Harold Harvey, a true ‘son of Cornwall’, has been one of the most under-rated and least written about members of the Newlyn ‘School’ of artists which flourished from 1880 to 1930. The son of a bank manager, he grew up in Penance, and after studying under Norman Garstin and a spell in Paris, he settled to a quiet life in Newlyn with fellow-artist Gertrude, painting The Cornwall he knowS from the inside.In his introductory essay, Professor Kenneth McConkey sets Harvey in the context of the art moments of the time, and shows how his early ‘genre’ paintings of rustic and marine life, so characteristic of the early Newlyn artists, gradually gave way to more sophisticated subject matter – Harvey was noted for his sumptuous interiors – and a flatter and more decorative style of painting. His early work might be compared with that of Stanhope Forbes, while his later paintings show clear affinities with those of fellow painters such as Laura Knight and Dod Procter.Professor McConkey’s essay complements the first significant ‘life’ of Harold Harvey, researched and written by Peter Risdon and Pauline Sheppard, which is in turn illuminated by Peter Risdon’s painstakingly compiled catalogue raisonne of over 600 paintings.Harvey’s painting output was prodigious, and this book includes approximately 100 illustrations of his favoured subjects: the Cornish at work, children at play, and intimate interior scenes and conversation pieces. Many of his contemporaries in Newlyn were visiting ‘observers’, but for Harold Harvey, who rarely went outside the county even though a regular exhibitor at the Royal Academy, painting the Cornish world ‘because it was there’ was his whole life.

This volume provides an authoritative and systematic account of the coins minted for Roman Egypt between AD 138 and 192. It is the first of four volumes, which will cover the provincial coinage of this crucial period of Roman history in its entirety.The coinage in this volume was produced at Alexandria, the commercial and cultural capital of the eastern Mediterranean. It is dated by the year, making it an invaluable guide to imperial presentation and to economic developments during this transitional period. Its iconography is of exceptional interest to scholars and collectors, combining fascinating aspects of Greek, Roman and Egyptian culture.The book gives a complete picture of the material, meeting the needs of numismatists and providing an essential reference for historians, archaeologists and other students of the Roman empire. The introductory chapters and extensive catalogue are accompanied by illustrations of virtually all known types.

This book is a significant contribution to the field of survey pottery studies, which is not frequently theorised, and could also serve as a guide and provide inspiration to archaeologists designing their own survey projects and methodologies. Landscape archaeology has heavily relied on pedestrian survey as a field method for more than half a century. In most field projects, archaeological ceramics constitute the lion’s share among the finds and the amount of collected sherds is overwhelming. Survey ceramics provide the basis for understanding human activity in a landscape, and sherds serve as convenient chronological markers for the archaeological sites discovered in field projects. However, how this pottery is collected and studied determines the possibilities for using the sherds as a source material. Not only the collection practices, but also the process and practicalities of ceramic analysis are rarely made explicit, even though the archaeological interpretations of human activity in the landscape strongly rely on it. Most contributions in this volume provide an insight in collection, processing and interpretation practices in a specific survey project, and we hope this transparency is inspiring and contributes to a better understanding of surface ceramics as a basis for historical interpretations. Three themes run as a red thread through the contributions in this book: first of all transparency in ceramic collecting, processing and interpretation, secondly, improving diagnosticity, and thirdly, expanding the interpretive potential of survey ceramics. The chapters are geographically oriented towards Greece and Italy, two countries in which archaeological surface survey is widely practised. Chronologically, the contributions range from the Bronze Age to the Medieval period.

The artist Michael Sandle (b. 1936) is well known for his powerful and uncompromising sculptures such as A Twentieth Century Memorial (1971-78), The Drummer (1985) and Iraq: The Sound of Your Silence (2009). Sandle has also been a very prolific draughtsman over the years, making a large number of prints and drawings, both in relation to his sculpture and also apart from it. This new publication looks closely at his works on paper across his whole career. It presents his two-dimensional work from his early years whilst training at Douglas School of Art (1951-54), at the Slade School of Art (1956-59), where he studied painting and printing, and at the Atelier Patris in Paris (1960), right up to the present day. Alongside lithographs and etchings, it shows pages from his sketchbooks and many medium and larger format drawings.The book begins with a new and extensive ‘in conversation’ conducted between Sandle and the art historian and curator Jon Wood that looks in detail at the interconnected lives led by his prints, drawings and sculptures over the last sixty years. Their discussion focusses on the materials and techniques the artist has used, as well as on the subjects, concerns and contexts of this extraordinary body of work.

The new volume of the long-running Journal of Roman Pottery Studies will include conference proceedings of the 2019 conference held at Atherstone, Warwickshire, and the 50th anniversary conference of the Study Group for Roman Pottery held online with Newcastle University. Papers reflect on recent advances in methodological approaches and their applications, the past and future role of the society and new initiatives in archiving policies and their implications. It will also contain a number of papers outside these conferences that focus on pottery production, notably of colour-coated wares in Lincoln and in the province of Noricum, as well as a report on the glass working furnace discovered alongside the pottery production kilns at Mancetter-Hartshill. Book reviews and obituaries are also included.

The study of Roman urbanism – especially its early (Republican) phases – is extensively rooted in the evidence provided by a series of key sites, several of them located in Italy. Some of these Italian towns (e.g. Fregellae, Alba Fucens, Cosa) have received a great deal of scholarly attention in the past and they are routinely referenced as textbook examples, framing much of our understanding of the broad phenomenon of Roman urbanism. However, discussions of these sites tend to fall back on well-established interpretations, with relatively little or no awareness of more recent developments. This is remarkable, since our understanding of these sites has since evolved thanks to new archaeological fieldwork, often characterised by the pursuit of new questions and the application of new approaches. Similarly, new evidence from other sites has since prompted a reconsideration of time-honoured views about the nature, role and long-term trajectory of Roman towns in Italy.Tracing its origins in the Laurence Seminar on Roman Urbanism in Italy: recent discoveries and new directions, which took place at the Faculty of Classics of the University of Cambridge (27–28 May 2022), this volume brings together scholars whose recent work at key sites is contributing to expand, change or challenge our current knowledge and understanding of Roman urbanism in Italy. The individual chapters showcase some of the most recent methods and approaches applied to the study of Roman towns, discussing the broader implications of fresh archaeological discoveries from both well known and less widely known sites, from the Po Plain to Southern Italy, from the Republican to the Late Antique period (and beyond).

The present publication constitutes the Proceedings of Session 7 of the ‘Creation of landscapes VI’ workshop, hosted by the CAU Kiel in 2019. The session was entitled ‘Mediterranean Connections – how the sea links people and transforms identities’.With our focus on the linkage of people, this volume can be understood as a contribution to recent network research. But network research, especially when employed in the humanities, is often looked at with scepticism, not to say mistrust: Isn’t this just a game with numbers? Does it really relate to the type of data we are used to in our research, to poems, sherds or seal impressions? Can it say anything at all about… life?In fact, the various articles of this volume are not restricted to the strict technical approach of classical network research. Our session on Mediterranean networks started from the idea that for the inhabitants of this relatively integrated region, the sea evidently influenced their lives and their thinking in a significant way. In fact, it was the sea that provided the medium for such integration on various levels. The substantial body of data produced by long-standing research in diverse disciplines makes it possible to chart the emergence of ancient perceptions of distance and movement, connectivity and identities. This approach allows us to observe ancient awareness of the role of the sea in these processes. It also allows us to connect across academic boundaries and build a network of disciplines for a much more cohesive picture of past life.

This book brings together an international team of scholars to re-evaluate Roman-period architecture outside Rome and the Italian Peninsula, looking at the regions that formed part of the Roman Empire over a broad time frame: from the 2nd century BCE to the 3rd century CE. Moving beyond traditional views of ‘Roman provincial architecture’, they highlight the multi-faceted features of these architectures, their function, impact and significance within the local cultures, and the dynamic discourse between periphery and centre. Architecture is intended in the broad sense of the term, encompassing the buildings’ technological components as well as their ornamental and epigraphic apparatuses. The geographic framework under examination is a broad one: along with well-documented areas of the ancient Mediterranean, attention is also paid to the territories of north-west Europe. The discussion throughout the volume focuses on three interrelated themes – models, agency, and reception. The broader scope of these essays gives a reinvigorated impetus to the scholarly debate on the role and influence of ancient architectures beyond the centre of Empire. The book has a strong interdisciplinary character, reflecting the authors’ diverse expertise in the fields of archaeology, architecture, ancient history, art and architectural history.

This book casts light on a much neglected phase of the UNESCO world heritage site of Palmyra, namely the period between the fall of the Palmyrene ‘Empire’ (AD 272) and the end of the Umayyad dominion (AD 750). The goal of the book is to fill a substantial hole in modern scholarship - the late antique and early Islamic history of the city still has to be written. In late antiquity Palmyra remained a thriving provincial city whose existence was assured by its newly acquired role of stronghold along the eastern frontier. Palmyra maintained a prominent religious role as one of the earliest bisphoric see in central Syria and in early Islam as the political center of the powerful Banu Kalnb tribe. Post-Roman Palmyra, city and setting, provide the focus of this book. Analysis and publication of evidence for post-Roman housing enables a study of the city’s urban life, including the private residential buildings in the sanctuary of Ba’alshamin. A systematic survey is presented of the archaeological and literary evidence for the religious life of the city in Late Antiquity and Early Islam. The city’s defenses provide another focus. After a discussion of the garrison quartered in Palmyra, Diocletian’s military fortress and the city walls are investigated, with photographic and archaeological evidence used to discuss chronology and building techniques. The book concludes with a synthetic account of archaeological and written material, providing a comprehensive history of the settlement from its origins to the fall of Marwan II in 750 AD.

The volume in hand throws light on historical encounters with troubled pasts in contemporary Dutch and Greek historiography. Contributors, experts in their respective research fields with a wide range of scholarly publications, eschew dominant national accounts, deconstruct top-down narratives, and situate the historical subject(s) at the centre of the analysis. Troubled pasts are the outcome of local, national and international conflicts, of the continuous quest for growth and dominance, of Colonialism and Great Power rivalry, of ideologically-motivated purges, of Genocide, of National Liberation Struggles, and of Civil Wars. They go hand-in-hand with a great deal of human suffering and horrendous atrocities against civilians on ethnic, religious, racial and political grounds. The examination of troubled pasts and their accompanying imagery raise enduring questions: Whose past is remembered? How is the past appropriated and memorialised? Which pasts are at best neglected, at worst silenced - and why? Encounters with Troubled Pasts addresses such issues by reference to Dutch colonialism in the New World and South East Asia, the Greek campaign in Asia Minor, the Shoah and its aftermath in Greece and the Netherlands, the Greek Civil War of the 1940s, Transitional Justice in Post-Soviet Russia and the Massacre of Srebrenica. It will be of interest to postgraduate students and academics working on Colonialism, the Shoah, modern Dutch and Greek History, Memory and on Oral History.

Tom de Freston (born 1983) is a British artist and writer, living and working in Oxford. He graduated from Cambridge University in 2007. De Freston’s multimedia art tackles themes of trauma, humanity and intimacy across paintings, films and performance. He builds rich visual narratives, drawing on literature, art history and social issues. A prolific author, Granta published de Freston’s debut non-fiction book, Wreck, in 2022 and his second will be released in 2024. Julia and the Shark (Hachette, 2021), created with his wife Kiran Millwood Hargrave, won the Waterstones Children’s Gift of the Year and was shortlisted for the Wainwright Prize for Children’s Writing on Nature and Conservation. De Freston was chosen to illustrate the twenty-fifth-anniversary edition of David Almond’s Skellig, published in 2023.I Saw This was born out of a collaboration between de Freston, filmmaker Mark Jones and Dr Ali Souleman after de Freston was introduced to the academic in 2017. The paintings and mixed-media works that resulted from the project are an exploration into Souleman’s experiences of terrorism, displacement and war in Syria and ruminate on how art can attempt to represent suffering and terror. In 1996, a bomb explosion in Damascus on New Year’s Eve nearly killed Souleman and left him blind. A sensitive and highly-charged topic, Souleman explained to de Freston the importance of engaging with what is happening in Syria. Disembodied mouths, hands and feet appear frequently in the works. Circles recur as a motif, which bear an uncomfortable resemblance to eyes and eye sockets. In the Mirror paintings which stand upright in black boxes, de Freston embeds ash, screws, thick glue, dirt and bits of wood into the canvas. They are corporeal and volcanic, visceral and abstract. The sense of molten heat in the paintings was compounded by a fire in de Freston’s studio in 2020, which was simultaneously destructive while giving the artist and the collaboration new momentum. The collaborative process involves de Freston describing the paintings to Souleman through words and touch. Souleman brings fresh meaning to the works, grounding them in his psychological landscape. Mark Jones captures these interactions in striking photographs and film footage.Habda Rashid, Senior Curator of Modern and Contemporary Art at Kettle’s Yard and the Fitzwilliam Museum, introduces I Saw This and considers the challenges of incorporating elements from real life. Journalist Yasmina Floyer’s contribution describes her reaction to de Freston’s work at his 2022 exhibition From Darkness at No 20 Arts, London, where she found that the sooty-black feet stencils and inky circles depicted resonated with her own experience of child loss. The moving text shows how de Freston’s art carries both specific and universal meanings. Editor Matt Price focuses on de Freston’s paintings, structuring his essay with fascinating quotes from Abu al-Ala al-Ma’arri, the eleventh-century blinded Arab philosopher. Crucially, de Freston, Jones and Souleman’s voices are presentin the book, with each shedding light on their part in the project. De Freston’s art is rooted in empathy and I Saw This is a culmination of this, translating Souleman’s world of memory and metaphor.

In the later Roman period the North Sea and Channel region was the scene of seaborne attacks, political crises, army reforms, Germanic invasions and changing imperial defence strategies. Literary evidence for this era is poor. On the other hand the Shore forts can yield highly significant information, but have been subject to little study in recent decades. At the Belgian coastal fort at Oudenburg large-scale excavations in the first decade of the 21st century revealed a strikingly well-preserved chronological, spatial and functional evolution of this military base, with five main fort periods running from the late 2nd until the early 5th century AD. For the first time within the context of the Shore forts securely datable structural evidence demonstrates the stages in progression of a mid- to late Roman fort where the horizons can be related to historically recorded processes and events in the region. Political, economic and social developments can be seen within this evidence, as a result of the assessment of the huge quantity of well-stratified finds types. Reports on the finds assemblage by specialist experts, using various analytical methods, represent ‘touchstones’ for regional military and later Roman studies in the North-West provinces.The study of Oudenburg, and in relationship to other Shore forts, enables exploration of ‘change and continuity’ and ‘identity’, in respect of the everyday lives of soldiers, and in their interaction with other forts and wider regional spheres. This is achieved by examining find contexts as reflections of the socio-cultural world. The study of ‘military identities’ is further emphasized through looking at the associated graveyards wherein the direct relationship with the successive fort periods is established. It is clear this fort was closely connected with the British forts and that there occurred an increasing Germanic influence as the fort transformed into a community of military families.This is volume one of three. This volume provides a detailed analysis of the Oudenburg site and the report of the research of its significance within the wider context of the Roman North Sea and Channel frontier zone, on a historic-military, a socio-cultural and a socio-economic level.

Excavations between 2016–2018 revealed a series of structures that were re-organised and rebuilt over time, which culminated in a stone-built winged corridor villa in the mid to late 4th century AD. Wings were added to the buildings and a portico at the front opened out onto a courtyard. The outer courtyard was flanked by ancillary buildings, one of which contained a hypocaust and another a small bath suite. Finds included a rare copper alloy figurative lamp with probable foreign origins, a lion mask and a range of pottery, glass worked stone and bone. Environmental remains indicate a mixed arable and pastoral agricultural economy that supported its inhabitants and may have produced a surplus. Wood for fuel and other purposes was obtained from surrounding hedges and copses.

Altdorf’s earliest poems, written during military service and as a prisoner of war, reflected on nature, poetry and art. Beginning a new life, post-war, as an artist, Altdorf explored how the human figure might be depicted through increasingly abstract representations. Similarly, he refined his poetry to create ‘a new, free, melodic’ language’ with ‘a simple, song-like beauty’. Presenting Altdorf’s poetry alongside his art reveals a powerfully interconnected vision shaped but not defined by war: a humanitarian outlook informed by a profound spiritual belief.

This book explores urbanism in Antiquity from an archaeological perspective, focusing on the area of western Thessaly in central Greece. Presenting all the available evidence for ancient urban sites in the region, the study outlines and discusses the origins, development, and decline of urbanism in the area. The archaeological evidence shows that urban sites in western Thessaly developed from the mid-4th century BCE, with at least 25 identified contemporaneous cities spread over the area. These cities appear to have been planned and organised from the onset, with regular street-grids, fortification systems and water supply works, but were generally short-lived, typically existing for only five–six generations. Most of the sites were completely or nearly completely abandoned as settlements in the early 2nd century BCE, often with evidence of violent destruction, and only a handful survived as smaller regional centres under the Roman administration. Restorations of the former urban sites and especially their fortifications occur towards the end of Antiquity, especially the first half of the 6th century CE, but re-occupation appears again to have been short lived, as only three cities survived into the Middle Ages. From a regional perspective, the study shows that the rise and fall of urbanism itself did not necessarily cause complete socio-political disruption, but rather reflect changes in regional and supra-regional political organisation. On a global scale, the study exemplifies the political nature of the pre-Industrial city, its synthetic rather than organic role in agrarian societies, and the cyclic nature of urbanity in history. The book contains an extensive catalogue, presenting each site with photographs, topographical sketches, and complete bibliography.

This volume provides the results of the application of non-destructive archaeological methods (geophysical prospection and systematic surface collections) to the study of the urban site. It includes a review of what was known of the town and a discussion of the development, potential and limitations of the kind of high-resolution, extensive ground-penetrating radar survey which was carried out. Special emphasis is placed on the earliest colonial phase as well as later transformations, and explores how the inhabitants of Interamna Lirenas responded to the challenges and opportunities presented by a growing Roman world.