The Twilight novels by Stephenie Meyer have developed from a book series into a powerful phenomenon with an astonishing impact. Not only have the books been adapted for the screen, but they have also spawned a huge number of works by fans, readers, reviewers, and scholars. The multi-faceted "Interdisciplinary Approaches to Twilight" brings together scholars from a variety of disciplines in order to address the key themes in the complex global phenomenon that is Twilight; a phenomenon that transcends the boundaries between continents, generations, and producers and consumers, and not least between different genres and media. The authors present in-depth literary and film analyses, and shed new light on perspectives on gender, fandom, vampire fiction and the economics of the book market. The book fills a void in Twilight research, and, linked by their cutting-edge research and unique theoretical and analytical perspectives, the authors compellingly map a massive global experience that speaks to the realities of contemporary culture.

The host of The Bob Edwards Show and Bob Edwards Weekend on Sirius XM Radio, Bob Edwards became the first radio personality with a large national audience to take his chances in the new field of satellite radio. The programs' mix of long-form interviews and news documentaries has won many prestigious awards.For thirty years, Louisville native Edwards was the voice of National Public Radio's daily newsmagazine programs, co-hosting All Things Considered before launching Morning Edition in 1979. These programs built NPR's national audience while also bringing Edwards to national prominence. In 2004, however, NPR announced that it would be finding a replacement for Edwards, inciting protests from tens of thousands of his fans and controversy among his listeners and fellow broadcasters. Today, Edwards continues to inform the American public with a voice known for its sincerity, intelligence, and wit.In A Voice in the Box: My Life in Radio, Edwards recounts his career as one of the most important figures in modern broadcasting. He describes his road to success on the radio waves, from his early days knocking on station doors during college and working for American Forces Korea Network to his work at NPR and induction into the National Radio Hall of Fame in 2004. Edwards tells the story of his exit from NPR and the launch of his new radio ventures on the XM Satellite Radio network. Throughout the book, his sharp observations about the people he interviewed and covered and the colleagues with whom he worked offer a window on forty years of American news and on the evolution of public journalism.A Voice in the Box is an insider's account of the world of American media and a fascinating, personal narrative from one of the most iconic personalities in radio history.

Paul Mazursky's nearly twenty films as writer/director represent Hollywood's most sustained comic expression of the 1970s and 1980s. But they have not been given their due, perhaps because Mazursky's films-both sincere and ridiculous, realistic and romantic-are pure emotion. This makes films like Bob & Carol & Ted & Alice, An Unmarried Woman, and Enemies, A Love Story difficult to classify, but that's what makes a human comedy human. In the first ever book-length examination of one of America's most important and least appreciated filmmakers, Sam Wasson sits down with Mazursky himself to talk about his movies and how he makes them. Going over Mazursky's oeuvre one film at a time, interviewer and interviewee delve into the director's life in and out of Hollywood, laughing, talking, and above all else, feeling-like Mazursky's people always do. The book includes a filmography and never-before-seen photos.

Over his twenty-plus year tenure in Hollywood, Spike Lee has produced a number of controversial films that unapologetically confront sensitive social issues, particularly those of race relations and discrimination. Through his honest portrayals of life's social obstacles, he challenges the public to reflect on the world's problems and divisions. The innovative director created a name for himself with feature films such as Do the Right Thing (1989) and Malcolm X (1992), and with documentaries such as 4 Little Girls (1997) and When the Levees Broke (2006), breaking with Hollywood's reliance on cultural stereotypes to portray African Americans in a more realistic light. The director continues to produce poignant films that address some of modern society's most important historical movements and events.In The Philosophy of Spike Lee, editor Mark T. Conard and an impressive list of contributors delve into the rich philosophy behind this filmmaker's extensive work. Not only do they analyze the major themes of race and discrimination that permeate Lee's productions, but also examine other philosophical ideas that are found in his films, ideas such as the nature of time, transcendence, moral motivation, self-constitution, and justice. The authors specialize in a variety of academic disciplines that range from African American Studies to literary and cultural criticism and Philosophy.

Raoul Walsh (1887--1980) was known as one of Hollywood's most adventurous, iconoclastic, and creative directors. He carved out an illustrious career and made films that transformed the Hollywood studio yarn into a thrilling art form. Walsh belonged to that early generation of directors -- along with John Ford and Howard Hawks -- who worked in the fledgling film industry of the early twentieth century, learning to make movies with shoestring budgets. Walsh's generation invented a Hollywood that made movies seem bigger than life itself.In the first ever full-length biography of Raoul Walsh, author Marilyn Ann Moss recounts Walsh's life and achievements in a career that spanned more than half a century and produced upwards of two hundred films, many of them cinema classics. Walsh originally entered the movie business as an actor, playing the role of John Wilkes Booth in D. W. Griffith's The Birth of a Nation (1915). In the same year, under Griffith's tutelage, Walsh began to direct on his own. Soon he left Griffith's company for Fox Pictures, where he stayed for more than twenty years. It was later, at Warner Bros., that he began his golden period of filmmaking.Walsh was known for his romantic flair and playful persona. Involved in a freak auto accident in 1928, Walsh lost his right eye and began wearing an eye patch, which earned him the suitably dashing moniker "the one-eyed bandit." During his long and illustrious career, he directed such heavyweights as Humphrey Bogart, James Cagney, Errol Flynn, and Marlene Dietrich, and in 1930 he discovered future star John Wayne.

To many, Kentucky means the greatest thoroughbreds in the world. To others, it is the home of the finest bourbon. But the obvious success of burgoo, Owensboro barbeque, and Harlan Sanders's Kentucky Fried Chicken carries the state's reputation for excellence to a wider audience. From the perfect mint julep to benedictine, from a classic hot brown to cheese chutney, Kentucky's Best captures the full range of the state's culinary delights. Linda Allison-Lewis combines traditional and gourmet dishes, offering recipes from all parts of the state and from beloved restaurants and inns.Start with a mouth-watering soup from Amelia's Field Country Inn or experience the wonderful smell of the Seelbach Hotel's Sourmash Bourbon Bread as it bakes in the oven. And be sure to save room for peanut butter pie from Gambill Mansion Bed and Breakfast or a slice of Kentucky Whiskey Cake! For special meals, check out sections such as "Lunch and Teatime Favorites" and "Derby Favorites." A delight to read as well as to use, Kentucky's Best also reveals the stories behind the favorites. Whether it's the story of Old Talbott Tavern, the oldest stage-coach stop in America, or the tale of young Alma Harbin's mistaking gladiola bulbs for onions when she first prepared potato salad for her husband-to-be, Allison-Lewis reveals a flair for storytelling.

The sixties were a tremendously important time of transition for both civil rights activism and the U.S. film industry. Soul Searching examines a subject that, despite its significance to African American film history, has gone largely unexplored until now. By revisiting films produced between the march on Washington in 1963 and the dawn of the "blaxploitation" movie cycle in 1970, Christopher Sieving reveals how race relations influenced black-themed cinema before it was recognized as commercially viable by the major studios. The films that are central to this book-Gone Are the Days (1963), The Cool World (1964), The Confessions of Nat Turner (never produced), Uptight (1968), and The Landlord (1970)-are all ripe for reevaluation and newfound appreciation. Soul Searching is essential reading for anyone interested in the politics and cultural movements of the 1960s, cinematic trends like blaxploitation and the American "indie film" explosion, or black experience and its many facets.

Arthur Penn: American Director is the comprehensive biography of one of the twentieth century's most influential filmmakers. Thematic chapters lucidly convey the story of Penn's life and career, as well as pertinent events in the history of American film, theater, and television. In the process of tracing the full spectrum of his career, Arthur Penn reveals the enormous scope of Penn's talent and his profound impact on the entertainment industry in an accessible, engaging account of the well-known director's life. Born in 1922 to a family of Philadelphia immigrants, the young Penn was bright but aimless - especially compared to his talented older brother Irving, who would later become a world-renowned photographer. Penn drifted into directing, but he soon mastered the craft in three mediums: television, Broadway, and motion pictures. By the time he made Bonnie and Clyde (1967), Penn was already a Tony-winning Broadway director and one of the prodigies of the golden age of television. His innovative handling of the story of two Depression-era outlaws not only challenged Hollywood's strict censorship code, it shook the foundation of studio system itself and ushered in the film revolution. His next films - Alice's Restaurant (1969), Little Big Man (1970), and Night Moves (1975) - became instant classics, summoning emotions from shock to sensuality and from confusion to horror, all of which reflected the complexity of the man behind the camera.The personal and creative odyssey captured in these pages includes memorable adventures in World War II; the chaotic days of live television; the emergence of Method acting in Hollywood; and experiences with Marlon Brando, Anne Bancroft, Warren Beatty, William Gibson, Lillian Hellman, and a host of other show business legends.

From his cult classic television series Twin Peaks to his most recent film Inland Empire (2006), David Lynch is best known for his unorthodox narrative style. An award-winning director, producer, and writer, Lynch distorts and disrupts traditional storylines and offers viewers a surreal, often nightmarish perspective. His unique approach to filmmaking has made his work familiar to critics and audiences worldwide, and he earned Academy Award nominations for Best Director for The Elephant Man (1980), Blue Velvet (1986), and Mulholland Drive (2001). Lynch creates a new reality for both characters and audience by focusing on the individual and embracing existentialism. In The Philosophy of David Lynch, editors William J. Devlin and Shai Biderman have compiled an impressive list of contributors to explore the philosophy at the core of the filmmaker's work. Lynch is examined as a postmodern artist, and the themes of darkness, logic, and time are discussed in depth. Other prominent issues in Lynch's films, such as Bad faith and freedom, ethics, politics, and religion, are also considered. Investigating myriad aspects of Lynch's influential and innovative work, The Philosophy of David Lynch provides a fascinating look at the philosophical underpinnings of the famous cult director.

Brutal Intimacy is the first book to explore the fascinating films of contemporary France, ranging from mainstream genre spectaculars to arthouse experiments, and from wildly popular hits to films that deliberately alienate the viewer. Twenty-first-century France is a major source of international cinema-diverse and dynamic, embattled yet prosperous-a national cinema offering something for everyone. Tim Palmer investigates France's growing population of women filmmakers, its buoyant vanguard of first-time filmmakers, the rise of the controversial cinema du corps, and France's cinema icons: auteurs like Olivier Assayas, Claire Denis, Bruno Dumont, Gaspar Noé, and stars such as Vincent Cassel and Jean Dujardin. Analyzing dozens of breakthrough films, Brutal Intimacy situates infamous titles alongside many yet to be studied in the English language. Drawing on interviews and the testimony of leading film artists, Brutal Intimacy promises to be an influential treatment of French cinema today, its evolving rivalry with Hollywood, and its ambitious pursuits of audiences in Europe, North America, and around the world.

Featuring ordinary people, celebrities, game shows, hidden cameras, everyday situations, and humorous or dramatic situations, reality TV is one of the fastest growing and important popular culture trends of the past decade, with roots reaching back to the days of radio. The Tube Has Spoken provides an analysis of the growing phenomenon of reality TV, its evolution as a genre, and how it has been shaped by cultural history. This collection of essays looks at a wide spectrum of shows airing from the 1950s to the present, addressing some of the most popular programs including Alan Funt's Candid Camera, Big Brother, Wife Swap, Kid Nation, and The Biggest Loser. It offers both a multidisciplinary approach and a cross-cultural perspective, considering Australian, Canadian, British, and American programs. In addition, the book explores how popular culture shapes modern western values; for example, both An American Family and its British counterpart, The Family, showcase the decline of the nuclear family in response to materialistic pressures and the modern ethos of individualism. This collection highlights how reality TV has altered the tastes and values of audiences in the twentieth and twenty-first centuries. It analyzes how reality TV programs reflect the tensions between the individual and the community, the transformative power of technology, the creation of the celebrity, and the breakdown of public and private spheres.

Widely regarded as a turning point in American independent cinema, Steven Soderbergh's sex, lies, and videotape (1989) launched the career of its twenty-six-year-old director, whose debut film was nominated for an Academy Award and went on to win the Cannes Film Festival's top award, the Palme d'Or. The Philosophy of Steven Soderbergh breaks new ground by investigating salient philosophical themes through the unique story lines and innovative approaches to filmmaking that distinguish this celebrated artist.Editors R. Barton Palmer and Steven M. Sanders have brought together leading scholars in philosophy and film studies for the first systematic analysis of Soderbergh's entire body of work, offering the first in-depth exploration of the philosophical ideas that form the basis of the work of one of the most commercially successful and consistently inventive filmmakers of our time.

A groundbreaking filmmaker dogged by controversy in both his personal life and career, Elia Kazan was one of the most important directors of postwar American cinema. In landmark motion pictures such as A Streetcar Named Desire, On the Waterfront, East of Eden, and Splendor in the Grass, Kazan crafted an emotionally raw form of psychological realism. His reputation has rested on his Academy award-winning work with actors, his provocative portrayal of sexual, moral, and generational conflict, and his unpopular decision to name former colleagues as Communists before the House Un-American Activities Committee in 1952. But much of Kazan's influential cinematic legacy remains unexamined. Arriving in the wake of his centenary, Kazan Revisited engages and moves beyond existing debates regarding Kazan's contributions to film, tackling the social, political, industrial, and aesthetic significance of his work from a range of critical perspectives. Featuring essays by established film critics and scholars such as Richard Schickel (Time), Victor Navasky (The Nation), Mark Harris (Entertainment Weekly), Kent Jones (Film Comment), Jonathan Rosenbaum (Essential Cinema, 2004), Jeanine Basinger (The Star Machine, 2007), and Leo Braudy (On the Waterfront, 2008), this book is a must for diehard cinephiles and those new to Kazan alike.Contributors include: JEANINE BASINGER, LEO BRAUDY, LISA DOMBROWSKI, HADEN GUEST, MARK HARRIS, KENT JONES, PATRICK KEATING, SAVANNAH LEE, BRENDA MURPHY, VICTOR NAVASKY, BRIAN NEVE, JONATHAN ROSENBAUM, RICHARD SCHICKEL, ANDREW TRACY, and SAM WASSON.

When widescreen technology was introduced to filmmaking in 1953, it changed the visual framework and aesthetic qualities of cinema forever. Before widescreen, a director's vision for capturing beautiful landscapes or city skylines was limited by what could be included in the boxy confines of an Academy Ratio film frame. The introduction and subsequent evolution of widescreen technology has allowed directors to push the boundaries of filmmaking. Letterboxed: The Evolution of Widescreen Cinema explores the technological changes of the widescreen technique and how the format has inspired directors and also sparked debates among film critics. Examining early filmmakers such as Buster Keaton and D. W. Griffith and genre pioneers like Nicholas Ray and Douglas Sirk, Harper Cossar explains how directors use wider aspect ratios to enhance their creative visions. Letterboxed tracks the history of stylistic experimentation with the film frame and demonstrates how the expansion of the screen has uncovered myriad creative possibilities for directors.

The Essential Cult TV Reader is a collection of insightful essays that examine television shows that amass engaged, active fan bases by employing an imaginative approach to programming. Once defined by limited viewership, cult TV has developed its own identity, with some shows gaining large, mainstream audiences. By exploring the defining characteristics of cult TV, The Essential Cult TV Reader traces the development of this once obscure form and explains how cult TV achieved its current status as legitimate television. The essays explore a wide range of cult programs, from early shows such as Star Trek, The Avengers, Dark Shadows, and The Twilight Zone to popular contemporary shows such as Lost, Dexter, and 24, addressing the cultural context that allowed the development of the phenomenon. The contributors investigate the obligations of cult series to their fans, the relationship of camp and cult, the effects of DVD releases and the Internet, and the globalization of cult TV. The Essential Cult TV Reader answers many of the questions surrounding the form while revealing emerging debates on its future.

A comprehensive and compelling examination of one of cable television's most innovative and popular networks, The Essential HBO Reader looks at every aspect of HBO's development as a corporation, a creative voice, and a brand. The authors explore the network's diverse repertoire of programming, from drama to comedy to documentaries and sports -- including such acclaimed shows as The Sopranos, Sex in the City, Angels in America, America Undercover, and Def Comedy Jam -- as they detail HBO's nearly forty-year history and its profound influence on the entertainment industry.