The social processes involved in acquiring flint and stone in the Neolithic began to be considered over thirty years ago, promoting a more dynamic view of past extraction processes. Whether by quarrying, mining or surface retrieval, the geographic source locations of raw materials and their resultant archaeological sites have been approached from different methodological and theoretical perspectives. In recent years this has included the exploration of previously undiscovered sites, refined radiocarbon dating, comparative ethnographic analysis and novel analytical approaches to stone tool manufacture and provenancing. The aim of this volume in the Neolithic Studies Group Papers is to explore these new findings on extraction sites and their products. How did the acquisition of raw materials fit into other aspects of Neolithic life and social networks? How did these activities merge in creating material items that underpinned cosmology, status and identity? What are the geographic similarities, constraints and variables between the various raw materials, and how does the practise of stone extraction in the UK relate to wider extractive traditions in northwestern Europe? Eight papers address these questions and act as a useful overview of the current state of research on the topic.

Pantalica is a large limestone promontory in southeast Sicily known chiefly for a series of extensive cemeteries comprising thousands of chamber tombs cut out of the rock, dating mainly between the 13th and 7th centuries BCE. A UNESCO World Heritage site and nature reserve, renowned for archaeological remains in a spectacular natural setting, the site gives its name to the Late Bronze and Iron Age “Pantalica culture”, typical of southern Sicily in the period just before Greek colonization. At the time of Greek colonization in southern Sicily (8th c BCE), however, Pantalica was still one of the main indigenous centers of the region, sometimes likened to a chiefdom, dominating a sizeable territory and subsidiary settlements. The main excavations were undertaken by Paolo Orsi between 1895 and 1910 and mainly comprise information and relatively abundant finds of pottery and bronze artefacts from about 250 chamber tombs. The material is housed in the Archaeological Museum of Syracuse and is crucial for an understanding of local cultural traditions, burial practices and international contacts between Sicily and other areas (Italy, the eastern Mediterranean) in this period. The finds are only known from a small selection published by Orsi in two articles of 1895 and 1912. More than half were never published. The main aim of this volume is to provide a comprehensive study and illustrated catalogue of all the finds from the Pantalica tombs, along with new information from Orsi’s original excavation notebooks about their original context. In addition, the authors present the results of original research on different aspects of the evidence, including topography, funerary architecture (chamber tombs), funerary practices, ceramics, metals and other finds, and chronology. This volume will be an indispensable source of hitherto unpublished information of particular interest to scholars of Mediterranean later prehistory and connections between Greek colonists and native populations in the early historical period. Some new information is also provided about remains of the classical, Hellenistic, late antique and Medieval periods.

Starting from the issues of globalisation and recent studies about the mechanisms of absorption of cultures into the Roman Empire, this book focuses on the Near East, an area that has received much less attention than the Western part of the Roman empire in the context of the Romanisation debate. Cimadomo seeks to develop new understandings of imperialism and colonialism, highlighting the numerous and multiple cultural elements that existed in the eastern provinces and raising many questions, such as the bilingualism of ancient societies, the relationship between different cultures and the difficulty of using modern terminologies to explain ancient phenomena. The first focus lies on the area of Galilee and collecting all the evidence for reconstructing the history of the region. The theme of the ethnicity of the Galileans is very complex, as even the literary evidence of the first centuries BC and AD regarding Galilee doesn’t specify anything about their ethnic identities. The question of the Arabs, their origins and ethnicity is also raised, with a particular focus on the Itureans and the Nabateans. Alongside a complete analysis of the territories they occupied, Cimadomo explores the different artefacts: from the sculptures to the pottery, from the temples to the coins, a picture emerges of an area influenced by different cultures where the inhabitants were able to create their own culture, different from all other parts of the Roman empire. A chapter is devoted to the Decapolis, paying attention to the literary and architectural evidences of each city and their urban development in a little-studied period. An important feature that clearly emerges is the religious nature of the earlier settlements: most of them were probably sanctuaries during the Hellenistic time, and developed only after the coming of the Romans. It was during this development that theatres took a principal role, seemingly the first structures built in every city under Roman rule. It becomes clear that the problems of homogenization and differentiation were present even in the past. Local inhabitants challenged their identity, adapting and modifying foreign impulses, creating new societies and new ways of being Roman.

This study reconstructs twelfth-century sculptural and architectural finds, found during the restoration of the Perpendicular Great Cloister of Christ Church, Canterbury, as architectural screens constructed around 1173. It proposes that the screens provided monastic privacy and controlled pilgrimage to the Altar of the Sword's Point in the Martyrdom, the site of Archbishop Thomas Becket's murder in 1170. Excavations in the 1990s discovered evidence of a twelfth-century tunnel leading to the Martyrdom under the crossing of the western transept. Construction would have required rebuilding the crossing stairs and the screens flanking the crossing. The roundels, portraying lions, devils, a 'pagan', Jews, and a personification of the synagogue, are reconstructed on the south side of the crossing as a screening wall framing the entrance to this tunnel. The quatrefoils with images of Old Testament prophets are reconstructed as a rood screen on the west side of the crossing. In the Martyrdom, a screen is proposed with perhaps the earliest known sculptural representation of Thomas Becket. The rood screen, located behind the Altar of the Holy Cross, would have provided a visual focus during Mass, monastic processions, and sermons, especially during Christmas and Holy Week. The row of prophets, pointing upwards at the Rood, would have functioned as the visual equivalent of the dialogue of the ‘Ordo prophetarum’ that predicted the Messiah as proof to Jews and other unbelievers of Christian redemption. The roundels, just around the corner on the south screening wall, can be interpreted as representing the unbelieving Other and forces of evil warning pilgrims to seek penance at the altar of the newly canonized St Thomas. In addition to this new interpretation, a catalog raisonné and an account of the discovery of the finds offers material for future research that has been unavailable to previous studies. All the finds were photographed by the author as the restoration progressed;16 pieces of which have since been lost, making some of the unpublished photographs essential evidence of the archaeological record.

The study of dress in antiquity has expanded in the last 20 years, evolving from investigations of costume and ethnicity in ancient art and texts and analyses of terms relating to textiles and their production, to broader studies of the social roles of dressed bodies in ancient contexts, texts, and images. This volume emerges from Approaches to Dress and the Body sessions at the Annual Meetings of the American Schools of Oriental Research in 2016 and 2017, as well as sessions relating to ancient dress and personal adornment at the Annual Meetings of the Archaeological Institute of America in 2018. Following the broad notion of dress first presented in Eicher and Roach-Higgins in 1992 as the “assemblage of modifications of the body and/or supplements to the body,” the contributions to this volume study varied materials, including physical markings on the body, durable goods related to dressed bodies in archaeological contexts, dress as represented in the visual arts as well as in texts, most bringing overlapping bodies of evidence into play. Examining materials from a range of geographic and chronological contexts including the prehistoric Caucasus, Iran, Mesopotamia, Syria and the Levant, the Aegean, Greece, the Roman world and Late Antique Central Asia, this volume takes as its starting point that dress does not simply function as a static expression of identity or status, inscribed on the body to be “read” by others, but is a dynamic component in the construction, embodiment, performance and transformation of identity.

This study explores and demonstrates processes of cultural change in the first half of the 6th millennium cal BC, among the Körös and Starčevo groups of the northern marginal zones of the Balkans. Within this period and zone, which forms the southern part of the Carpathian basin, clay was the fundamental and most abundant building block of material culture, architecture, everyday life and cult practices. Clay walls, furniture, ten thousands of vessels, hundreds of clay figurines and other cult objects accumulated as huge piles of clay debris in every settlement. Traditional system of subsistence patterns ceased to fully function when these first farmers occupied cool and wet hilly forested landscapes: the environmental and cognitive challenges gradually led to the decline of this clay-centred orbit. At the same time, these changes gave birth to a no-less stunning world constructed more of timber and stones, with transformations in subsistence, material culture and rituals. This transition is inextricably bound up with the formation of the first farmers’ communities of Central Europe, the Bandkeramik (LBK). The need for new elements of subsistence involved the increasing significance of cattle over caprinae: this shift infiltrated into ritual activities. The newly identified large horned cattle figurine type, acting as the cornerstone of this study, is an embodiment of the last instance among the South-East european communities of the clay world, while changes in the depictions already reflect the transformation of lifestyles. The role of cattle and their monumental depictions, found in domestic contexts, define methods for unfolding this phenomenon. In this fascinating new study, Eszter Bánffy takes a holistic approach to the definition of monumental early Neolithic clay figurines, analogies over South-east Europe, and the reconstruction of rituals involved in the making and using figurines. She reviews a broad scope of environmental and (social) zooarchaeological analyses to examine the concomitant development and significance of early dairying. The target is to present one possible narrative on the fading of the South-east European ’clayscapes‘, towards the birth of the LBK and the Central European Neolithic.

Magic, sorcery and witchcraft are among the most common themes of the great medieval Icelandic sagas and poems, the problematic yet vital sources that provide our primary textual evidence for the Viking Age that they claim to describe. Yet despite the consistency of this picture, surprisingly little archaeological or historical research has been done to explore what this may really have meant to the men and women of the time. This book examines the evidence for Old Norse sorcery, looking at its meaning and function, practice and practitioners, and the complicated constructions of gender and sexual identity with which these were underpinned. Combining strong elements of eroticism and aggression, sorcery appears as a fundamental domain of women's power, linking them with the gods, the dead and the future. Their battle spells and combat rituals complement the men's physical acts of fighting, in a supernatural empowerment of the Viking way of life. What emerges is a fundamentally new image of the world in which the Vikings understood themselves to move, in which magic and its implications permeated every aspect of a society permanently geared for war. In this fully-revised and expanded second edition, Neil Price takes us with him on a tour through the sights and sounds of this undiscovered country, meeting its human and otherworldly inhabitants, including the Sámi with whom the Norse partly shared this mental landscape. On the way we explore Viking notions of the mind and soul, the fluidity of the boundaries that they drew between humans and animals, and the immense variety of their spiritual beliefs. We find magic in the Vikings' bedrooms and on their battlefields, and we meet the sorcerers themselves through their remarkable burials and the tools of their trade. Combining archaeology, history and literary scholarship with extensive studies of Germanic and circumpolar religion, this multi-award-winning book shows us the Vikings as we have never seen them before.

Greek Colonization in Local Context takes a fresh look at Greek colonies around Europe and Black Sea. The emphasis is on cultural interaction, transformation and the repercussions and local reactions to colonization in social, religious and cultural terms. Papers examine the archaeological evidence for cultural interaction in a series of case studies from locations around the Mediterranean and Black Sea regions, at a variety of scales. Contributors consider the effects of colonization on urban life and developments in cities and smaller settlements as well as in the rural landscapes surrounding and supporting them. This collection of new papers by leading scholars reveals fascinating details of the native response to the imposition of Greek rule and the indigenous input into early state development in the Mediterranean and adjacent regions.

Butrint 6 describes the excavations carried out on the Vrina Plain by the Butrint Foundation from 2002–2007. Lying just to the south of the ancient port city of Butrint, these excavations have revealed a 1,300 year long story of a changing community that began in the 1st century AD, one which not only played its part in shaping the city of Butrint but also in how the city interacted and at times reacted to the changing political, economic and cultural situations occurring across the Mediterranean World over this period. Volume I discusses the results from the excavations, tracing the development of the area from an early Roman bridgehead suburb during the 1st and 2nd centuries AD to a major 3rd-century domus, one of the largest of its kind in the province of Epirus Vetus, its transformation into a new residential centre dominated by a Christian basilica in Late Antiquity, to becoming the home of a Byzantine archon during the 9th and 10th centuries when it was, in all but name, Butrint, and its subsequent uses following its abandonment due to the rising water table. This is followed by a description of the domus mosaics and a detailed examination of the basilica mosaics, analysing the imagery, meaning and context of this intricate and detailed pavement, together with discussions of the Vrina Plain and its place within the story of Butrint and the wider Mediterranean World during the Roman and Byzantine periods.

The Bay of Skaill, Marwick Bay, and Birsay Bay form openings in the high sandstone cliffs of Orkney’s Atlantic coast. These west-facing bays have long been favoured locations for settlement, with access to the ocean, to fresh water, to land and to resources for cultivation. The coastline of Orkney’s North-West Mainland is recognised worldwide as a location of exceptional archaeological importance, dominated by the Neolithic world heritage site of Skara Brae, and the Viking-Norse remains on the tidal Brough of Birsay. Many of its archaeological sites have been exposed by coastal erosion, a serious problem which continues its destructive progress with every oceanic storm. Rescue excavation has contributed essential data, but its resources have concentrated on the zone of immediate threat, and until recently less has been understood about the archaeology of the landscape that lies behind the eroding shore. From 2003, a new archaeological research project began to investigate the hinterlands of the three bays. Using the rapidly-developing applications of archaeological geophysics, coupled with topographical survey, it has sought to create a broader and better-informed landscape context. Much of the land is dominated by windblown sand, at the Bay of Skaill and Birsay Bay in particular, reflecting centuries of environmental change, and requiring adaptive methodologies and approaches. Several new areas of archaeological interest have been identified, and many previously-known sites are now better-understood. Excavation was used selectively to test the survey results. In one area in particular, a cluster of large settlement mounds on the northern side of the Bay of Skaill, two major Viking-Norse settlement clusters were identified and investigated. These held exceptionally well-preserved deposits, which have required detailed dating and analysis. The artefact assemblages include evidence for ferrous metalworking along with iron and copper alloy objects, combs, glass and amber beads, worked stone, ceramics and a range of archaeobotanical and archaeozoological remains. A Viking silver hoard discovered in 1858 and a Viking grave uncovered in 1888 are revisited. This monograph brings together the survey and excavation results, and tells a new story of an ancient landscape.

Asia Minor is considered to have been a fairly prosperous region in Late Antiquity. It was rarely disturbed by external invasions and remained largely untouched by the continuous Roman-Persian conflict until very late in the period, was apparently well connected to the flourishing Mediterranean economy and, as the region closest to Constantinople, is assumed to have played an important part in the provisioning of the imperial capital and the imperial armies. When exactly this prosperity came to an end – the late sixth century, the early, middle or even later seventh century – remains a matter of debate. Likewise, the impact of factors such as the dust veil event of 536, the impact of the bubonic plague that made its first appearance in AD 541/542, the costs and consequences of Justinian’s wars, the Persian attacks of the early seventh century and, eventually the Arab incursions of around the middle of the seventh century, remains controversial. This volume explores a series of themes including the physical development of large and small settlements, their financial situation, and the proportion of public and private investment. Imperial, provincial, and local initiatives in city and countryside are compared and the main motivations examined, including civic or personal pride, military incentives and religious stimuli. The evidence presented will be used to form opinions on the impact of the plague on living circumstances in the sixth century and to evaluate the significance of the Justinianic period.

Enclosures are among the most widely distributed features of the European Iron Age. From fortifications to field systems, they demarcate territories and settlements, sanctuaries and central places, burials and ancestral grounds. This dividing of the physical and the mental landscape between an ‘inside’ and an ‘outside’ is investigated anew in a series of essays by some of the leading scholars on the topic. The contributions cover new ground, from Scotland to Spain, between France and the Eurasian steppe, on how concepts and communities were created as well as exploring specific aspects and broader notions of how humans marked, bounded and guarded landscapes in order to connect across space and time. A recurring theme considers how Iron Age enclosures created, curated, formed or deconstructed memory and identity, and how by enclosing space, these communities opened links to an earlier past in order to understand or express their Iron Age presence. In this way, the contributions examine perspectives that are of wider relevance for related themes in different periods.

Brian Spencer, former Keeper of the Museum of London, was a major scholar of medieval popular culture. He almost single-handedly established the study of pilgrim souvenirs and secular badges. He defined what these objects were and ascertained their function, manufacture, style, and iconography with a careful use of primary documents and intricate stylistic analysis. He identified every major souvenir and badge discovered in Great Britain during the last few decades. He also made prominent contributions to the field of seal matrices, gaming pieces, and horse paraphernalia. What bound all of these interests together was his understanding that the study of these artefacts could shed light on the beliefs and practices of a large number of people. This is reflected in the frequency with which his work is cited. This volume is a collection of essays written by those who worked with Brian directly and those with whom he corresponded.

During the late 1st millennium BC into the early 1st millennium AD, the small island of Unst in the far north of the Shetland (and British) Isles was home to well-established and connected farming and fishing communities. The Iron Age settlement at Milla Skerra was occupied for at least 500 years before it was covered with storm-blown sand and abandoned. Although part of it had been lost to the sea, excavation revealed many details of the life of the settlement and how it was reused over many generations. From the middle of the 1st millennium BC people were constructing stone-walled yards and filling them with hearth waste and midden material. Later inhabitants built a house on top, with a paved floor and successive hearths, and more domestic rubbish accumulated inside it. Outside were new yards and workshops for crafts and metalworking, which were remodelled several times. The buildings fell into disrepair and became a dumping ground for domestic waste until the 2nd or 3rd century AD, when sand buried the settlement. Within a few generations, a man was buried beside the ruins along with some striking objects. Thousands of artefacts and environmental remains from Milla Skerra reveal the everyday practices and seasonal rhythms of the people that lived in this windswept and remote island settlement and their connections to both land and sea.

The visual imagery of Neolithic Britain and Ireland is spectacular. While the imagery of passage tombs, such as Knowth and Newgrange, are well known the rich imagery on decorated portable artefacts is less well understood. How does the visual imagery found on decorated portable artefacts compare with other Neolithic imagery, such as passage tomb art and rock art? How do decorated portable artefacts relate chronologically to other examples of Neolithic imagery?Using cutting edge digital imaging techniques, the Making a Mark project examined Neolithic decorated portable artefacts of chalk, stone, bone, antler, and wood from three key regions: southern England and East Anglia; the Irish Sea region (Wales, the Isle of Man and eastern Ireland); and Northeast Scotland and Orkney. Digital analysis revealed, for the first time, the prevalence of practices of erasure and reworking amongst a host of decorated portable artefacts, changing our understanding of these enigmatic artefacts. Rather than mark making being a peripheral activity, we can now appreciate the central importance of mark making to the formation of Neolithic communities across Britain and Ireland.The volume visually documents and discusses the contexts of the decorated portable artefacts from each region, discusses the significance and chronology of practices of erasure and reworking, and compares these practices with those found in other Neolithic contexts, such as passage tomb art, rock art and pottery decoration. A contribution from Antonia Thomas also discusses the settlement art and mortuary art of Orkney, while Ian Dawson and Louisa Minkin contribute with a discussion of the collaborative fine art practices established during the project.

There have been many books written about what we can learn from the failures of the past, but I want to take a more optimistic view, focussing on what we have to learn from past successes.This book is about sustainable agriculture and architecture in the past, and the engineering works that supported them, but it also looks to the future. Ancient technologies are what engineers define as ‘intermediate’, which means that they are often simple, low in cost and they depend on local materials. Significantly, they don’t require fossil fuels. There is a lot that we in the West can learn from the past and from developing countries where people still practice traditional agriculture, and there is now broad agreement among many governments, non-government organisations, engineers and agronomists, as well as the United Nations, that intermediate technologies are often the most appropriate way forward in developing countries. The New Green Revolution is looking to traditional knowledge to solve problems of decreasing yields and environmental impoverishment, rather than to technology that is dependent on the diminishing resource of fossil fuels.This subject is controversial and I have been accused of suggesting ‘pie in the sky’ ideas, but the re-introductions I’m suggesting are already being carried out in countries all over the world. Water harvesting and other dryland systems are being re-introduced in Egypt, Iraq, Jordan, Libya, Morocco, Pakistan, Syria, Tunisia, Yemen, Afghanistan and Oman. Other early technologies are being put back to work in Peru, Bolivia, India, Bangladesh, Niger, Burkina Faso and many more. I would like to raise awareness of the fact that we already have the technology to make sweeping improvements to the way that we grow food and manage the environment; we could be producing more food per hectare, and we could be doing it more sustainably. I introduce many case studies of successful reintroductions that demonstrate how this can be done. These studies demonstrate that sustainable agriculture is often not only cheaper than industrialised agriculture, but it is also more productive per hectare. As the climate changes, it is imperative that we come up with new ways of managing our environment. Deserts are spreading, wetlands will expand as the sea level rises, and we need to find ways to cope with a growing population. Climate change is increasing the severity of storms, and I discuss the varieties of vernacular architecture that are better suited to withstanding storms and other extreme conditions. I am not advocating a wholesale return to past technologies, nor am I suggesting the adoption of early technology in place of modern engineering and agriculture. What I am suggesting is that we combine some aspects of early technology with new systems and inventions such as solar energy, to create a healthier, more sustainable and environmentally richer planet.