The book discusses and catalogues Charles Masson’s 1833–8 collections from the urban site of Begram and Kabul bazaar. It utilises Masson archival material which appears as a supplementary BM online publication The Charles Masson Archive: British Library, British Museum and Other Documents Relating to the 1832–1838 Masson Collection from Afghanistan: http://www.britishmuseum. org/pdf/Masson%20archive%20Vol.%202.pdf The catalogued objects will be selected from c. 7600 coins and c. 1500 artefacts from Begram and Kabul bazaar now in the British Museum, supplemented by illustrated coins recorded in Masson's archival manuscripts (F526/1a) and in H.H. Wilson (Ariana Antiqua London 1841), but no longer in the collection. A key resource will be the records and images of all the artefacts already available on the Museum’s Collection online database: http://www.

From the introduction of woodblock printing in China to the development of copper-plate engraving in Europe, the print medium has been used around the world to circulate knowledge. Ceramic artists across time and cultures have adapted these graphic sources as painted or transfer-printed images applied onto glazed or unglazed surfaces to express political and social issues including propaganda, self-promotion, piety, gender, national and regional identities. Long before photography, printers also included pots in engravings or other two-dimensional techniques which have broadened scholarship and encouraged debate. Pots, Prints and Politics examines how European and Asian ceramics traditionally associated with the domestic sphere have been used by potters to challenge convention and tackle serious issues from the 14th to the 20th century. Using the British Museum’s world-renowned ceramics and prints collections as a base, the authors have challenged and interrogated a variety of ceramic objects – from teapots to chamber pots – to discover new meanings that are as relevant today as they were when they were first conceived.

The Mahābodhi temple at Bodhgayā in eastern India has long been recognised as the place where the Buddha sat in meditation and attained enlightenment. The site, soon identified as the ‘Diamond Throne’ or vajrāsana, became a destination for pilgrims and a focus of religious attention for more than two thousand years.This volume presents new research on Bodhgayā and assesses the important archaeological, artistic and literary evidence that bears witness to the Buddha’s enlightenment and to the enduring significance of Bodhgayā in the history of Buddhism. The book brings together a team of international scholars to look at the history and perception of the site across the Buddhist world and its position in the networks of patronage and complex religious landscape of northern India. The volume assesses the site’s decline in the thirteenth century, as well as its subsequent revival as a result of archaeological excavations in the nineteenth century. Using the British Museum’s collections as a base, the authors discuss the rich material culture excavated from the site that highlights Bodhgayā’s importance in the field of Buddhist studies.

This groundbreaking volume brings together scholars of the art and archaeology of late antiquity (c. 200−1000), across cultures and regions reaching from India to Iberia, to discuss how objects can inform our understanding of religions. During this period major transformations are visible in the production of religious art and in the relationships between people and objects in religious contexts across the ancient world. These shifts in behaviour and formalising of iconographies are visible in art associated with numerous religious traditions including, but not limited to, Buddhism, Christianity, Hinduism, Islam, Judaism, Zoroastrianism, religions of the Roman Empire, and paganism in northern Europe. Studies of these religions and their material culture, however, have been shaped by Eurocentric and post-Reformation Christian frameworks that prioritised Scripture and minimised the capacity of images and objects to hold religious content. Despite recent steps to incorporate objects, much academic discourse, especially in comparative religion, remains stubbornly textual. This volume therefore seeks to explore the ramifications of placing objects first and foremost in the comparative study of religions in late antiquity, and to consider the potential for interdisciplinary conversation to reinvigorate the field.

The location known as ‘A Riverine Site Near York (ARSNY)’ represents a category of Viking site known from the historical record but one that until recently had remained largely undetected archaeologically: the Viking camp. The published investigations at Repton, Derbyshire, although undoubtedly important, created a false paradigm for the scale and character of such sites. The discovery and investigation of ARSNY, along with Torksey in Lincolnshire and Woodstown in Ireland, has revolutionised understanding of the size and character of such sites, with wider implications for the aspects of Viking warfare, urbanisation, precious metal economies and the transition from raiding to permanent settlement. This volume includes the detailed publication of the ARSNY site, along with the first detailed comparison of the sites as a group and of their wider significance.One particular feature of the site is that the finds shed new light on the character of Viking exchange in Northumbria on the eve of settlement. The volume concludes with a synthesis of the evidence from ARSNY and York with these other groups of finds to provide a comprehensive overview of the monetary developments which took place in Yorkshire in the period between the Viking settlement of the mid-870s and the expulsion of the last Viking king of Northumbria in 954, making this a milestone publication for the understanding of precious metal economies in the Viking Age.

The discovery in 2001 of an exquisite Early Bronze Age gold cup at Ringlemere Farm in Kent prompted an extensive survey and excavation of the site from 2002–2006. Excavation revealed a site with a long history of use, the most striking evidence being for intensive activity in the third millennium BC associated with a henge monument, the interior of which was later buried beneath an Early Bronze Age mound.This volume presents a detailed report on a rich array of structural and artefactual evidence spanning a few thousand years of prehistory, and the site’s subsequent slide into agricultural anonymity. Late Neolithic to Early Bronze Age structures include a horseshoe setting, post alignments, hearths, pit clusters and varied small post settings. Evaluation of form and associated material culture steers interpretation away from the purely domestic and contributes to the keen ongoing debate about the place of ceremony in the world of third millennium Britain.

The island of Sicily is at the heart of the Mediterranean and from ancient times to the present day it has been a hub of migration and settlement. Following on from the British Museum’s critically acclaimed 2016 exhibition Sicily: culture and conquest, this volume considers the history and material culture of the different peoples occupying Sicily at key points in the island’s history. Part I concentrates on ancient Sicily during the time of Greek settlement, exploring themes such as the creation of urban centres during this period and the production of Sicilian terracotta between the 5th and 4th centuries BC. In Part II, the focus shifts to the Middle Ages, Sicily’s period of enlightenment under Muslim and Norman rules, with key themes including Norman identity and the use of the Norman legacy in the 19th century. With contributions from international experts in the field, the volume presents new insights into the economy, architecture and social identity of the island, including research on recently excavated sites. The result is a rich collection of essays that provides a comprehensive overview of this cosmopolitan island’s unique identity and its significance in a wider Mediterranean context.

This volume considers how the discovery of Etruscan sites and artefacts has inspired artists, architects, statesmen, collectors, scholars and travellers to Italy from the 16th through to the 20th century, from Ferdinando de' Medici to Piranesi and Federico Fellini. Subjects include the reclaiming of Etruscan identity and its influence on Italian political history, the collecting and reproduction of Etruscan artefacts, as well as new insights into the lives and activities of early British Etruscologists and the pleasures and perils which they encountered on their travels. Other essays look at Etruscan concepts in jewellery, gems and pottery. The extent of Etruscan influence on European culture has often been underestimated, but still less well known till now is how knowledge of certain aspects of Etruscan civilisation spread to the United States of America, as demonstrated, for example, by the tomb of a Civil War officer which was inscribed with an intriguing Etruscan-like inscription. A key theme under consideration is the impact that Etruscan discoveries have had on the public imagination, in particular the Campanari display of reconstructed Etruscan tombs staged in Pall Mall in 1837 - the first archaeological ‘blockbuster’ exhibition of its kind. The British Museum acquired much of this material, and the excavation of Etruscan tombs with their stunning wall-paintings was to have a lasting impression on displays in the major museums of Europe. But before that, Etruscan material was among Sir Hans Sloane’s collection, the founding collection of the British Museum, and it has been on display since the Museum first opened its doors to the public in 1759.

Stamp seals were used in a similar way to modern signet rings: a negative object used to impress a design into another material, often clay. They are common from around 7000 BC and have remained in use in parts of the world continuously until the present day. This volume focuses on the British Museum’s collection of Middle Eastern Late Neolithic and Early Chalcolithic (~7000–5000 BC) seals used in modern-day Syria, south-east Turkey and northern Iraq. In addition to a catalogue that includes all provenanced examples of these seals in the Museum’s collection, the volume presents a new interpretation of these objects by discussing the role of stamp seals in prehistoric society and considers how they were used and why they were made. Whereas previous studies have assessed stamp seals as purely administrative objects, this new publication argues that they should be interpreted in their own, Neolithic, context. The result is a completely fresh approach to Middle Eastern prehistoric studies that complements growing archaeological interest in this period.

Among world religions, only Buddhism and Christianity attach a central significance to the role of relics. These two traditions, however, are different in both conceptual and material terms. In Buddhism, the most sacred relics are those considered parts of the cremated remains of the Buddha – a hair, a tooth, a small fragment of bone – or the tiny bead-like relics generated by the Buddha before entering nirvana. In contrast, Christianity venerates objects associated with Christ such as the thorns, the cross or his robe. This first generation of relics were later joined by both the bodily relics and items used by the saints.The papers in this volume, the culmination of a research project focussing on relic worship and Buddhism, cover a rich variety of themes. Subjects include a discussion of what constitutes a relic according to primary and secondary sources, as well as an analysis of the special terminology related to relic worship. Other chapters focus on the placement and treatment of relics in situ, in addition to the wider archaeological contexts for relics, relic chambers and reliquaries. New perspectives are also offered on the relics and reliquaries themselves, for example, the golden Bimaran casket from Afghanistan, an exceptional example of metalwork from the 1st century AD. The final chapter explores the spread of Buddhism to Burma and the evidence of the vibrant relic culture that has been found there, including some of the oldest surviving Pali inscriptions in the world, a text on gold leaves deposited in a relic chamber.

The hoard of Roman-British temple treasure discovered at Ashwell in 2002 provides fascinating new insights into the ritual of Roman religion. This is the first full publication of the Ashwell treasure since its high profile discovery in 2002, and features a detailed, highly illustrated discussion of the beautiful gold and silver votive plaques as well as the figurine of the previously unknown goddess Senuna. It will be essential reading for anyone with an interest in Roman religion, especially in Roman Britain, as well as historians and archaeologists.

For 7,000 years seals have functioned as signs of authority. This publication deals specifically with aspects of status in the history of seals, exploring this theme across a diverse range of cultural contexts—from the 9th century up to the Early Modern period, and, across the world, looking at Byzantine, European, Islamic and Chinese examples. These objects are united by the significant role they play in social status hierarchies, in the status of institutions, indications of power and finally in notions of relative status among objects themselves. In addition to their chronological and geographical diversity, these studies concentrate on many different phases of seal use. Therefore, together they highlight the importance of studying the full life cycle of seals, from the way in which they were made and used through to their cancellation, loss and sometimes destruction. The volume will look at seals used by all members of society, from kings to fishmongers, and will examine the history of objects, with examples ranging from the medieval matrix with a classical gem showing the Roman Emperor Antoninus Pius to the 17th-century Providence Island matrix from America. This publication complements the British Museum’s ongoing programme of the digitisation of the Museum’s collection of medieval seal matrices which will widen access to this fascinating body of material.

Jewellery is often viewed as a feminine preoccupation, but in Tudor and Jacobean England men wore just as much (if not more) jewellery as their female counterparts. Jewels themselves were valued not merely for their intrinsic monetary worth, but also for their ability to reflect status and lineage, as well as sustain social bonds and networks of reciprocity. Bejewelled offers an in-depth discussion of the contexts in which jewellery in Tudor and Jacobean England was circulated from a male perspective, considering the jewels as valid items of material culture worthy of study and attention, rather than as mere trifles of adornment. Amongst other subjects, the book analyses the social and historical contexts in which jewellery was acquired, owned and circulated, interrogating the meanings that these jewels had for their male owners. The publication will highlight artefacts from the British Museum’s collection, such as the magnificent Lyte Jewel from the Waddesdon Bequest and the sealing devices of Sir Thomas Smith and Sir Walter Ralegh, as well as lesser-known objects such as the rings of the serjeants-at-law and a group of bronze plaquettes. By including material that has been discovered in archaeological contexts, along with evidence from inventories and wills as well as portraits showing these jewels being worn, this publication seeks to reposition jewellery, presenting it not merely as a concern of the elite but as something that was owned, worn and valued by a range of men across English society.

From 1833–8, Charles Masson (1800–1853) was employed by the British East India Company to explore the ancient sites in south-east Afghanistan. During this period, he surveyed over a hundred sites around Kabul, Jalalabad and Wardak, making numerous drawings of the sites, together with maps, compass readings, sections of the stupas and sketches of some of the finds. Small illustrations of a selection of these key sites were published in Ariana Antiqua in 1841. However, this represents only a tiny proportion of his official and private correspondence held in the India Office Collection of the British Library which is studied in detail for the first time in this publication. It is supplemented online by The Charles Masson Archive: British Library and British Museum Documents relating to the Masson Collection (British Museum Research Publication number 216). Together they provide the means for a comprehensive reconstitution of the archaeological record of the sites. In return for funding his exploration of the ancient sites of Afghanistan, the British East India Company received all of Masson’s finds. These were sent to the India Museum in London, and when it closed in 1878 the British Museum was the principal recipient of all the ‘archaeological’ artefacts and a proportion of the coins. This volume therefore studies the British Museum’s collection of these fascinating objects, including reliquaries, beads and coins, and places them within a wider historical and archaeological context.

In 1999 and 2007 respectively, the central courtyard and the northwest corner of the British Museum estate were redeveloped in order to create two iconic additions to the institution: the Great Court and the World Conservation and Exhibitions Centre. The execution of these projects provided the opportunity to investigate the archaeology and history of the Bloomsbury area and the museum itself through excavation and archival research. This volume presents the results of the ensuing studies undertaken by Pre-Construct Archaeology and in so doing details the evolution of this area of London from the Roman period into modern times. The book charts the impact that the growth of the Museum and its collection has had on the surrounding area of Bloomsbury, as well as focusing on two of the key finds of the excavation: the discovery of the hitherto elusive Civil War defences of London and the intriguing assemblage of dead cows recovered from an early 18th-century collection of graves buried underneath the site. The book presents an overview of the wider urban landscape in which the British Museum is situated and discusses multiple interconnected themes from urban development and housing to domestic material culture and urban garden design. The result is a fascinating study of one of the most iconic areas of London and provides a fresh insight into the history of the British Museum.

In 1898, Baron Ferdinand de Rothschild bequeathed to the British Museum the contents from the New Smoking Room at Waddesdon Manor, a collection of nearly 300 objects to be known as the Waddesdon Bequest. The Bequest contains some of the most beautiful examples of medieval and Renaissance craftsmanship, including exquisite pieces of jewellery, silver plate, painted enamels of Limoges, glass and microcarvings in boxwood. It is the only permanent collection to have a gallery to itself in the British Museum, one that has been redesigned for the 21st century which opened to great acclaim in 2015. To coincide with the new gallery supported by the Rothschild Foundation, a conference was held that opened up this remarkable collection to leading specialists who spoke on all areas of the Bequest. Subjects included new attributions for sculptures, a detailed discussion of the making and marketing of forgeries by Salomon Weininger, Frédéric Spitzer and Alfred André as well as new research on jewellery and its presentation both at Waddesdon Manor and in the new gallery at the BM. The collecting tastes of French and English Rothschilds were compared and contrasted, and a line of Arabic poetry enamelled on the Palmer Cup newly identified. This book presents these findings and positions the Waddesdon Bequest within a wider intellectual and historical context for the first time.