseburger made its debut at Kaelin's Restaurant on Newburg Road in 1934. The "Happy Birthday" had its origins in the Louisville kindergarten class of sisters Mildred Jane Hill and Patty Smith Hill. Named for King Louis XVI of France in appreciation for his assistance during the Revolutionary War, Louisville was founded by George Rogers Clark in 1778. The city has been home to a number of men and women who changed the face of American history. President Zachary Taylor was reared in surrounding Jefferson County, and two U.S. Supreme Court Justices were from the city proper. Second Lt. F. Scott Fitzgerald, stationed at Camp Zachary Taylor during World War I, frequented the bar in the famous Seelbach Hotel, immortalized in The Great Gatsby. Muhammad Ali was born in Louisville and won six Golden Gloves tournaments in Kentucky.

Twentieth-century authors and filmmakers have created a pantheon of mavericks -- some macho, others angst-ridden -- who often cross a metaphorical boundary among the literal ones of Anglo, Native American, and Hispanic cultures. Douglas Canfield examines the concept of borders, defining them as the space between states and cultures and ideologies, and focuses on these border crossings as a key feature of novels and films about the region.Canfield begins in the Old Southwest of Faulkner's Mississippi, addressing the problem of slavery; travels west to North Texas and the infamous Gainesville Hanging of Unionists during the Civil War; and then follows scalpers into the Southwest Borderlands. He then turns to the area of the Gadsden Purchase, known for its outlaws and Indian wars, before heading south of the border for the Yaqui persecution and the Mexican Revolution.Alongside such well-known works as Go Down Moses, The Wild Bunch, Broken Arrow, Gringo Viejo, and Blood Meridian, Canfield discusses novels and films that tell equally compelling stories of the region. Protagonists face various identity crises as they attempt border crossings into other cultures or mindsets -- some complete successful crossings, some go native, and some fail. He analyzes figures such as Geronimo, Doc Holliday, and Billy the Kid alongside less familiar mavericks as they struggle for identity, purpose, and justice.

Appalachia has long been stereotyped as a region of feuds, moonshine stills, mine wars, environmental destruction, joblessness, and hopelessness. Robert Schenkkan's 1992 Pulitzer-Prize winning play The Kentucky Cycle once again adopted these stereotypes, recasting the American myth as a story of repeated failure and poverty--the failure of the American spirit and the poverty of the American soul. Dismayed by national critics' lack of attention to the negative depictions of mountain people in the play, a group of Appalachian scholars rallied against the stereotypical representations of the region's people. In Back Talk from Appalachia, these writers talk back to the American mainstream, confronting head-on those who view their home region one-dimensionally. The essays, written by historians, literary scholars, sociologists, creative writers, and activists, provide a variety of responses. Some examine the sources of Appalachian mythology in nineteenth- and early twentieth-century literature. Others reveal personal experiences and examples of grassroots activism that confound and contradict accepted images of ""hillbillies."" The volume ends with a series of critiques aimed directly at The Kentucky Cycle and similar contemporary works that highlight the sociological, political, and cultural assumptions about Appalachia fueling today's false stereotypes.

Allen Jayne analyzes the ideology of the Declaration of Independence -- and its implications -- by going back to the sources of Jefferson's ideas: Bolingbroke, Kames, Reid, and Locke. He concludes that the Declaration must be read as an attack on two claims of absolute authority: that of government over its subjects and of religion over the minds of men. Today's world is more secular than Jefferson's, and the importance of philosophical theology in eighteenth-century critical thought must be recognized in order to understand fully and completely the Declaration's implications. Jayne addresses this need by putting religion back into the discussion.

Frank Mathias was a teenager in a small town when the draft swept him into the army and then halfway around the world to the jungles of the South Pacific. He served in the huge invasion force in the Battle of Manila, the deadliest single battle of the Pacific War.As an army musician attached to the 37th Infantry Division, Mathias saw the war from the bottom of the heap, where young privates lived and died. In his best selling book The GI Generation, Mathias tells of growing up in small-town America between the wars. In GI Jive he recalls the gritty experience of combat as well as the music and the homefront pleasures the GIs fought to preserve.

When the first edition of America Recommitted was published in 1991, the world was passing through a period of sweeping political and social change. The Cold War was over; China had reverted to harsh authoritarian rule; U.S. -led forces were deployed in Saudi Arabia for potential military action against Iraq; the Soviet Union was on the verge of disintegration; and the unraveling of Yugoslavia had set the stage for brutal ethnic conflicts in Bosnia and Kosovo.In the midst of this widespread upheaval, the United States reassessed its own role as the sole remaining superpower--a process that continues today. This new edition features three new chapters that assess U.

The problems and needs of rural substance abusers vary from those of abusers in urban areas. Accordingly, the means of treatment must acknowledge and address these differences. Despite this call for specialized care, no theoretically grounded therapy has yet been made available to rural patients. Behavioral Therapy for Rural Substance Abusers, developed and piloted over three years by University of Kentucky faculty and staff and substance abuse counselors in rural eastern Kentucky, provides a model for effective treatment for this segment of the population. A two-phase outpatient treatment, this approach combines group and individual sessions in an environment that is both comfortable and useful for the client.The success of this method lies in its regional approach to therapy. Rather than using role-playing techniques to examine old behaviors, therapy is designed around storytelling activities. Rural patients respond more positively to such time-honored traditions and thus become active participants in their own treatment.This manual offers a clear and well-constructed guide through the strategies of Structured Behavioral Outpatient Rural Therapy (SBORT). Supplemented with illustrations, sample exercises, and case studies, Behavioral Therapy for Rural Substance Abusers is a vital tool in meeting the treatment needs of an otherwise ignored rural population.

Raising the Devil reveals how the Christian Pentecostal movement, right-wing conspiracy theories, and an opportunistic media turned grassroots folk traditions into the Satanism scare of the 1980s. During the mid-twentieth century, devil worship was seen as merely an isolated practice of medieval times. But by the early 1980s, many influential experts in clinical medicine and in law enforcement were proclaiming that satanic cults were widespread and dangerous. By examining the broader context for alleged "cult" activity, Bill Ellis demonstrates how the image of contemporary Satanism emerged during the 1970s. Blaming a wide range of mental and physical illnesses on in-dwelling demons, a faction of the Pentecostal movement became convinced that their gifts of the spirit were being opposed by satanic activities. They attributed these activities to a "cult" that was the evil twin of true Christianity. In some of the cases Ellis considers, common folk beliefs and rituals were misunderstood as evidence of devil worship. In others, narratives and rituals themselves were used to combat satanic forces. As the media found such stories more and more attractive, any activity with even remotely occult overtones was demonized in order to fit a model of absolute good confronting evil. Ellis's wide-ranging investigation covers ouija boards, cattle mutilation, graveyard desecration, and "diabolical medicine"--the psychiatric community's version of exorcism. He offers a balanced view of contentious issues such as demonic possession, satanic ritual abuse, and the testimonies of confessing "ex-Satanists." A trained folklorist, Ellis seeks to navigate a middle road in this dialog, and his insights into informal religious traditions clarify how the image of Satanism both explained and created deviant behavior.

"Lynwood Montell has collected ghost tales all over the state of Kentucky, from coal mining settlements to river landings, from highways to battlefields. He presents these suspense-filled stories just as he first heard or read them: as bona fide personal experiences or as events witnessed by family members or friends. There are over 250 stories in Ghosts across Kentucky that are set in specific places and times. They include tales of graveyards, haunted dormitories, animal ghosts, and vanishing hitchhikers. Montell describes weird lights, unexplained sounds, felt presences, and disappearing apparitions. Phantom workmen, fallen soldiers, young lovers, and executed criminals appear in these pages, along with the living who chance upon them. Though the focus is on the stories themselves, Montell also includes a chapter explaining our fascination with the supernatural and the deep truths these storytelling traditions reveal about our lives and our pasts.William Lynwood Montell, emeritus professor of folk studies at Western Kentucky University, is the author of several books, including Killings."

A legend in the folk music community, John Jacob Niles enjoyed a lengthy career as a balladeer, folk collector, and songwriter. Ever close to his Kentucky roots, he spent much of his adulthood searching for the most well-loved songs of the southern Appalachia. The Ballad Book of John Jacob Niles brings together a wealth of songs with the stories that inspired them, arranged by a gifted performer. This new edition includes all of the melodies, text, commentary, and illustrations of the 1961 original and features a new introduction by Ron Pen, director of the John Jacob Niles Center for American Music at the University of Kentucky.

Few mementoes remain of what Ohio was like before white people transformed it. The readings in this anthology -- the diaries of a trader and a missionary, the letter of a frontier housewife, the travel account of a wide-eyed young English tourist, the memoir of an escaped slave, and many others -- are eyewitness accounts of the Ohio frontier. They tell what people felt and thought about coming to the very fringes of white civilization -- and what the people thought and did who saw them coming. Each succeeding group of newcomers -- hunters, squatters, traders, land speculators, farmers, missionaries, fresh European immigrants -- established a sense of place and community in the wilderness. Their writings tell of war, death, loneliness, and deprivation, as well as courage, ambition, success, and fun. We can see the lust for the land, the struggle for control of it, the terrors and challenges of the forest, and the determination of white settlers to change the land, tame it, "improve" it.The new Ohio these settlers created had no room for its native inhabitants. Their dispossession is a defining theme of the book. As the forests receded and the farms expanded, the Indians were pressured to move out. By the time the last tribe, the Wyandots, left in 1843, they were regarded as relics of the romantic past, and the frontier experience came to a close.Anyone fascinated by the panorama of America's westward migration will respond to the dramatic stories told in these pages.