The third issue of the now-celebrated interdisciplinary annual journal from the Chipstone Foundation http://www.chipstone.org/ that examines the role of historical ceramics in the American context, intended for collectors, historical archaeologists, curators, decorative arts students, social historians and contemporary potters. In addition to heavily-illustrated articles by noted American and British ceramic scholars and a private American collector profile, this issue contains New Discoveries edited by Merry A. Outlaw, Book Reviews and a Checklist of Articles and Books edited by Amy C. Earls, and an Index.

Acknowledged as the journal of record in its field, American Furniture presents new research on furniture design, use, production, and appreciation. Begun in 1993, this award-winning annual provides a comprehensive forum on furniture history, technology, connoisseurship, and conservation by the foremost scholars in the field. It is the only interdisciplinary journal devoted exclusively to furniture made or used in the Americas from the 17th century to the present.

At the beginning of the twenty-first century, scholarly interest in ceramics is at an all-time high. As a vehicle for much-needed synthesis, Ceramics in America is an interdisciplinary annual journal that examines the role of historical ceramics in the American context. Intended for collectors, historical archaeologists, curators, decorative arts students, social historians and contemporary potters, every issue features a variety of ground-breaking scholarly articles, new discoveries in the field, and book and exhibition reviews for this diverse audience.

This volume includes articles on mannerist furniture from a Northern Essex County, Massachusetts shop, the career and work of David Evans, early New York turned chairs, the Lisle desk-and-bookcase from Rhode Island, a Salem cabinetmakers' price book, two early eighteenth-century Schränke, as well as book reviews and bibliography.

At the beginning of the twenty-first century, scholarly interest in ceramics is at an all-time high. As a vehicle for much needed synthesis, Ceramics in America is an interdisciplinary annual journal that examines the role of historical ceramics in the American context. Intended for collectors, historical archeologists, curators, decorative arts students, social historian and contemporary potters, this third issue features a variety of ground-breaking scholarly articles, new discoveries in the field, and book and exhibition reviews for this diverse audience.

Archaeologist and social historian Ivor Noël Hume brings British history to life through his accessible story about the everyday ceramic objects he and his late wife collected over a 40-year period. If These Pots Could Talk presents "a panoramic view of pottery in Britain and her colonies from the landing of the Romans to the bad intentions of the Germans in 1939." Beginning as a novice at London's Guildhall Museum in the immediate postwar years, Noël Hume shares his passion for reconstructing lives from bits and pieces of crockery. He describes in vivid detail the common household pottery he unearthed with a bright graduate of Bristol University and the four decades of collecting (and marriage) that followed. Concentrating on earthenwares, stonewares, and porcelains commonly found in archaeological excavations but uncommonly encountered in decorative arts exhibits, his book runs the gamut from burial urns and chamber pots to wine cups and witch bottles.Cultural and even political history form the warp and weft of the narrative. Written in a personal and often humorous style, this gorgeous and hefty volume will appeal to nonspecialists and experts alike. Wonderful color photographs, largely by noted photographer Gavin Ashworth, enhance the historical and personal commentary. Part catalog, part memoir, If These Pots Could Talk is a beautiful tribute to the richness of collecting and the rewards of a true partnership.

This volume features articles on the furniture by the Potthast Brothers of Baltimore, 1892 - 1975, the early furniture of Job and Christopher Townsend, Boston Japanned furniture from1715 to1750, a study of the New Mexican Caja, seventeenth-century joined furniture from Newbury, Massachusetts, John Cadwalader's commode-seat side chairs, the Lisle family desk-and-bookcase from Rhose Island, eighteenth-century New York shranks, Edward Priestley (1778 - 1837), a Baltimore cabinetmaker, Baroque style in Philadelphia furniture, neoclassicism in Baltimore furniture, Quakers and the furniture industry in early Salem, as well as book reviews and bibliography.

The Palladian style in Rhode Island furniture, eighteenth-century Newport cabinet shops and the furniture-making trades, the influence of Windsor chairmaking in early Federal Rhode Island, Rhode Island influence in the work of two North Carolina cabinetmakers, the accounts of Job Townsend, Jr., Providence provenances and pitch-pediments, serpentine furniture of colonial Newport, plus the usual book reviews, and bibliography of recent writing.

This volume features articles on late Baroque Boston seating furniture, Germanic influence on furniture early nineteenth-century design in Philadelphia, Randolph chairs, the Christian M. Nestell drawing book, the inlaid cherry furniture of Nathan Lombard, the Waldo family joined great chair, "Tinkham" chairs, as well as book reviews and bibliography of new books in the field.