Heritage institutions face major changes in the areas of digitisation, narrative, inclusivity, and participation. In this groundbreaking book Wim Hupperetz, an expert in the field of museums, heritage and digital curation, reflects on the challenge of change. How does a museum move from an object or a collection to storytelling, and what is the impact of digitisation on curatorship? How to assess the biography of a collection when you think of museums as a medium of memory? And in striving to achieve a participatory dialogue, what is the difference between collaborating and doing things together? In six chapters, theory and practice are juxtaposed. Each chapter concludes with practical dos and don’ts. This book is also meant as a tribute to everyone who has contributed to the renovation of the Allard Pierson, the museum and knowledge institute where the collections of the University of Amsterdam are preserved and presented. Museums, Heritage and Digital Curation is intended for heritage professionals and students who want to gain insight into the debate in a rapidly changing field.

This book concerns textile production at the fringes of north-western Europe – areas in western Norway and the North Atlantic in the expanding, dynamic and transformative period from the early Viking Age into the Middle Ages. Textiles constitute one of the basic needs in human life – to protect and keep the body warm but also to show social status and affiliations. Textiles had a wide spectrum of use areas and qualities, fine and coarse in various contexts, and in the Viking Age not least related to the production of sails – all essential for the development and character of the period. So, what were the tools and textiles like, who made them, who used them and who exposed them? By tracing textile production from the remains of tools and textiles in varied landscapes and settings – Viking Age graves and in-situ workplaces from the whole period – and combining this with textual information, many layers of information are exposed about technology and qualities as well as gender, gender roles, social relations, power and networks. By combining tools, textiles and texts in various settings, this book aims to contextualise dispersed archaeological finds of tools and textiles to uncover patterns across larger areas and in a long-term perspective of half a millennium. Related to the overall societal changes from the early Viking Age raids, colonisation to centralisation to urbanisation in the Middle Ages, the tools and textiles reveal diversity, as well as stability and change.

Why are some things valuable while others are not? How much effort does it take to produce valuable objects? How can one explain the different appraisal of certain things in different temporal horizons and in different cultures? Cultural processes on how value is attached to things, and how value is re-established, are still little understood. The case studies in this volume, originating from anthropology and archaeology, provide innovative and differentiated answers to these questions. However, for all contributions there are some common basic assumptions. One of these concerns the understanding that it is rarely the value of the material itself that matters for high valuation, but rather the appreciation of the (assumed or constructed) origin of certain objects or their connection with certain social structures. A second of these shared insights addresses the ubiquity of phenomena of 'value in things'. There is no society without valued objects. As a rule, valuation is something negotiated or even disputed. Value arises through social action, whereby it is always necessary to ask anew which actors are interested in the value of certain objects (or in their appreciation). This also works the other way round: Who are those actors who question corresponding objective values and why?

The Neolithic site of Çatalhöyük has been world famous since the 1960s when excavations conducted by Mellaart revealed the large size and dense occupation of the settlement, as well as spectacular wall paintings and reliefs in the houses. This volume discusses general themes that have emerged in the analysis and interpretation of the results of excavations undertaken at Çatalhöyük between 2009 and 2017, although many authors also discuss data generated through the whole 25-year period of excavation by the Çatalhöyük Research Project since 1993.This volume scrutinizes Çatalhöyük as the by-product of the activities of a community residing in central Turkey 9,000 years ago, but also as the outcome of the interactions of a community of researchers with wide-ranging theoretical perspectives and methodological approaches. The volume commences with an overview of community engagement practices and of the ways different audiences have interacted with the site through the life of the project. It then considers the differences in approach of the Mellaart and recent excavations and reflects on different methodological perspectives that have been used at the site. It synthesizes the diverse array of environmental resources that would have been used in different times of the year. The ways in which the community at Çatalhöyük was held together, but also how community dynamics may have changed over time, are considered through the analysis of open areas, house architecture and contents, and the sequence of activities in houses. Modeling changes in practices over time shows that the effects of new introductions such as cooking pottery played out over many phases of occupation. The evidence for violence at the site is re-evaluated integrating the analysis of human remains and different forms of artifacts such as projectile points, clay balls and maceheads. The use of pigments on house surfaces, objects and human bodies and the social practices surrounding these practices are considered.The diversity of themes discussed in this volume captures the multifaceted nature of Çatalhöyük.

This volume, with origins in a panel at the 2018 Celtic Conference in Classics, presents creative new approaches to epigraphic material, in an attempt to 'shake up' how we deal with inscriptions. Broad themes include the embodied experience of epigraphy, the unique capacities of epigraphic language as a genre, the visuality of inscriptions and the interplay of inscriptions with literary texts. Although each chapter focuses on specific objects and epigraphic landscapes, ranging from Republican Rome to early modern Scotland, the emphasis here is on using these case studies not as an end in themselves, but as a means of exploring broader methodological and theoretical issues to do with how we use inscriptions as evidence, both for the Greco-Roman world and for other time periods. Drawing on conversations from fields such as archaeology and anthropology, philology, art history, linguistics and history, contributors also seek to push the boundaries of epigraphy as a discipline and to demonstrate the analytical fruits of interdisciplinary approaches to inscribed material. Methodologies such as phenomenology, translingualism, intertextuality and critical fabulation are deployed to offer new perspectives on the social functions of inscriptions as texts and objects and to open up new horizons for the use of inscriptions as evidence for past societies.

Archaeoastronomy and archaeology are two distinct fields of study which examine the cultural aspect of societies, but from different perspectives. Archaeoastronomy seeks to discover how the impact of the skyscape is materialised in culture, by alignments to celestial events or sky-based symbolism; yet by contrast, archaeology's approach examines all aspects of culture, but rarely considers the sky. Despite this omission, archaeology is the dominant discipline while archaeoastronomy is relegated to the sidelines. The reasons for archaeoastronomy’s marginalised status may be found by assessing its history. For such an exploration to be useful, archaeoastronomy cannot just be investigated in a vacuum but must be contextualised by exploring other contemporaneous developments, particularly in archaeology. On the periphery of both, there are various strands of esoteric thought and pseudoscientific theories which paint an alternative view of monumental remains and these also play a part in the background. The discipline of archaeology has had an unbroken lineage from the late 19th-century to the present. On the other hand, archaeoastronomy has not been consistently titled, having adopted various different names such as alignment studies, orientation theory, astro-archaeology, megalithic science, archaeotopography, archaeoastronomy and cultural astronomy: names which depict variants of its methods and theory, sometimes in tandem with those of archaeology and sometimes in opposition. Similarly, its academic status has always been unclear, so to bring it closer to archaeology there was a proposal in 2015 to integrate archaeoastronomy research with that of archaeology and call it skyscape archaeology. This volume examines how all these different variants came about and consider archaeoastronomy's often troubled relationship with archaeology and its appropriation by esotericism, to shed light on its position today.

This is the first volume concerned solely with the archaeology of a major late 17th-century building in London, and the major changes it has undergone. St Paul's Cathedral in the City of London was built in 1675–1711 to the designs of Sir Christopher Wren and has been described as an iconic building many times. In this major new account, John Schofield examines the cathedral from an archaeological perspective, reviewing its history from the early 18th to the early 21st century, as illustrated by recent archaeological recording, documentary research and engineering assessment. A detailed account of the construction of the cathedral is provided based on a comparison of the fabric with voluminous building accounts which have survived and evidence from recent archaeological investigation. The construction of the Wren building and its embellishments are followed by the main works of later surveyors such as Robert Mylne and Francis Penrose. The 20th century brought further changes and conservation projects, including restoration after the building was hit by two bombs in World War II, and all its windows blown out. The 1990s and first years of the present century have witnessed considerable refurbishment and cleaning involving archaeological and engineering works. Archaeological specialist reports and an engineering review of the stability and character of the building are provided.

This book explores the role of material culture in the formation of corporeal aesthetics and beauty ideals in different past societies and thus contributes to the cultural relativization of bodily aesthetics and related gender norms. The volume does not explore beauty for the sake of beauty, but extensively explores how it serves to form and keep gender norms in place. The concept of beauty has been a topic of interest for some time, yet it is only in recent times that archaeologists have begun to approach beauty as a culturally contingent and socially constructed phenomenon. Although archaeologists and ancient historians extensively dealt with gender, they dealt less with it in relation to beauty. The contributions in this volume deal with different intersections of gender and corporeal aesthetics by turning to rich archaeological, textual and iconographic data from ancient Sumer, Aegean Bronze Age, ancient Egypt, ancient Athens, Roman provinces, the Viking world and the Qajar Iran. Beauty thus moves away from a curiosity and surface of the body to an analytic concept for a better understanding of past and present societies.

The metaphor of the palimpsest has been increasingly invoked to conceptualise cities with deep, living pasts. This volume thinks through, and beyond, the logic of the palimpsest, asking whether this fashionable trope slyly forces us to see contradiction where local inhabitants saw (and see) none, to impose distinctions that satisfy our own assumptions about historical periodisation and cultural practice, but which bear little relation to the experience of ancient, medieval or early modern persons. Spanning the period from Constantine’s foundation of a New Rome in the fourth century to the contemporary aftermath of the Lebanese civil war, this book integrates perspectives from scholars typically separated by the disciplinary boundaries of late antique, Islamic, medieval, Byzantine, Ottoman and modern Middle Eastern studies, but whose work is united by their study of a region characterised by resilience rather than rupture. The volume includes an introduction and eighteen contributions from historians, archaeologists and art historians who explore the historical and cultural complexity of eastern Mediterranean cities. The authors highlight the effects of the multiple antiquities imagined and experienced by persons and groups who for generations made these cities home, and also by travellers and other observers who passed through them. The independent case studies are bound together by a shared concern to understand the many ways in which the cities’ pasts live on in their presents.

This newest volume in the Çatalhöyük Research Project Series continues the interpretation of the material obtained during excavation of the site from 2009 to 2017 under the direction of Professor Ian Hodder. Çatalhöyük, a 9,000-year-old tell site in central Turkey, is of international importance due to its large size at an early date, its dense population and its long occupation. Its well-preserved buildings and rich art in the Neolithic East Mound give a unique insight into early village life, and the site allows study of many of the main questions dealing with the formation of settled villages/towns and the early intensification of agriculture. This volume, in 16 chapters by project specialists, focuses on the material artefacts recovered from the site, including a range of clay objects (ceramics, clay balls, tokens, figurines) and others made of stone, shell and textile. The analysis of these items, within a framework of intersecting and transformative “flows” of matter that are entangled with human aims and strategies, illuminates issues of procurement and exchange, house and community (including shifting cooking practices and the early management of cattle), and the organisation of production. Collectively, they reveal how change was generated across 1,100 years of occupation by the ‘productive potential’ of things.

A defining fixture of our contemporary world, video games offer a rich spectrum of engagements with the past. Beyond a source of entertainment, video games are cultural expressions that support and influence social interactions. Games educate, bring enjoyment, and encourage reflection. They are intricate achievements of coding and creative works of art. Histories, ranging from the personal to the global, are reinterpreted and retold for broad audiences in playful, digital experiences. The medium also magnifies our already complicated and confrontational relation with the past, for instance through its overreliance on violent and discriminatory game mechanics. This book continues an interdisciplinary conversation on game development and play, working towards a better understanding of how we represent and experience the past in the present. Return to the Interactive Past offers a new collection of engaging writings by game creators, historians, computer scientists, archaeologists, and others. It shows us the thoughtful processes developers go through when they design games, as well as the complex ways in which players interact with games. Building on the themes explored in the book The Interactive Past (2017), the authors go back to the past to raise new issues. How can you sensitively and evocatively use veterans’ voices to make a video game that is not about combat? How can the development of an old video game be reconstructed on the basis of its code and historic hardware limitations? Could hacking be a way to decolonize games and counter harmful stereotypes? When archaeologists study games, what kinds of maps do they draw for their digital fieldwork? And in which ways could we teach history through playing games and game-making?

The ocean conceals secrets, ancient, modern, and future. Nic Flemming's memoir recounts the life of a pioneer in ocean science. Each chapter describes a thread that structured his work: underwater cities, submerged Ice Age caverns dripping with stalactites, the limits to ocean exploitation, ocean climate change, prehistoric settlements on the continental shelf, ocean law, and safe scientific diving. Flemming is paralysed from the chest down and has used a wheelchair for the past 52 years; one chapter assesses how he has continued to work in rough conditions and at sea, visiting 60 countries since his accident. Flemming's early experience with the Royal Marines Special Boat Service provided the foundation for a scientific research career under water. Intrigued by a report of a sunken city seen from a helicopter, he set out to map the submerged Greek city at Apollonia, near Benghazi, in 1958-59, as a Cambridge undergraduate. Doctoral research on the cause of submergence and uplift of hundreds of coastal Mediterranean ruins was followed by adventures in now-submerged caves from the Ice Ages when the sea level was lower.In 1965, as industry awakened to the potential of seabed exploitation, Flemming journeyed around the world to assess marine technology and forecast future developments for UK industries. This led to participation in the UN Committee on the Law of the Sea and in the design of a Global Ocean Observing System. Flemming later turned to academic research around submerged stratified prehistoric settlements. Advances in seabed mapping now enable marine archaeologists to study and plot numerous sites in the context of the Ice Age terrestrial landscape. This is a multi-disciplinary adventure story that argues that different skills and fields can interact creatively with surprising results. It will be enjoyed by all those interested in the development of underwater archaeology, climate science, and ocean exploration.

The destruction and deposition of metalwork is a widely recognised phenomenon across Bronze Age Europe. Weapons were decommissioned and thrown into rivers; axes were fragmented and piled in hoards; and ornaments were crushed, contorted and placed in certain landscapes. Interpretation of this material is often considered in terms of whether such acts should be considered ritual offerings, or functional acts for storing, scrapping and recycling the metal. This book approaches this debate from a fresh perspective, by focusing on how the metalwork was destroyed and deposited as a means to understand the reasons behind the process. To achieve this, this study draws on experimental archaeology, as well as developing a framework for assessing what can be considered deliberate destruction. Understanding these processes not only helps us to recognise how destruction happened, but also gives us insights into the individuals involved in these practices. Through an examination of metalwork from south-west Britain, it is possible to observe the complexities involved at a localised level in the acts of destruction and deposition, as well as how they were linked to people and places. This case study is used to consider the social role of destruction and deposition more broadly in the Bronze Age, highlighting how it transformed over time and space.

Explores the Irish Mesolithic - the period after the end of the last Ice Age when Ireland was home to hunter-gatherer communities, mostly from about 10,000-6,000 years ago. At this time, Ireland was an island world, with striking similarities and differences to its European neighbours - not least in terms of the terrestrial ecology created by its island status. To understand the communities of hunter-gatherers who lived there, it is essential that we consider the connections established between people and the other beings and materials with which they shared the world and through which they grew into it. Understanding the Mesolithic means paying attention to the animals, plants, spirits and things with which hunting and gathering groups formed kinship relationships and in collaboration with which they experienced life. The book closes with a reflection on hunting and gathering in Ireland today. The overriding aim of the book is to provide a point of entry into the lives of the Irish Mesolithic, to show the different ways in which people have lived on this island, and to show how we might narrate those lives.

This volume provides an ambitious synopsis of the complex, colourful world of textiles in ancient Mediterranean iconography. A wealth of information on ancient textiles is available from depictions such as sculpture, vase painting, figurines, reliefs and mosaics. Commonly represented in clothing, textiles are also present in furnishings and through the processes of textile production. The challenge for anyone analysing ancient iconography is determining how we interpret what we see. As preserved textiles rarely survive in comparable forms, we must consider the extent to which representations of textiles reflect reality, and critically evaluate the sources. Images are not simple replicas or photographs of reality. Instead, iconography draws on select elements from the surrounding world that were recognisable to the ancient audience, and reveal the perceptions, ideologies, and ideas of the society in which they were produced. Through examining the durable evidence, this anthology reveals the ephemeral world of textiles and their integral role in the daily life, cult and economy of the ancient Mediterranean.

This volume brings together data collected from both previously published surveys and new data collected using satellite imagery on the architecture and construction of over 2,400 rural structures in nine different regions of Tripolitania and dating between the 1st c. BC and the 7th c. AD. This first part contextualises the material within the historical background of Tripolitania, previous investigations and methodological foundations, the evidence for pre-Roman architectures and settlement, and the chronology of rural settlement during the period under study based on ceramic evidence. The second part presents quantitative and qualitative analyses of the physical characteristics first of Roman military structures, and then of the main group of buildings under investigation: unfortified and fortified farm buildings. The ways in which different spaces may have been utilised and the spatial relationships between the settlement groups formed by these buildings provide insight into how and why different types of buildings developed in the countryside during between the 1st c.