Any activity requires the expenditure of energy, and the larger the scale of the undertakings, the more careful and strategic planning in advance is required. In focusing on labouring by humans and other animals, the papers in this volume investigate through a wide range of contexts how past people achieved their multiple daily tasks while remaining resilient in anticipation of adverse events and periods. Each paper investigates the resource requirements of combined activities, from conducting agriculture or trade, over many different crafts, constructing houses and monumental buildings, and how the available resources were employed successfully. Multilayered data sets are employed to illuminate the many interconnected networks of humans and resources that impacted on people’s day-to-day activities, but also to discuss the economic, cultural and socio-political relationships over time in different regions. Each of us aimed to discuss novel perspectives in which the landscape in its widest sense is connected to interdisciplinary architectural and/or crafting perspectives. Rural landscapes and their populace formed the backbone of pre-industrial societies. Analyses of the rural ‘hinterland’, the foci of cities and other central places (often with monumental architecture) and the communication between these are essential for the papers of this volume. These different agents and phenomena and their connections are crucial to our understanding how political units functioned at several socially interconnected levels. Bottom-up approaches can dissolve “monolithic” understandings of societies, the elite-labour/farmer and the centre/rural dichotomies, because the many social groups co-depended on each other, albeit perhaps in unequal measure depending on the given context.

This is the first study to focus on ikat of the Timor region from a technical perspective, including microscopy and design analysis of asymmetry, an understudied subject. Paradoxically this technical perspective highlights the human factor. Focused on the last century of the colonial period, we see the weaver’s decisions in close-up, as if we are sitting next to her. This yields rich insights, not just in materiality, but also in the weavers’ creativity. Asymmetry is widely distributed in the region, yet has largely been ignored. This is curious, because asymmetry is highly interesting: it goes against ikat’s technical diktat (which prescribes the production of two identical panels in parallel), hence requires extra work. Seven distinct ways to achieve asym­metry are differentiated, including visual tricks and illusions, flagrant displays of virtuosity and intellectual superiority. On Sumba, women of the nobility made thrilling and amusing efforts to hide their virtuosity, dyeing into their men’s cloths tiny visual devices, secret keys, which revealed that their work was not just good, but luar biasa, out of the ordinary. Ironically, because these late 19th- and early 20th-century dyers were such great masters at hiding their virtuosity, it remained overlooked by generations of researchers. Taking up Marie Jeanne Adams's 1969 call, so far unheeded, to deepen the study of Indonesian ikat textiles by means of microscopy, the author shot thousands of micro-photographs, allowing a study of yarn development over time, as well as the differentiation of 21 distinct weave types, a number far exceeding expectation, and their distribution across 41 ikat weaving regions in the Indonesian archipelago. In the final chapter the author analyses what may have spurred the weavers of the region to create their most intricate, most time consuming, feats of artistry, and develops a view of these women as far more inventive and intelligent than they have been credited with before - and more assertive, using ikat’s prestige to spin their men into a web of taboos and prescriptions.

This volume offers a fascinating journey into the world of symbols, architecture and myths, both familiar and less well-known. The road it takes is sometimes the caravan trail, others a Roman road from the classical world, and includes junctions and overlapping influences between East and West. The first stop takes us from the steppe of the Goths through to the city of Ravenna, focusing on King Theodoric. A man of the steppe, Theodoric was illiterate but wrote in stone through his indecipherable, famous monument, the mausoleum of Ravenna. It is an architecture of myth that needs to be read in all of its architectonic connections – within its spatial dynamism and geometric symbolism, which reveals echoes of the Middle East. The second step begins in Greece and arrives in Italy. The third encompasses an enormous arch, passing from the Roman imperial eagle to the Chinese imperial dragon. Extensively illustrated, this volume explores symbolic, architectural, and mythological connections across the globe.

For many centuries, scholars and enthusiasts have been fascinated by Stonehenge, the world’s most famous stone circle. In 2003 a team of archaeologists commenced a long-term fieldwork project for the first time in decades. The Stonehenge Riverside Project (2003-2009) aimed to investigate the purpose of this unique prehistoric monument by considering it within its wider archaeological context. This is the second of four volumes which present the results of that campaign. It includes studies of the lithics from excavations, both from topsoil sampling and from excavated features, as well as of the petrography of the famous bluestones, as identified from chippings recovered during excavations. Other specialist syntheses are those of the land mollusca. The volume provides an overview of Stonehenge in its landscape over millennia from before the monument was built to the last of its five constructional stages. It concludes with a chapter placing Stonehenge in its full context within Britain and western Europe during the third millennium BC.With contributions by:Umberto Albarella, Michael Allen, Richard Bevins, Benjamin Chan, Robert Ixer, Claudia Minniti, Doug Mitcham and Sarah Viner-Daniels

In a process analogous with the impact of aerial photography on landscape archaeology, marine geophysics is locating the remains of thousands of shipwrecks across the seabed of the globe. This research project set out to establish whether all of the shipwrecks in a given geographic region could be identified by name through the mutual study of the 3D models of the shipwrecks, alongside the historic text of shipping losses in the same area.All of the 273 shipwrecks in a 7,500sqm study area in the Irish Sea were surveyed using multibeam echosounder. The methodologies subsequently developed to identify the wrecks enabled names to be given to 80% of the unknown ships, verified by their dimensions, their geographic position, and archival descriptions of the sinking of each ship. In all 87% of the ships in the study are now identified.In historic terms, the newly identified wrecks included myriad vessels from trawlers, cargo vessels, submarines, through to the largest ocean liners and tankers. They include rare ship designs, losses of national importance, and naval graves. Several of the wrecks uncovered have potential environmental concerns. The accurate dating of so many wrecks in one area has a major impact on the study of seabed dynamics and site formation processes, creating better models for the placement of windfarms and tidal generators.This research is important because the seabed of the world is being increasingly mapped in detail, and shipwrecks are being located in large numbers. This research developed a low-cost means of inventorising shipwreck datasets across entire national zones without costly physical interaction with each wreck site. It should be of key interest to marine scientists, environmental agencies, hydrographers, heritage managers, maritime archaeologists, and historians around the world.

This book charts and explains how human activities have shaped and altered the development of soils in many parts of the world, taking advantage of five decades of soil analytical work in many archaeological landscapes from around the globe. The core of this volume describes and illustrates major transformations of soils and the processes involved in these that have occurred during the Holocene and how these relate to human activities as much as natural causes and trajectories of development, right up to the present day. This is done in two ways: first by examining a number of major processes and impacts on the landscape such as Holocene warming and the development of woodland, clearance and agricultural activities, and second by examining the trajectories of these changes in soil systems in different palaeo-environmental situations in several diverse parts of the world. The transformations identified are relevant to prevalent themes of today such as over-development and soil, land and environmental degradation and resilience. The studies articulated relate to Britain, southeastern Europe, the Mediterranean basin, East Africa, northern India and Peru in South America.

Sudan, now split into the Republic of Sudan and the Republic of South Sudan, boasts a rich cultural heritage that has in recent years become the increasing focus of an international community of archaeologists, anthropologists and historians. This volume brings together papers presented at the Third Sudan Studies Annual Conference, a unique forum for interdisciplinary work.

Canterbury Cathedral possesses a unique marble mosaic pavement, dating from the early 12th century, which has long intrigued scholars and been the subject of speculation and debate. It forms part of the floor of the Trinity chapel, adjacent to the site where the shrine of St Thomas Becket stood, prior to the Reformation. Since the mosaic is older than the chapel itself and partly destroyed a pavement of figurative roundels, laid c. 1215, it must have been moved here from elsewhere in the cathedral. This volume explores the history and archaeology of the Trinity chapel, the pavement and the physical remains of the cult of Becket, based largely on hitherto unrecorded and unpublished evidence. In the early 12th century, Archbishop Anselm rebuilt the eastern arm of the cathedral, introducing architectural elements from his native Italy, and these included a magnificent mosaic pavement, composed of the most expensive marbles, which lay in front of the high altar. In 1170, Archbishop Becket was murdered in the cathedral, and his body rested overnight on the pavement before being buried in the crypt. Thomas was immediately revered as a martyr, and in 1173 was canonised by the pope; a simple shrine was erected over his tomb. In the following year, a fire (arson) destroyed the eastern arm of the cathedral, precipitating the construction of the present Trinity and Corona chapels, wherein St Thomas’s remains were enshrined. After decades of delay and political strife, the enshrinement took place in 1220, in the presence of Henry III. The shrine comprised a great marble table, supported on six clusters of columns. On top of the table was a marble sarcophagus containing the saint’s body in an iron-bound timber coffin, over which stood the sumptuous feretory, a gabled timber ‘roof’, plated with sheets of gold and adorned with jewels. East of the shrine lies the small Corona chapel in which a fragment of Becket’s skull was separately encased in a ‘head-shrine’, and to the west a large area was paved with forty-eight figurative stone roundels, created by French artisans. All around, stained-glass windows display the early miracles of Becket. The layout of the Trinity chapel underwent transmutations, first around 1230, when the mosaic pavement was taken up from the old presbytery, reduced in size and relaid in front of Becket’s shrine, where is it today. Second, the chapel was reordered in c. 1290, when the podium carrying the shrine was enlarged and the paving around it reconfigured. Medieval tombs were now being installed in the chapels, including those of the Black Prince and Henry IV. The end came in 1538, when Henry VIII ordered the thorough destruction of Becket’s shrines, but a great deal of archaeological evidence remained in the floors, walls and a few surviving fragments of the shrines, all now recorded and discussed in this beautifully illustrated volume for the first time.

Writing in the ancient Mediterranean existed against a backdrop of very high levels of interaction and contact. In the societies around its shores, writing was a dynamic practice that could serve many purposes – from a tool used by elites to control resources and establish their power bases to a symbol of local identity and a means of conveying complex information and ideas. This volume brings together contributions by members of the Contexts of and Relations between Early Writing Systems (CREWS) research team and visiting fellows, offering a range of different perspectives and approaches to problems of writing in the ancient Mediterranean. Their focus is on practices, viewing writing as something that people do within a wider social and cultural context, and on adaptations, considering the ways in which writing changed and was changed by the people using it.

Excavation of a Scheduled burial mound on Whitehorse Hill, Dartmoor revealed an unexpected, intact burial deposit of Early Bronze Age date associated with an unparalleled range of artefacts. The cremated remains of a young person had been placed within a bearskin pelt and provided with a basketry container, from which a braided band with tin studs had spilled out. Within the container were beads of shale, amber, clay and tin; wo pairs of turned wooden studs and a worked flint flake. A unique item, possibly a sash or band, made from textile and animal skin was found beneath the container. Beneath this, the basal stone of the cist had been covered by a layer of purple moor grass which had been collected in summer. Analysis of environmental material from the site has revealed important insights into the pyre material used to burn the body, as well as providing important information about the environment in which the cist was constructed. The unparalleled assemblage of organic objects has yielded insights into a range of materials which have not survived from the earlier Bronze Age elsewhere in southern Britain.

Excavations in 1958-1963 on the island of Failaka in Kuwait uncovered a small community of Dilmun traders from the second millennium BC. Prominent among the finds were 629 beads, most of them made of semi-precious stone, such as different varieties of chalcedony (agate, carnelian, jasper, and moss agate) and quartz (rock crystal, milky quartz, and smoky quartz), and a range of other stone types, such as calcite, chlorite, lapis lazuli, turquoise and porphyry. Additionally, part of the beads was made of glass: a new prestige material of the second millennium. The study consists of a typology, a classification of materials and an analysis of the dating and distribution of the beads. Manufacturing techniques, including perforation and use-wear, are also considered. In a final discussion, the bead corpus from Failaka is compared with similar material from contemporary sites on Failaka and in Bahrain, along with some thoughts on connections and trade relations, which may be inferred from the materials and forms in the bead assemblage. The study proposes far-reaching connections with the Indus in the east and the Aegean in the west.

Excavations at Panattoni Park, at Harpole within the Nene Valley west of Northampton, uncovered part of a Roman villa and evidence for preceding prehistoric and early Roman settlement. The earliest evidence was a Mesolithic flint-knapping site. During the early Iron Age or at the start of the middle Iron Age, a pit alignment was constructed running down the valley side. A middle Iron Age settlement of at least seven roundhouses lay 450m to the east of the pit alignment. It is likely that both the boundary and the settlement were associated with cattle grazing on the valley floor, and the settlement may have been seasonally occupied. An enclosure complex was constructed against the pit alignment during the late Iron Age and occupied until c AD 50/70, after which there was an apparent hiatus of about a century before the establishment of the villa during the mid-2nd century. The villa was first discovered in the 1840s when a mosaic was accidentally uncovered. It was believed to have been largely destroyed during widening of the adjacent A4500 road in 1966 when excavation of only a small area was possible. However, the new excavation has demonstrated the survival of part of the main villa complex, including a substantial aisled building that may have formed the southern range. An extensive part of the agricultural landscape surrounding the villa was investigated, including an area devoted to malting and an enclosure complex used as a stockyard for processing livestock. A further notable find was a small hoard of mower’s tools, perhaps the toolkit of an individual agricultural worker. A building interpreted as a temple-mausoleum of Romano-Celtic form situated beside a spring channel was also investigated. Pollen from the channel indicating the presence of a walnut grove may be the earliest definite evidence for the cultivation of walnut trees in Britain.

This volume offers a valuable resource by compiling and interpreting high-resolution satellite images of all Old and Middle Kingdom pyramid sites in Egypt. The sites included in this Atlas represent to a large degree the principal sites of the third- through the thirteenth-Dynasty. Their particular characteristics mirror the specific periods of Egyptian history, providing a fascinating window into the incredible story of ancient Egypt. Sites covered include (starting in the north): Abu Rawash, Giza, Zawiyet el-Aryan, Abusir, Saqqara, Dahshur, Mazghuna, Lisht, Meidum, Lahun, Hawara and Abydos. Also featured is the site of Abu Ghurob, with the two sun temples of Userkaf and Nyuserra of the fifth-Dynasty and the so-called minor step pyramids dating from the late third- to the early fourth-Dynasty. These start in Seila at the northeastern edge of the Faiyum Oasis and include – proceeding those of Zawyet Sultan – Nubt (Naqada), Abydos (Sinki), Hierakonpolis (el-Kula), Edfu (Ghonemeia) and Elephantine. The individual sites are characterised on the background of their local topography and changing nature of their development over time as reflected by the position of individual monuments, including the principal pyramids of the Old and Middle Kingdom. Each each site provides a different story in terms of its structure and content, reflecting the simple fact that every site developed under different conditions, in different local setting, had its own internal logics, its pace and its genuine characteristics. Each site also reflects a specific historical situation and tells a different story of its development and rediscovery. Most pyramid fields are increasingly more intensively endangered by modern development and locally-dominated neglect of the need for their preservation. It is strongly believed that the latest technological advances, including the satellite imaging in Egyptology, will ultimately translate into their systematic use in sites’ protection and management, site and landscape analysis and long-term strategies for both ongoing and future excavation and survey projects in Egypt.

This volume examines how pre-Columbian societies in the Americas envisioned their cosmos and iteratively modelled it through the creation of particular objects and places. It emphasises that American societies did this to materialize overarching models and templates for the shape and scope of the cosmos, the working definition of cosmoscape. Noting a tendency to gloss over the ways in which ancestral Americans envisioned the cosmos as intertwined and animated, the authors examine how cosmoscapes are manifested archaeologically, in the forms of objects and physically altered landscapes. This volume includes case studies of cosmoscapes that present themselves as forms of architecture, portable artifacts, and transformed aspects of the natural world. In doing so, it emphasises that the creation of cosmoscapes offered a means of reconciling peoples experiences of the world with their understandings of them.

Clachtoll broch is one of the most spectacular Iron Age settlements on the northern mainland of Scotland. When it became clear that the structure was threatened by coastal erosion, community heritage group Historic Assynt launched a major programme of conservation and excavation works designed to secure the vulnerable structure and recover the archaeological evidence of its occupation and use. The resulting excavation provided evidence of a long and complex history of construction and rebuilding, with the final, middle Iron Age occupation phase ending in a catastrophic fire and collapse of the tower by the early years of the first century AD. The internal deposits span perhaps 50 years of the broch’s final occupation and were remarkably well preserved, with no evidence for secondary re-use or disturbance after the fire. As a result, the excavation provides a remarkable snapshot of life in Iron Age Scotland, with an artefact assemblage attesting to daily agricultural life as well as long-range contacts that sets the broch within a wider Atlantic community. Specialist analysis of the artefactual and palaeoenvironmental evidence coupled with detailed analysis of the structure in its local geographical context combine to provide a major new contribution to the archaeology of north-west Scotland, with wider implications for our understanding of late prehistoric society in northern Britain. This report comprises the results of the archaeological investigations at Clachtoll, compiled by a team of archaeologists and specialists from AOC Archaeology Group, and brings together evidence from a range of specialist analyses as well as environmental and landscape investigations.

This richly illustrated book presents the first comprehensive study of the making and marketing of pottery in medieval Ireland. Focusing on a well-preserved 14th-century pottery production centre which was excavated in 2006 at Highhays, outside the walls of the renowned Anglo-Norman town of Kilkenny in south-east Ireland, the authors describe its kiln, workshops and working areas, as well as its ‘Highhays Ware’ products: jugs, jars, cooking-pots, money-boxes and ridge tiles. Foremost amongst the outputs from the kiln site were high-quality, wheel-thrown, green-glazed jugs that were closely modelled on French Saintonge and Bristol Redcliffe archetypes and the volume describes the distinctive processes, kiln-firing technology and raw materials that were employed to produce these, and the other wares, represented on the site. The book also presents the results of an innovative plasma spectrometry and petrological analysis of Highhays Ware, which facilitated identification of the source for the raw potting clays areas – located at a considerable distance from Highhays in north county Kilkenny – used in its production, in addition to allowing for a study of the uncharacteristically broad distribution of the ware throughout the south-east of Ireland. The authors also place the production of pottery at Highhays in its broader context by presenting an overall review of the archaeological and historical evidence for pottery making and consumption in medieval Ireland, as well as by exploring the cultural background and social status of potters in the Anglo-Norman colony. Supporting the analysis and interpretation of the Highhays site and its assemblage are specialist and scientific contributions on the pottery, tiles, ceramic production material, metal finds, coins and archaeobotanical and animal bone remains from the site, archaeomagnetic and radiocarbon dating and plasma spectrometry and petrological analysis.