Beads, beadwork, and personal ornaments are made of diverse materials such as shell, bone, stones, minerals, and composite materials. Their exploration from geographical and chronological settings around the world offers a glimpse at some of the cutting edge research within the fast growing field of personal ornaments in humanities’ past. Recent studies are based on a variety of analytical procedures that highlight humankind’s technological advances, exchange networks, mortuary practices, and symbol-laden beliefs. Papers discuss the social narratives behind bead and beadwork manufacture, use and disposal; the way beads work visually, audibly and even tactilely to cue wearers and audience to their social message(s). Understanding the entangled social and technical aspects of beads require a broad spectrum of technical and methodological approaches including the identification of the sources for the raw material of beads. These scientific approaches are also combined in some instances with experimentation to clarify the manner in which beads were produced and used in past societies.

Stone Age researchers spend a lot of time studying and documenting lithic artefacts. Since it is impossible to study all these artefacts physically, they often rely on images. Drawings are often the most informative because the lines and symbols in these drawing contain technological information which tells the audience how the artefact depicted was made. Conversely, making these drawings is an excellent way of learning to recognise and understand this technological information. In a distant past Yannick aspired a career as an artist and while the art world is probably better off without him, he managed to find a new purpose for his artistic bend in his career as an archaeologist in the form of making lithic illustrations. Both professional and amateur archaeologists ask him questions about the drawings regularly with “It’s probably very difficult, I’m sure?” the most prominent. Drawing lithic illustrations is bound to rules and conventions anybody can learn. Of course it helps if you have a deft hand at drawing, but this style of drawing is a craft, not an art form. A craft anybody can learn with a little perseverance. Starting from there, Yannick gives courses in drawing artefacts. While preparing these courses he noticed that almost no books or papers suitable as course material are available, a realisation eventually resulting in this book.

Uroš Matić and Bo Jensen have brought together a team of both young and senior researches from many different countries in this first volume that aims to explore the complex intersection between archaeology, gender and violence. Papers range from theoretical discussions on previous approaches to gender and violence and the ethical necessity to address these questions today, to case studies dealing on gender and violence from prehistoric to early medieval Europe, but also including studies on ancient Egypt, Persia and Peru. The contributors deal both with representations of violence and its gendered background in images and text, and with bioarchaeological evidence for violence and trauma with a gendered background. The volume is rich both in examples and approaches and includes opening and closing chapters by senior scholars in the field assessing the current state of work and addressing the scholarship to continue on the line of this volume.

In 1999 and 2007 respectively, the central courtyard and the northwest corner of the British Museum estate were redeveloped in order to create two iconic additions to the institution: the Great Court and the World Conservation and Exhibitions Centre. The execution of these projects provided the opportunity to investigate the archaeology and history of the Bloomsbury area and the museum itself through excavation and archival research. This volume presents the results of the ensuing studies undertaken by Pre-Construct Archaeology and in so doing details the evolution of this area of London from the Roman period into modern times. The book charts the impact that the growth of the Museum and its collection has had on the surrounding area of Bloomsbury, as well as focusing on two of the key finds of the excavation: the discovery of the hitherto elusive Civil War defences of London and the intriguing assemblage of dead cows recovered from an early 18th-century collection of graves buried underneath the site. The book presents an overview of the wider urban landscape in which the British Museum is situated and discusses multiple interconnected themes from urban development and housing to domestic material culture and urban garden design. The result is a fascinating study of one of the most iconic areas of London and provides a fresh insight into the history of the British Museum.

The ‘western seaways’ are an arc of sea extending from the Channel Islands in the south, through the Isles of Scilly around to Orkney in the north. This maritime zone has long been seen as a crucial corridor of interaction during later prehistory. Connections across it potentially led, for example, to the eventual arrival of the Neolithic in Britain, almost 1000 years after it arrived on the near continent. This book’s primary focus is Early Neolithic settlement on islands within the ‘western seaways’ – sites that offer significant insight into the character of the Mesolithic–Neolithic transition in this particular maritime zone. It also explores a series of directly related, wider themes: the nature and effects of ‘island-ness’ in later prehistory; the visibility of material connections across the sea; the extent of Neolithic settlement variability across Britain; and the consequences of geographical biases in research for our understanding of the prehistoric past. At the heart of the book lie the results of three substantial excavations at L’Erée, Guernsey; Old Quay, St Martin’s (Isles of Scilly); and An Doirlinn, South Uist. Key findings include: the first major Mesolithic flint assemblage recovered from Scilly; one of the most extensively excavated and long-lasting Neolithic/Bronze Age occupation sites in the Channel Islands; the first substantial Neolithic settlement on Scilly; and the longest sequence of Neolithic/Early Bronze Age occupation on a single site from the Outer Hebrides. In order to contextualise the significance of these findings, we also present an extended discussion and broad synthesis of Mesolithic, Neolithic and Bronze Age archaeology on each island group.

The Roman period witnessed massive changes in the human-material environment, from monumentalised cityscapes to standardised low-value artefacts like pottery. This book explores new perspectives to understand this Roman ‘object boom’ and its impact on Roman history. In particular, the book’s international contributors question the traditional dominance of ‘representation’ in Roman archaeology, whereby objects have come to stand for social phenomena such as status, facets of group identity, or notions like Romanisation and economic growth. Drawing upon the recent material turn in anthropology and related disciplines, the essays in this volume examine what it means to materialise Roman history, focusing on the question of what objects do in history, rather than what they represent. In challenging the dominance of representation, and exploring themes such as the impact of standardisation and the role of material agency, Materialising Roman History is essential reading for anyone studying material culture from the Roman world (and beyond).

The subject of ‘Molluscs in Archaeology’ has not been dealt with collectively for several decades as most previous volumes in this subject area have been confined to studies of either land or marine molluscs, or mollusc shells as artefacts. The 23 specially commissioned papers presented here address many aspects of molluscs in archaeology. Marine molluscs are a common find on archaeological sites, where they may represent food waste or their shells having been utilised as tools, artefacts and ornaments. Land snails are also found as food waste in middens, but more commonly their microscopic remains are used to examine site environmental and land use histories. This comprehensive collection by most of the leading researchers in the field will give the reader an overview of the whole topic: methods of analysis and approaches to interpretation. It aims to be a broad-based textbook giving readers an insight into how to apply analysis to different present and past landscapes, and how to interpret those landscapes. Contributors present marine, freshwater and land snail studies, and examine topics such as diet, economy, climate, environment and land-use, isotopes and molluscs as artefacts, providing archaeologists and students with the first port of call regarding a) methods and principles, and b) the potential information molluscs can provide.Combining authoritative overviews with a range of case studies, Molluscs in Archaeology concentrates on analysis and interpretation that most archaeologists and students can undertake and understand, and reviews the ‘heavier’ science in terms of potential, application and interpretational value.

Eighteen papers and six abstracts from the ninth symposium of the Association of Environmental Archaeology held at Roskilde, Denmark, in 1988.

Man has always been fascinated by Equus caballus, recasting horse power into many forms: a hunk of meat, an industrial and agricultural machine, a luxury good, a cherished dancer, a comrade in arms and a symbol of a mythical past. From the wild tarpans sought by the Nazis to jade-laden treasure steeds in Ancient China, broken-down nags recycled into sausages and furniture stuffing, stallions that face fighting bulls and brewery horses that charmed the founder of the Sikh Empire, The Age of the Horse knits the history of the horse into that of humans, through revolution, war, social change and uneasy peace. It also uncovers new roles for the horse in the twenty-first century as a tool in the fight against climate change and as a therapist for soldiers damaged in unwinnable conflicts. In this captivating book, Susanna Forrest takes a journey through time and around the world, from the Mongolian steppes to a mirrored manège at Versailles, an elegant polo club in Beijing and a farm, a fort and an auction house in America, exploring the horse's crucial role and revealing how our culture and economy were generated, nourished and shaped by horse power and its gifts and limits.

The Neolithic of Europe comprises eighteen specially commissioned papers on prehistoric archaeology, written by leading international scholars. The coverage is broad, ranging geographically from south-east Europe to Britain and Ireland and chronologically from the Neolithic to the Iron Age, but with a decided focus on the former. Several papers discuss new scientific approaches to key questions in Neolithic research, while others offer interpretive accounts of aspects of the archaeological record. Thematically, the main foci are on Neolithisation; the archaeology of Neolithic daily life, settlements and subsistence; as well as monuments and aspects of worldview. A number of contributions highlight the recent impact of techniques such as isotopic analysis and statistically modelled radiocarbon dates on our understanding of mobility, diet, lifestyles, events and historical processes. The volume is presented to celebrate the enormous impact that Alasdair Whittle has had on the study of prehistory, especially the European and British Neolithic, and his rich career in archaeology.

Antiquarianism and collecting have been associated intimately with European imperial and colonial enterprises, although both existed long before the early modern period and both were (and continue to be) practiced in places other than Europe. Scholars have made significant progress in the documentation and analysis of indigenous antiquarian traditions, but the clear-cut distinction between “indigenous” and “colonial” archaeologies has obscured the intense and dynamic interaction between these seemingly different endeavours. This book concerns the divide between local and foreign antiquarianisms focusing on case studies drawn primarily from the Mediterranean and the Americas. Both regions host robust pre-modern antiquarian traditions that have continued to develop during periods of colonialism. In both regions, moreover, colonial encounters have been mediated by the antiquarian practices and preferences of European elites. The two regions also exhibit salient differences. For example, Europeans claimed the “antiquities” of the eastern Mediterranean as part of their own, “classical,” heritage, whereas they perceived those of the Americas as essentially alien, even as they attempted to understand them by analogy to the classical world. These basic points of comparison and contrast provide a framework for conjoint analysis of the emergence of hybrid or cross-bred antiquarianisms. Rather than assuming that interest in antiquity is a human universal, this book explores the circumstances under which the past itself is produced and transformed through encounters between antiquarian traditions over common objects of interpretation.

Economic archaeology is the study of how past peoples exploited animals and plants, using as evidence the remains of those animals and plants. The animal side is usually termed zooarchaeology, the plant side archaeobotany. What distinguishes them from other studies of ancient animals and plants is that their ultimate aim is to find out about human behaviour – the animal and plant remains are a means to this end. The 33 papers present a wide array of topics covering many areas of archaeological interest. Aspects of method and theory, animal bone identification, human palaeopathology, prehistoric animal utilisation in South America, and the study of dog cemeteries are covered. The long-running controversy over the milking of animals and the use of dairy products by humans is discussed as is the ecological impact of hunting by farmers, with studies from Serbia and Syria. For Britain, coverage extends from Mesolithic Star Carr, via the origins of agriculture and the farmers of Lismore Fields, through considerations of the Neolithic and Bronze Age. Outside Britain, papers discuss Neolithic subsistence in Cyprus and Croatia, Iron Age society in Spain, Medieval and post-medieval animal utilisation in northern Russia, and the claimed finding of a modern red deer skeleton in Egypt’s Eastern Desert. In exploring these themes, this volume celebrates the life and work of Tony Legge (zoo)archaeologist and teacher.

The study of funerary practice has become one of the most exciting and rapidly developing areas of Roman archaeology in recent decades. This volume draws on large-scale fieldwork from across Europe, methodological advances and conceptual innovations to explore new insights from analysis of the Roman dead, concerning both the rituals which saw them to their tombs and the communities who buried them. In particular the volume seeks to establish how the ritual sequence, from laying out the dead to the pyre and tomb, and from placing the dead in the earth to the return of the living to commemorate them, may be studied from archaeological evidence. Contributors examine the rites regularly practised by town and country folk from the shores of the Mediterranean to the English Channel, as well as exceptional circumstances, as in the aftermath of the Varian disaster in Augustan Germany. Case studies span a cross-section of Roman society, from the cosmopolitan merchants of Corinth to salt pan workers at Rome and the rural poor of Britannia and Germania. Some papers have a methodological focus, considering how human skeletal, faunal and plant remains illuminate the dead themselves and death rituals, while others examine how to interpret the stratigraphic signatures of the rituals practised before, around and after burial. Adapting anthropological models, other papers develop interpretive perspectives on the funerary sequences which can thus be reconstructed and explore the sensory dimensions of burying and commemorating the dead. Through these varied approaches the volume aims to demonstrate and develop the richness of the insights into Roman society and culture which may be won from study of the dead.

Video games, even though they are one of the present’s quintessential media and cultural forms, also have a surprising and many-sided relation with the past. From seminal series like Sid Meier’s Civilization or Assassin’s Creed to innovative indies like Never Alone and Herald, games have integrated heritages and histories as key components of their design, narrative, and play. This has allowed hundreds of millions of people to experience humanity’s diverse heritage through the thrill of interactive and playful discovery, exploration, and (re-)creation. Just as video games have embraced the past, games themselves are also emerging as an exciting new field of inquiry in disciplines that study the past. Games and other interactive media are not only becoming more and more important as tools for knowledge dissemination and heritage communication, but they also provide a creative space for theoretical and methodological innovations. The Interactive Past brings together a diverse group of thinkers — including archaeologists, heritage scholars, game creators, conservators and more — who explore the interface of video games and the past in a series of unique and engaging writings. They address such topics as how thinking about and creating games can inform on archaeological method and theory, how to leverage games for the communication of powerful and positive narratives, how games can be studied archaeologically and the challenges they present in terms of conservation, and why the deaths of virtual Romans and the treatment of video game chickens matters. The book also includes a crowd-sourced chapter in the form of a question-chain-game, written by the Kickstarter backers whose donations made this book possible. Together, these exciting and enlightening examples provide a convincing case for how interactive play can power the experience of the past and vice versa.

This pioneering study charts the one-way traffic of cultural and historical objects during five centuries of European colonialism. It presents abundant examples of disappeared colonial objects and systematises these into war booty, confiscations by missionaries and contestable acquisitions by private persons and other categories. Former colonies consider this as a historical injustice that has not been undone. Former colonial powers have kept most of the objects in their custody. In the 1970s the Netherlands and Belgium returned objects to their former colonies Indonesia and DR Congo; but their number was considerably smaller than what had been asked for. Nigeria’s requests for the return of some Benin objects, confiscated by British soldiers in 1897, are rejected. As there is no consensus on how to deal with colonial objects, disputes about other categories of contestable objects are analysed. For Nazi-looted art-works the 1998 Washington Conference Principles have been widely accepted. Although non-binding, they promote fair and just solutions and help people to reclaim art works that they lost involuntarily. To promote solutions for colonial objects, nine Principles for Dealing with Colonial Cultural and Historical Objects are presented, based on the Washington Conference Principles. The nine are part of a model to facilitate mediation in disputes about them. This model can help to break the impasse in negotiations between former colonisers and colonies.Europe, the former colonisers, should do more pro-active provenance research into the acquisitions from the colonial era, both in public institutions and private collections. “This is a very commendable treatise which has painstakingly and with detachment explored the emotive issue of the return of cultural objects removed in colonial times to the metropolis. He has looked at the issues from every continent with clarity and perspicuity.”Prof. Folarin Shyllon (University of Ibadan) “Momumentaal werk van hoge kwaliteit. Het hoofdstuk over Congo is bijzonder goed gedocumenteerd en leerrijk”Dr. Guido Gryseels (Director-General of the Royal Museum for Central Africa in Tervuren) CLUES is an international scientific series covering research in the field of culture, history and heritage which have been written by, or were performed under the supervision of members of the research institute CLUE+.

For more than 300 years commercial fishermen working in the outer Thames estuary have recovered Roman pottery in their oyster dredgers and fishing nets from the seabed in the vicinity of Pudding Pan. However, despite numerous attempts to locate the source of the material, this elusive site has remained undiscovered beneath the waves. This book assesses the recovered assemblage from Pudding Pan to determine the nature and location of the site. Almost 700 artefacts have been retrieved from this area to date, the majority of which are complete plain samian wares, one of the key indicators of the widespread cultural reception of Rome, which were undoubtedly transported throughout the Empire in huge quantities. The exhaustive research presented in this book convincingly argues that the material represents an unknown proportion of a cargo from a Roman trading ship en route from northern France to London that was deposited on the seabed between AD 175 and 195; it is not yet clear whether the deposit represents a shipwreck or a jettisoned cargo. Such a site is extremely rare throughout the Roman Empire, particularly so in northern Europe, and its discovery could play a crucial role in our understanding of Roman trade. The search for the site continues, but this publication offers the first detailed study of a seemingly predominantly samian cargo in British waters and contributes a new perspective on the organisation of trade and consumption in the Roman era.