This is the first study of a newly recognised pottery type, Ely ware. The first part of the report details excavations in Potters Lane Ely. The second widens the net, identifying Ely ware from other excavations in Ely and the surrounding area. The pottery dates from the 12th to the 15th centuries with three recognisable periods within this emerging. The report provides petrological and macroscopic description of Ely ware fabrics, and a well illustrated catalogue of different vessel forms and styles.

Excavations at Mount Farm revealed a long sequence of activity running from the early Neolithic to the early Saxon period. The most significant finds include early Neolithic pit deposits, a middle Neolithic oval barrow associated with a primary burial and a secondary Beaker burial, a timber post-ring, an earlier Bronze Age round barrow associated with Deverel-Rimbury secondary burials, a later Bronze Age waterhole and burnt mound, extensive remains of an Iron Age settlement and a well-preserved Anglo-Saxon well. This is an innovative report which approaches the site from a thematic perspective which highlights social, economic and environmental change over the long period during which the site was occupied.

The excavations in the centre of Birmingham uncovered evidence of habitation from prehistoric and Roman times, but the 12th to 19th centuries presented by far the most evidence, from artefacts, environmental samples and structural remains. The medieval industrial past was of particular interest, with tanning and the manufacture of hemp and linen all playing a large role in the city's prosperity. Metal working reached its peak in the seventeenth century, with brass founding becoming important from the eighteenth century onwards. Most of the artefactual evidence attests to Birmingham's industrial past, indeed the evidence for domestic life is comparatively scant, with an anomalous burial of two people at Park Street presenting something of a mystery. This volume presents insights into the early industrial past of this important city and is an invaluable record covering eight hundred years of occupation.

The location of the Anglo-Saxon burial ground at Sutton Hoo, on a ridge overlooking the estuary of the river Deben, has always appeared strange and challenging. This is not so much because the site is today an isolated and lonely one, but rather because it lies on the very periphery of the early medieval kingdom of East Anglia, whose rulers - the Wuffingas - were buried there. In this extended meditation on the geography of a very special and evocative place, Tom Williamson explores the meaning of the cemetery's location. To understand the location of ancient monuments we need to examine not only the character of past landscapes, but also the ways that contemporaries may have experienced and felt about them: we need to reconstruct aspects of their mental world. Williamson argues that the cemetery was placed where it was not in order to display power and dominance over territory, but because the river, and its brooding estuary, had long held a special and central place in the lives and perceptions of a local society. As King Raedwald and his family rose to dominance over this river-people, they chose to be buried at the heart of their territory. Such approaches may help us to understand why the cemetery was established where it was within the territory of the Wuffingas : but they cannot explain why that group came to dominate the whole of East Anglia. For this, Williamson argues, we need to examine wider geographical contexts - patterns of movement, contact, and social allegiance which were engendered and shaped by landforms and topography at a regional and national level. It is only by joining aspects of the new 'phenomenological' approaches to the archaeology of landscape, to more traditional geographical interpretations, that we can appreciate the full significance of this important site. Combining a keen understanding of local and regional geography, Anglo-Saxon history, and current debates about approaches to past landscapes, this book is a masterly exploration of the context and meaning of an iconic set of monuments.

Substantial Roman remains were recognised in the area of Queen Victoria Street as early as 1841, by the antiquarian Charles Roach Smith who recorded 'a wall of extraordinary strength', incorporating fragments of sculpted and moulded stone and marble. A watching brief carried out in the 1960s and a series of excavations on adjacent sites had revealed two major phases of Roman monumental masonry, the latter forming part of a vast building complex extending for over 150m along the river frontage, linked to the construction of the 3rd-century riverside wall. The area remained peripheral to the Roman City until late in the 1st century, and subsequent development was influenced by its challenging topographic location; the ground sloped steeply to the edge of the Thames and spring lines made for frequently-flooded terrain, traversed by natural channels, a situation which was repeatedly to affect attempts to develop the area. Recent development of the Salvation Army Headquarters building provided an opportunity for Pre-Construct Archaeology to carry out a series of excavations, augmenting previous investigations in the area. These have significantly advanced our understanding of the dating and form of the earlier complex. Much-modified over time, the river frontage was flanked by substantial apses with ambulatories between and further buildings extending to the north, terraced into the hillside. Vast foundations, piling and terracing associated with the later complex testify to continued attempts to control the steeply sloping and unstable ground, whilst the sheer size of the culverts incorporated into the masonry demonstrates the need for serious drainage. The new buildings included at least two temples of classical form; but these may never have been finished. The redevelopment also provided a rare opportunity to examine a sequence of medieval road surfaces and buildings at the junction of Thames Street and Lambeth Hill, including evidence for the Great Fire of 1666, which scorched the road surface and destroyed buildings north of Thames Street.

The Thomson Collection contains examples of the highest quality of most types of medieval ivory carving, both secular and religious. These include large statuettes of the Virgin and Child intended to stand on altars in chapels, small versions for private use in the home, and folding tablets or diptychs with scenes from the life of Christ carved in relief.

Until now the evidence for London's Early and Middle Saxon rural settlement and economy has received scant attention. This monograph provides a long-awaited overview of the subject, drawing on the results of six decades of archaeological fieldwork since the war, in addition to historical and place-name evidence. Some of the material has been published before and will be familiar to the reader, but much of it has only been available as site archives or unpublished reports, and at best briefly summarised as notes in excavation round-ups. This synthesis therefore forms an indispensible guide to researchers. The first part focuses on twenty-six sites and six fish traps across the region, followed by thematic sections on a range of topics, and then a final section on the pottery finds.

St Marylebone parish grew from humble beginnings on the city's margins to become, in the 18th and 19th centuries, one of the wealthiest in London, home to the elite and fashionable. The small parish church on Marylebone High Street, built in brick in 1742 on the site of the medieval church, was inadequate for such a congregation and was superceded in 1817 by today's far grander edifice on Marylebone Road. Archaeological investigations in 1992 showed that the graveyard - levelled in the 1930s for a playground for St Marylebone Church of England School for Girls - lay substantially undisturbed beneath the playground. In 2004 plans to build an underground sports hall allowed excavation of a sample of the burial ground and part of the church itself. Most of the 350+ burials recorded were from the graveyard; some were in family vaults and others inside the church crypt. The archaeological results and detailed osteological analysis of 301 individuals are combined with documentary research into the parish and its population, including the woman who preferred parrots to men, the artist who died of lockjaw and the Reverend headmaster and his 'most wicked and abandoned wife'. This volume is one of the largest and most comprehensive studies of a post-medieval London cemetery.

Romney Marsh is the largest coastal lowland on the south coast of England. Since 1991 excavations in advance of gravel extraction around Lydd on Romney Marsh, have uncovered large areas of medieval landscape, one of the largest to be exposed in southern England. Features uncovered include 12th-13th century drainage ditches, ditched field systems and sea defences. Also of particular significance is the identification of a series of occupation sites and their enclosures. The excavation of dispersed settlements is particularly difficult, because of the scale of work required to produce meaningful results. In this case it has been possible to work on sufficiently large areas to allow significant conclusions to be drawn. The excavations at Lydd Quarry have shown how dispersed settlement existed alongside the nucleated market settlements on Romney Marsh. This extensive report details the archaeological investigations of the field systems and occupation sites, finds and environmental material. There is also a section by Sheila Sweetinburgh on the documentary evidence. Two final chapters set out broader conclusions from the evidence for the field systems, settlements, and economy, and set the area in its wider context. The research has provided an unprecedented opportunity to study reclamation, occupation and economy of a large tract of marginal landscape through a considerable period of time.

Anglo-Saxon Studies in Archaeology and History is an annual series concerned with the archaeology and history of England and its neighbours during the Anglo-Saxon period. ASSAH offers researchers an opportunity to publish new work in an interdisciplinary and multi-disciplinary forum which allows for a diversity of approaches and subject matter. Contributions focus not just on Anglo-Saxon England but also its international context.

Early Celtic art' - typified by the iconic shields, swords, torcs and chariot gear we can see in places such as the British Museum - has been studied in isolation from the rest of the evidence from the Iron Age. This book reintegrates the art with the archaeology, placing the finds in the context of our latest ideas about Iron Age and Romano-British society. The contributions move beyond the traditional concerns with artistic styles and continental links, to consider the material nature of objects, their social effects and their role in practices such as exchange and burial. The aesthetic impact of decorated metalwork, metal composition and manufacturing, dating and regional differences within Britain all receive coverage. The book gives us a new understanding of some of the most ornate and complex objects ever found in Britain, artefacts that condense and embody many histories.

This second volume on the excavations of the Norwegian Viking town Kaupang 2000-2003 presents find types used in economic transactions - coins, hacksilver, ingots, weights and balances. Changes in type and volume of economic transactions at Kaupang and in Scandinavia are discussed, and the economic mentality of Viking crafts- and tradesmen is explored. In the early ninth century, silver and goods seem to have come to Kaupang mainly from the Carolinigian world. After the mid-ninth century this early system was altered. The increased availability of silver and the introduction in most of Scandinavia in the 860s-870s of standardized weights, paved the way for an increased use of silver as payment. The combined study of the find types and the sophisticated chronology of settlements' finds from sites like Kaupang give completely new insight into economy and exchange. The book demonstrates how sites like Kaupang led the way in economic development in Scandinavia and promoted an economic mentality that eventually led to the fundamental transformation of Scandinavian culture and society and culminated in the region's integration in High Middle Ages Christian Europe.

This report examines the finds from the 17th-century backfill of a well in the churchyard of St. Paul-in-the-Bail. Dug possibly as early as the 1st century, the well lay within the east range of the later forum , and may have been used subsequently as the baptistry of two successive early churches, built some time between the late 4th and 7th centuries. The history and use of the well is briefly outlined, with the focus of the volume on the finds. The assemblage from the 17th-century backfill represents the largest group of artefacts of this period to have been recovered in the city of Lincoln and contains a high proportion of organic material. The artefacts show a wide range in type and quality, including both common household articles and items indicating a relatively high social status. Selected finds are catalogued, primarily by function.

Excavations at Spring Road Municipal Cemetery, Abingdon, Oxfordshire have revealed activity extending from the Mesolithic to the Saxon period. The most significant discovery was an arc of substantial postholes which formed part of one of very few middle Bronze timber circles known in southern Britain. The most important earlier evidence was a Beaker burial containing a copper awl which is amongst the earliest metal artefacts from Britain. Mesolithic flint, an oval Peterborough Ware bowl and a Grooved Ware pit were also found. A group of three middle Iron Age crouched inhumation burials are amongst the most interesting later finds, which included also an early-middle Iron Age roundhouse, a Roman field system and Anglo-Saxon sunken-featured buildings.

Two reports are published in this volume: excavations in 2003 at Blenheim Farm, Moreton-in-Marsh (by Jonathan Hart and Mary Alexander) and excavations in 2004 at 21 Church Road, Bishop's Cleeve (by Kate Cullen and Annette Hancocks). Significant remains recorded at Moreton-in-Marsh include a Middle Bronze Age settlement of four post-built circular structures partly enclosed by a segmented ditch, and a series of medieval fields and paddocks with a possible sheepcote structure. A Middle Palaeolithic handaxe was also recovered. The Iron Age and medieval remains recorded at Bishop's Cleeve add to our understanding of past settlement in and around the village, where extensive development has resulted in a number of significant excavations in recent years.

This catalogue accompanied an exhibition at the Groeninge Museum, Bruges, which celebrated one of the greatest European artists of the late fourteenth century, André Beauneveu, apparently born in Valenciennes c. 1335. Active throughout the Southern Netherlands, his reputation grew swiftly and in 1364 he was commissioned by the King of France, Charles V, to create a group of royal tombs at St Denis. In the 1370s he oversaw another ambitious funerary project, for Louis de Mâle, Count of Flanders, at Courtrai, whilst continuing to undertake major civic commissions at Ypres, Mechelen and his home town of Valenciennes. Beauneveu spent the last years of his career in Bourges working for the most celebrated royal patron of all, Jean, Duc de Berry.The extraordinary scope of Beauneveu's talent was fully exploited by Jean de Berry, for whom he produced manuscript illuminations, made designs for stained glass and oversaw the construction of his château at Mehun-sur-Yevre. However, it is primarily his unrivalled skill in the handling of stone which gives Beauneveu such significance, not only in the context of Northern sculpture but also for the arts of Europe as a whole.The known sculptural oeuvre of Beauneveu, however, is not substantial. The reappearance of the Virgin and Child once in the collection of Eduoard Aynard at the Abbey of Fontenay and its new attribution to this sculptor "who had no better nor equal in any land" dramatically increases our knowledge of his work and must entail a rethink of many histories of French and Flemish art in the fourteenth century, for we now have not two but three life-sized figures from which our view of his style and achievements can be formed.