The Irish Neolithic has been dominated by the study of megalithic tombs, but the defining element of Irish settlement evidence is the rectangular timber Early Neolithic house, the numbers of which have more than quadrupled in the last ten years. The substantial Early Neolithic timber house was a short-lived architectural phenomenon of as little as 90 years, perhaps like short-lived Early Neolithic long barrows and causewayed enclosures. This book explores the wealth of evidence for settlement and houses throughout the Irish Neolithic, in relation to Britain and continental Europe. More importantly it incorporates the wealth of new, and often unpublished, evidence from developer-led archaeological excavations and large grey-literature resources. The settlement evidence scattered across the landscape, and found as a result of developer-funded work, provides the social context for the more famous stone monuments that have traditionally shaped our views of the Neolithic in Ireland. It provides the first comprehensive review of the Neolithic settlement of Ireland, which enables a more holistic and meaningful understanding of the Irish Neolithic.

Covering the approximately 6,500 years from the beginning of the Late Mesolithic to the transition to the Bronze Age, Mats Larsson takes the reader on a journey through the development of Swedish prehistoric society and culture set against the backdrop of climatic and landscape change. Using examples selected from a wealth of archaeological sites, artefacts and palaeo-environmental studies he explores a series of chronological themes: such as how the relationship between land and water influenced people’s lives in many ways and the development of often long-distance cultural and exchange networks, as reflected in the occurrence of ‘foreign’ stone axes, flint, copper and pottery. He describes how innovations, such as the introduction of agriculture, spread rapidly during the Neolithic, incorporating characteristics of extensive northern European cultural groups, beginning with the Funnel Beaker Culture with its array of distinctive objects, settlements and burial monuments, while retaining some specific regional and local expressions in material culture. Later, certain characteristics of the Pitted Ware Culture, such as specific types of pottery decoration, were taken up in some areas while the emergence of some regional groups can be seen as a step in the ideological and social changes that led to what we today call the Battle Axe Culture. Towards the end of the Stone Age the battle axe was replaced by the dagger as a symbol of the male warrior as a more stable society emerged in many parts of the country, concentrated around large farms with longhouses. It was only at this late stage that agriculture and the raising of livestock gained a firm hold, and the landscape was opened up permanently.

This volume presents the results of investigations undertaken by Oxford Archaeology between 2003 and 2011 in advance of construction of the Banbury Flood Alleviation Scheme, Oxfordshire. The main element of these investigations was an excavation at the site of a borrow pit for clay to be used in constructing the flood defences. Geophysical surveys of two other areas that revealed dense concentrations of buried archaeological remains not subsequently affected by the scheme are also reported. The excavation uncovered a multi-period landscape containing a regionally significant Neolithic occupation site, as well as later features. The Neolithic remains comprised 35 pits that produced large assemblages of flint and pottery, mainly Peterborough Ware of middle Neolithic date (associated with radiocarbon dates of c 3350-2650 BC). A single substantial but enigmatic middle Bronze Age ditch contained few finds, but these included a radius from an aurochs, one of the latest examples of this species in Britain.Late pre-Roman Iron Age occupation was represented by an oval double-ditched enclosure which, following a brief hiatus, was succeeded toward the end of the 1st century AD by a more extensive low-status farmstead. The settlement was redeveloped during the 2nd century before finally being abandoned in the early-mid 3rd century. Artefactual and palaeoenvironmental assemblages, as well as the spatial arrangement of the settlement, provided evidence regarding the economy, status and social organisation of the community. The volume includes a consideration of the results of the project in the context of Iron Age and Roman settlement of the Cherwell Valley.

The eruption of the Thera (Santorini) volcano in the Aegean Sea in the mid-second millennium BC was a clearly defined, specific moment in Aegean and east Mediterranean prehistory that impacted on all the major cultures of the region. The effects of the eruption have been linked with the destruction of the Minoan palace civilisation of Crete, the legend of Atlantis, and even events described in the Biblical account of the Exodus. Scientists have studied the remains of the volcano and traced eruption products and far-flung climatic impacts throughout the east Mediterranean and in ice cores and tree-ring data. At Akrotiri, a major prehistoric town buried by the eruption, archaeologists unearthed the partially intact remains multi-storey buildings, painted frescoes and myriad objects of everyday life. The date of the eruption has long been a subject of importance and controversy since accurate dating would offer a unique linchpin for the study and synchronisation of the history and cultures of the region in the mid-second millennium. It would provide a key test both for the established historical chronology of ancient Egypt and derived archaeological chronologies. Yet the exact date remained stubbornly unresolved and varied in the literature by over 100 years.A Test of Time, first published in 1999, sought to resolve the issue through a critical review of the archaeological and scientific data, including the presentation of radiocarbon dates, which together suggested a new ‘early’ chronology for the Aegean c. 1700–1400 BC. This edition comprises the original, unrevised text, together with a substantial new appended essay which critically reviews the continuing debate between 1999 and 2012 and presents a raft of new scientific data, including the Bayesian modelling of radiocarbon dates relating to a range of relevant archaeological sequences from Egypt and the eastern Mediterranean.

The rock art found in the World Heritage sites in the Alta area, Arctic Norway, comprise thousands of images including reindeer and elk as well as fish, birds, boats, humans and geometric patterns. They contain information about peoples who lived in this northern area from about 5000 BC up until the birth of Christ; such as possible social organizations, hunting and trapping, beliefs, rituals,stories, legends, myths, cultural changes and continuities.Communicating with the world of beings addresses an understanding of the rock art in terms of communication with other people and other than-human beings. The figures could have been seen and experienced as symbols in rituals or as expressions of identity, position, power and rights, as depictions of real events and perhaps for use in storytelling. Through rock art, people might also have been able to communicate with other-than-human beings who ruled parts of the environment – in order to petition favors for themselves or others. These other-than-human beings may have been perceived as good and evil powers and spirits of the different worlds of the universe; the dead or souls; which also included the animals depicted or were even embodied in the stone.This communication may have been based on a belief that both living beings and inert objects and natural phenomena had souls, a belief that may have existed ever since the earliest settlements. Such an animistic belief means that everything was seen as having a consciousness and identity of its own, independent and imbued with a will. Therefore, it was essential that the different participants communicated with one another as equal partners.In this beautifully illustrated book Knut Helskog provides a lyrical and personal interpretation of the chronology, patterning and possible meanings behind this extraordinary landscape of prehistoric rock art.

This first monograph in the EARTH: The Dynamics of Non-Industrial Agriculture: 8,000 years of Resilience and Innovation series, approaches the great variety of agricultural practices in human terms. It focuses on the relationship between plants and people, the complexity of agricultural processes and their organisation within particular communities and societies. Collaborative European research among archaeologists, archaeobotanists, ethnographers, historians and agronomists using a broad analytical scale of investigation seeks to establish new common ground for integrating different approaches. By means of interdisciplinary examples, this book showcases the relationship between people and plants across wide ranging and diverse spatial and temporal milieus, including crop diversity, the use of wild foodstuffs, social context, status and choices of food plants.

The Weymouth Relief Road crosses an area of intricately varied geology and one of the richest and most important cultural landscapes in England, which preserves a wealth of archaeological and historical remains. Extensive fieldwork in advance of construction of the Weymouth Relief Road yielded evidence of Neolithic, Bronze Age and Iron Age settlement and funerary activity, along with vestiges of Roman occupation.The main sites were located at Ridgeway Hill, located on the edge of South Dorset Ridgeway, at the northern end of the scheme and at Southdown Ridge close to the southern end. At Ridgeway Hill a sequence of Neoltihic pits was investigated, along with several groups of early Bronze Age inhumation and cremation burials in pits and cists. The burials were probably originally associated with barrows that belonged to the Ridgeway Hill group, one of the densest concentrations of Bronze Age round barrows in Britain. At Southdown Ridge a settlement that spanned the late Bronze Age/early Iron Age to the late Iron Age was discovered lying adjacent to a cross-ridge dyke and prehistoric field enclosures. The inhabitants engaged in shale-working activity as well as agriculture until the settlement was abandoned and converted to a cemetery in which the dead were buried in the distinctive south Dorset tradition, accompanied by grave goods, and later in the Roman tradition of coffined burial.

Until recently, the Dutch draughtsman Johan Thopas, who was born in 1626 both deaf and dumb, was only known to a small group of connoisseurs, dealers and collectors. However, his remarkable, subtle and technically refined portrait drawings on parchment deserve a wider audience. This handsome publication, the first devoted to his work, will prove to be an eye opener for many art lovers. Beginning with his earliest works (two beautiful miniatures of 1646 in the Fondation Custodia in Paris), Thopas produced incredibly refined drawings, usually with lead point on parchment. He had an almost magic control of the lead point, and his sense of texture and the way he was able to achieve this with minimal means is astounding, setting him apart from other draughtsmen in the Dutch Golden Age. Thopas was also able to capture brilliantly the characters of his sitters – such as the sulky husband and trouser-wearing wife in the 1684 companion pieces in the Victoria & Albert Museum, London. Apart from lead-point drawings, Thopas made several drawings in colour, on parchment and on Japanese paper. In most cases these drawings were done after life, although we do know that the large commission he received from the Bas-Kerckrinck family in Amsterdam included several drawings that were done after existing portraits. Furthermore, he produced at least one brilliant copy after a painting by Cornelis Cornelisz van Haarlem, Venus, Mars and Cupid, and even a painting, portraying a dead child. He must have made more paintings and certainly more drawings than the seventy we know today (all of which are catalogued and illustrated here). In this exhibition his only known painting and the one mythological drawing are accompanied by thirty of his most beautiful portraits, from private collections in the US, Canada, United Kingdom and the Netherlands, as well as well-known museums and print rooms, such as the Albertina in Vienna, the Amsterdam Rijksmuseum, the Städel in Frankfurt or the Victoria & Albert Museum in London.The author of the catalogue, Prof. Dr Rudolf E.O. Ekkart, is regarded as the most important connoisseur in the field of Dutch sixteenth- and seventeenth-century portraiture and the author of many important monographs and other publications in the field of Dutch portraiture. He was Director of the Netherlands Institute for Art History (RKD) in The Hague between 1990 and 2012 and gained momentum as Chairman of the Committee that carried his name and proved responsible for the return of many looted works of art that were returned to the heirs of many Jewish collectors in The Netherlands. Included in the book are Dutch and German translations of the essays.

Identity is relational and a construct, and is expressed in a myriad of ways. For example, material culture and its pluralist meanings have been readily manipulated by humans in a prehistoric context in order to construct personal and group identities. Artefacts were often from or reminiscent of far-flung places and were used to demonstrate membership of an (imagined) regional, or European community. Earthworks frequently archive maximum visual impact through elaborate ramparts and entrances with the minimum amount of effort, indicating that the construction of identities were as much in the eye of the perceivor, as of the perceived. Variations in domestic architectural style also demonstrate the malleability of identity, and the prolonged, intermittent use of particular places for specific functions indicates that the identity of place is just as important in our archaeological understanding as the identity of people. By using a wide range of case studies, both temporally and spatially, these thought processes may be explored further and diachronic and geographic patterns in expressions of identity investigated.

A masterpiece of medieval Arab metalwork revealed, shedding light on courtly life in northern Iraq under the Mongol governorship. Accompanying a major scholarly exhibition at The Courtauld Gallery, this book explores one of the most beautiful and enigmatic objects in The Courtauld’s collection: the so-called ‘Courtauld wallet’, a brass container richly inlaid with gold and silver, imitating a lady’s textile or leather bag, and probably made in Mosul in northern Iraq around 1300. No other object of this kind is known. Decorated all round with courtly figuresand on the top with an elaborate banqueting scene featuring an enthroned couple, it has long been recognised as a masterpiece of Arab metalwork. Yet, despite the superb quality of its design and craftsmanship and its status as a unique object, this exceptional metalwork bag has never been properly published. Thus it remainslittle known outside a small circle of specialists, and little understood even within that circle. Encompassing a variety of multidisciplinary essays by distinguished historians and art historians – on subjects ranging from music at the Mongol court, Mosul under Mongol governorship and Mongol marriage customs to the role of womenunder the Ilkhanids –this publication aims to explore the origins, function and iconography of this splendid luxury object as well as the cultural context in which it was made and used. It will bring together other images of enthroned Mongols with female consorts, as well as scenes of hunters, revellers and musicians in a varietyof media, including illustrated manuscripts, ceramics, textile, and metalwork. By presenting the bag alongside carefully selected contemporary material, it will provide an insight into courtly life under the Mongols in the newly conquered areas of their empire, and will also provide an unrivalled opportunity to investigate the inlaid brass tradition in Mosul after the Mongol Conquest. Objects made before and after this seismic event will be reproduced side by side to demonstrate how the Mosul metalworkers adapted their work for their new patrons.

This volume examines the evolution of a rural landscape in north Kent from the Late Mesolithic (c 7500 BC) to the 19th century, as revealed by analysis of the results of excavation on a site overlooking the marshes and tributaries of the River Medway, near Sittingbourne. Particular emphasis is placed on the prehistoric pottery assemblage and on understanding the site in terms of local and regional developments. Slight evidence for Late Mesolithic and Neolithic activity (residual finds only) was followed by the creation of a field system. This was well established by the Late Bronze Age, when pitting and refuse disposal suggests the presence of a nearby settlement. There are inconclusive indications from associated pottery that some field boundaries may have had Middle Bronze Age origins and that some structured deposition was taking place. A period of abandonment, possibly related to rising sea levels, preceded the construction of a Middle Iron Age unenclosed farmstead represented by four roundhouses constructed at some time after c 300 BC and the re-establishment of a field system. The local field boundaries were reorganised in the Late Iron Age, and remained in use during the 1st century AD, but were abandoned thereafter, with no archaeological evidence for subsequent land use until a new farm was established in the 11th to mid 13th centuries.

The book “Similar but Different. Bell Beakers in Europe” deals with a cultural phenomenon, known as the Bell Beaker culture, that during the 3rd millennium B.C. was present throughout Western and Central Europe. This development played an important role in the formation of the Bronze Age at the turn of the 3rd and the 2nd millennium B

Alfred’s Castle is a small enclosed site south of the Ridgeway on the Berkshire Downs, excavated between 1998 and 2000 by a team from Oxford University. This was the third site excavated by the Hillforts of the Ridgeway project (after White Horse Hill and Segsbury). Although small, Alfred’s Castle displayed a long and complex history, starting with early Bronze Age round barrows on which later Bronze Age linear ditches were aligned, these in turn were used to form enclosures in the Iron Age. In the early Roman period a small villa house was built inside the smaller enclosure, which then shows some use in the early medieval period. The long use of the site raises questions of memory, history and continuity, leading us to wonder how earlier phases of use affected later ones. This volume contains the results of excavations at Alfred’s Castle and an account of an art project by Simon Callery. This is the third volume dedicated to our hillfort excavations on the Berkshire Downs and it ends with an account of the area more broadly, which sees complicated developments from the Bronze Age into the medieval period through the constructions of barrows, field systems, linear ditches and sites of various forms and sizes. How these combined into communities of the living and of the dead are considered using all the evidence currently available.

Barrows, i.e. burial mounds, are amongst the most important of Europe’s prehistoric monuments. Across the continent, barrows still figure as prominent elements in the landscap

Querns are special artefacts as they are concerned with subsistence and supporting life in a manner which few other artefacts can emulate: they transform raw material into a usable consumable commodity. Their association with women, the production of food and the movement of the upper stone, suggests symbolical links between querns and life cycles - agricultural, human and building. They can also be read in terms of gender relations and the turning of the heavens. It is not surprising therefore that they have a special symbolic role in early societies.In 1995 JD Hill published his seminal thesis that many of the rubbish pits commonly found on Wessex Iron Age sites, were carefully ‘structured’ deposits, with meaning reaching far beyond the mere disposal of refuse. He mentioned the special role of querns, but as his thesis focussed on animal bones this idea was not followed up – until now. This book analyses the deposition of querns in prehistoric south-western England, cataloguing how and where they are buried, the associated artefacts and their possible significance. The discussion is broader, however, exploring the object biography and symbolism of querns, taking the reader to unfamiliar territories around the world. This is a new ground-breaking work, which with its full bibliography will stimulate fresh studies and at the same time set the agenda for a new field of investigation. A long standing interest in querns led to the author taking a degree in archaeology as a mature student at the University of Exeter. This was followed by the in-depth research presented in this book, which formed the basis of a thesis for which she was awarded her doctorate at Exeter in 2012. She has studied and reported on querns from a wide range of sites, from Wharram Percy in Yorkshire to Dichin in Bulgaria, and has presented papers at both national and international conferences on the object biography and the function and symbolism of querns and millstones. She compiled the Data Sheet on querns for the Finds Research Group and has written and co-authored several articles. She lives in Devon with her husband, Martin, a leading molinologist, and two black cats.

Excavations at the Eton Rowing Course and along the Maidenhead, Windsor and Eton Flood Alleviation Channel revealed extensive evidence for occupation in an evolving landscape of floodplains and gravel terraces set amidst the shifting channels of the Thames.The most significant evidence was a series of early Neolithic midden deposits, preserved in hollows left by infilled palaeochannels. These deposits contained dense concentrations of pottery, worked flint, animal bone and other finds, and are put into context by other artefact scatters from the floodplain, pits on the gravel terrace and waterlogged environmental deposits from palaeochannels. Early Mesolithic lakeside occupation, later Mesolithic flint scatters along a former channel of the Thames, pits from the middle and late Neolithic and activity areas of the Beaker and Early Bronze Age, demonstrate longer term changes in patterns of occupation.The excavations also revealed early, middle and late Neolithic human remains in palaeochannels, middle Neolithic crouched inhumation burials and early Neolithic cremated remains. An oval barrow may have first been cut in the early Neolithic. Other ring ditches date from the late Neolithic/early Bronze Age; one contained a central cremation burial in a Collared Urn together with pyre material and the remains of a bier.