This third issue of "Romantik: Journal for the Study of Romanticisms" contains a theme section: "Renegotiations of romanticism". This special theme brings together various examinations of the ways in which romanticism continues to play an important role in a post-romantic age. The reason for inviting contributions examining the afterlife of romanticism in national and international settings is to explore how we may understand it as not just a past event or artistic movement, but as an ongoing process of cultural development. The contributions provide new insights into post-romantic art -- both from the perspective of the artists and in terms of how their works were received. In addition to the articles featured in the theme section, this issue also contains contributions that shed new light on both canonical and lesser-known works from the romantic period -- including analyses of poetry, novels, and travelogues. As in previous issues, Romantik is richly illustrated. With contributions by Mitchell B Frank, Karin Sanders, Silje Svare, Sigrun Åsebø, Anne Gry Haugland, Klaus Müller-Wille, Elisa Müller-Adams, Jennifer Wawrzinek and Per-Arne Bodin.

All my Living Wellsprings are in you', says God to His people in Psalm 87:7. The title seems apt for the poetic works of the Danish poet-pastor N.F. S. Grundtvig (1783-1872) who wrote over a third of the hymns in the present Danish Hymnbook as poet, adaptor, or translator. Living Wellsprings contains a wide selection of Grundtvig's best-known hymns and songs along with a number of his shorter poems - 162 items in all - in new translations. This is the first comprehensive collection of the poetry of one of the pre-eminent builders of the Danish nation, who regarded Danish history, language, and song as absolutely indispensable to the life of what he termed 'the state, the church, and the school'. As part of its agenda to digitalise and translate Grundtvig's vast output, the Grundtvig Study Centre at Aarhus University is pleased to publish this second volume in the series, 'N.

The result of the synergy between four doctoral projects and an advanced MA-level course on Bronze Age Europe, this integrated assemblage of articles represents a variety of different subjects united by a single theme: movement. Ranging from theoretical discussion of the various responses to the reactions from the circulation of people, objects and ideas to the transmission of the spiral and the 'trade' in crafting expertise, this volume takes a fresh look at old questions. Each article within this monograph represents a different approach to mobility framed within a highly mobile and dynamic period of European prehistory. In so doing, the text not only addresses transmission and reception, but also the conceptualization of mobility within a world which was literally Rooted in Movement.

A volume in the East Jutland Museum Publications Series. This volume takes a new look at causewayed enclosures in South Scandinavia based on a research area restricted to the Djursland Peninsula in eastern Jutland. The Djursland Peninsula in eastern Jutland was selected as region of concentration because of the richness of the region in terms of megalithic graves and burial mounds and because it has the largest number by far of known Neolithic enclosures within the northern TRB Group distribution area. Given that the awareness of as many enclosures as possible is necessary in any attempt to evaluate their significance for Neolithic societies within a given area, a major part of this work is devoted to the development of predictive modelling for the detection of enclosures in the landscape. It is only in relation to this step that it is possible to engage with such questions as the reasons for which certain locations were chosen as enclosure sites and how these relate to the history of Neolithic settlement within the wider region. The latter is at the heart of practically all settlement archaeological studies of the period under consideration in South Scandinavia. However, it has never been critically reviewed nor tested by comparisons with the results from other regions. A separate section is devoted to examining the European dimension of the Scandinavian enclosures in closer detail.

Danish Medieval Castles is the first comprehensive overview in English of the castles and fortifications that are known from medieval Denmark. The book tells the story of who built the castles, when they did so, and why this happened. Over the past decades several castle buildings and earthworks have been examined, a few new archaeological sites have been found, and old excavations have been reopened. All of this has resulted in new knowledge. The book also describes everyday life in Dansish castles in the Middle Ages, and examines the historic importance of the castles in times of peace and turbulence.

The Middle Ages integrated the human senses and unified their media into a culture of saturated sensation. The saturated sensoriùm nurtured principles of perception and mediation permeated with paradox, intersensorial entanglement, and multimodal interchange. This book addresses medieval modes of multi- and intermediality in material as well as immaterial culture and cultural history. It exemplifies the sensory and multisensory experiences sustained by medieval religion, art, archaeology, architecture, literature, liturgy, music, monasticism, miracles, cult, piety, love, eating, drinking, cognition, recollection, and burial. It ponders over perceptual practices performed as ritual, devotion, consumption (sacred or secular), memory, sanctity (in persons or percepts), church environment, sacramental imagery, romantic representation, and word-image-song-dance remediation. It illuminates the intertwined and compound character of the five Aristotelian categories of visus (sight), auditus (hearing), tactus (touch), olfactus (smell), and gustus (taste), showing that there was indeed far more to the senses and to sense experience than this classical categorisation might suggest. It aims to saturate our sense of medieval mediation beyond established modern and classical categories of communication.

During the Enlightenment, other peoples, and also their cultures, were much discussed, with debates often focusing on their value as human beings and the level of tolerance that they were to be granted. Books on 'outer worlds', classified in libraries as historia, were an integral part of these deliberations as they conveyed distinct perceptions of peoples and places to their readers. This book explores how the broader world was presented to a Norwegian audience by means of both statistical analysis of books on 'the other' in Enlightenment libraries and consideration of how peoples were portrayed in bestselling works. Intriguingly, book distribution was very uneven, and the views that the bestsellers promoted were as multifaceted as the Enlightenment itself, with the texts expressing both prejudice and admiration, depending on the identity of the author and thee very context in which they were written.

"Elephants are not picked from trees" are the words of Swedish taxidermist and conservator David Sjölander, spoken while he was in Angola looking for a fine bull elephant specimen in the autumn of 1948. At the age of 62 Sjölander was to satisfy his life's dream of shooting the elephant he for so long had wished to prepare and exhibit. The African elephant was to be the main attraction in the Mammal Room of the Gothenburg Museum of Natural History. Liv Emma Thorsen, professor of cultural history, has reconstructed the collection history of four mammals exhibited in the Gothenburg Museum of Natural History that attracted much attention when they were displayed to the public for the first time: The elephant, gorilla, Tonkean macaque and walrus. The book examines how the museum acquired animals for its exhibits from 1906 to 1948, and how living animal bodies became museum exhibits. Using photographs and documents from the Gothenburg Museum of Natural History, the book shows that these museums are in possession of valuable material for writing the cultural history of animals, and that the museums of natural history display a nature that is historically, socially and culturally construed.

Contents: Ancient Studies, Thomas Heine Nielsen An Essay on the Extent and Significance of the Greek Athletic Culture in the Classical Period, Vincent Gabrielsen The Piraeus and the Athenian Navy: recent archaeological and historical advances, Helmut Brückner, Alexander Herda, Marc Müllenhoff, Wolfgang Rabbel, & Harald Stümpel On the Lion Harbour and Other Harbours in Miletos: recent historical, archaeological, sedimentological, and geophysical research, Silke Müth The Historical Context of the City Wall of Messene: preconditions, written sources, success balance, and societal impacts, James Roy Emplekton Technique in Fortification at Ithome/Messene, Megalopolis, and Mantinea: the work of Theban military engineers?, Klavs Randsborg Kephallénia Masonry, Stella Drougou Hellenistic Pottery – Content and Methodology; Art Historical Studies, Karen Nystrøm Simonsen Immortalised in Marble: Lord Byron portrayed by Bertel Thorvaldsen; Reports on Danish Fieldwork in Greece, Maria Andreadaki-Vlazaki & Erik Hallager Excavations at the Agia Aikaterini Square, Kastelli, Khania 2005 and 2008: a preliminary report, Erik Hallager, Yannis Tzedakis & Maria Andreadaki-Vlazaki The Greek–Swedish Excavations at Kastelli, Khania 2001: a preliminary report, Erik Hallager, Yannis Tzedakis & Maria Andreadaki-Vlazaki The Greek–Swedish–Danish Excavations at Kastelli, Khania 2010: a preliminary report, Olympia Vikatou, Rune Frederiksen & Søren Handberg The Danish–Greek Excavations at Kalydon, Aitolia. The Theatre: preliminary report from the 2011 and 2012 campaigns, Bjørn Lovén & Mads Møller Nielsen Zea Harbour Project – preliminary report 2009-2010.

War and conflicts have always played a significant role in defining national identities, often with reference to events that happened centuries ago. The role of passing on collective memories of these types of events has become even more complex in a globalising world, where new configurations of cosmopolitan memories challenge more locally and nationally based memories. The many aspects of societies' remembering and forgetting call for interdisciplinary studies. This book reflects this effort. With reference to current theories of cultural memory, it explores how memories of war and conflict are passed on from generation to generation, how these complex processes have transformed and shaped collective identities, and how they are still inform national 'conversations'. Contributions from, among others, James Wertsch, Alistair Thomson, Judith Pollman, and Paula Hamilton.

We have evolved to enjoy sleep, sex and sweets ─ and so we do. But negativity permeates our lives too: we are drawn to murder and violence on the news; we remember the schoolyard bully as if it was yesterday, and we are taught to accept boring education. It is in our genes, but it is also deeply ingrained in our culture. We must pull ourselves together! This is the message from Hans Henrik Knoop, Associate Professor at Aarhus Univesity, President of the European Network for Positive Psychology. If we create the right conditions for growth and self-regulation, we can raise ourselves above primitive desires to achieve far greater well-being.

The late Hellenistic period, spanning the 2nd and early 1st centuries BC, was a time of great tumult and violence thanks to nearly incessant warefare. At the same time the period saw the greatest expansion of 'Hellenistic' Greek culture, including ceramics. Papers in this volume explore problems of ceramic chronology (often based on evidence dependent on the violent nature of the period), survey trends in both production and consumption of Hellenistic ceramics particularly in Asia Minor and the Pontic region, and assess the impact of Hellenistic ceramic culture across much of the eastern Mediterranean and into the Black Sea.

Who were and who are the European other(s), and how have their socio-cultural circumstances been aesthetically expressed and discussed in works of literature and art in European history? Members of the interdisciplinary group of researchers "The Borders of Europe" address these questions in this book and shed new light on the notion of European transnational identity, self-conscience and exclusion. Making a mental, space-time journey across and beyond internal and external borders of Europe -- moving from medieval times to the present, from Istanbul to the northernmost tip of Norway -- the authors show how the dangerous dynamics of othering, estrangement, intolerance and hatred have become an inherent part of the continent's history.

Excavations carried out by the Danish Moesgaard Museum on the island of Failaka in Kuwait in 1958-1963 produced a large collection of stone vessel fragments which have ever since puzzled scholars. The settlements excavated on Failaka, Tell F3 and Tell F6, belong to the 2nd millennium BC, but stone vessels of Série Ancienne and Umm an-Nar styles of the 3rd millennium BC are well represented in the Failaka collection. Besides vessels of Wadi Suq and Late Bronze Age styles there is a significant group of figurative decorated stone vessels in a style completely unknown from anywhere else in the region, which may throw light on the mid 2nd millennium Dark Age in South Mesopotamia. The Failaka stone vessel collection is presented in all its details, and the significance of the many different vessel styles is discussed in the context of recent developments in our understanding of Arabian Gulf archaeology.

The present volume is the second publication generated by the Project "Text, Action and Space". The first volume, Exploring Textual Action (Aarhus University Press, Acta Jutlandica, Humanistic Series, 2010), focused on textual action and performativity and their spatial implications. This volume aspires to contribute to the investigation of emotions and their interaction with the dynamics of textuality and spatiality, showing the essential role of literature and the arts in the understanding of affective phenomena, such as emotions, feelings, sentiments, dispositions and moods. All the articles are explorative in the sense that they work with concrete texts and other art works. As in the first volume, those with greater emphasis on the conceptual aspects are united in the section "Elaborations", while the contributions with a stronger analytical perspective can be found under the heading "Explorations".

This book investigates literary and chemical encounters, from medieval alchemy to contemporary science fiction, in works of the likes of Dante, Goethe, Baudelaire and Dag Solstad as well as in literary writing of scientists such as Humphry Davy, Ludwig Boltzmann and Oliver Sachs.