From sewn planked boats in Early Dynastic Egypt to Late Roman wrecks in Italy, and the design of Venetian Merchant Galleys, this huge volume gathers together fifty-three papers presenting new research on the archaeology and history of ancient ships and shipbuilding traditions. The papers have been grouped into several thematic sections, including: ships of the Mediterranean; the reconstruction of ancient ships, from life-size reconstructions to computer models; the study of shipyards, shipsheds and slipways of the Mediterranean and Europe; Venetian Galleys of the 15th and 16th centuries; and North European medieval and post -medieval ships. These papers which were presented at the Ninth International Symposium on Boat and Ship Archaeology (ISBSA), held in Venice 2000. Carlo Beltrame is a free-lance archaeologist and contract professor of Maritime archaeology at Università Ca' Foscari of Venice and of Naval archaeology at Universita della Tuscia of Viterbo. He specialises in the archaeology of ship-construction from antiquity until the Renaissance period and methodology in maritime archaeology.

From archaeological field work to heritage organisations and museums, increasingly CAD files and three-dimensional CAD models comprise a unique component of our digital archives - and one which it may not be possible to reproduce on paper. This Guide offers a basic description of computer-aided drafting or computer-aided design (CAD) software, discussions on the use of CAD in a variety of situations, descriptions of data acquisition methods including field survey and direct object scanning, and good practices in the use of the software. As well as providing a source of useful generic information, the guide emphasises the processes of long-term preservation, archiving, and effective data re-use. An important aim of the Guide is to introduce practitioners to areas and issues for which applicable standards and frameworks already exist and to identify the relevant sources of information that may be consulted.

Performing arts' covers a vast range of interests and skills, involving as it does designers, directors, actors and performers, musicians, critics, technicians, analysts, administrators, theorists. A central tenet of this Guide is to encourage professionals in the performing arts to consider some of the advantages that digital resources may now offer. It is noticeably different from its predecessors in the series. Not so much a manual of 'how to do it' it is primarily intended to encourage you to use the available technology in the first place. All the contributors have directed successful projects involving various aspects of digital resources related to the performing arts. In some instances it was for documentation purposes, in some for teaching purposes, in some for research purposes, in some for all three. The guide includes a comprehensive glossary of terminology.

A basic `how to' for those using audio materials in the creation of digital resources. The guide addresses issues of copyright, the choice of appropriate equipment, presenting and delivering audio material, data management and methodological procedure.

Reports of two church excavations, St Martin-at-Palace, Norwich and St Michael, Bowthorpe, undertaken prior to their re-building and re-use. The reports cover the earliest evidence for occupation of the site and the phases of re-building, repair and ruin (in the case of St Michael's) from the Anglo-Saxon period through to their present state.

A basic guide to transferring texts and archiving them (books, manuscripts) into electronic form or similar digital resources, with lots of pointers to specialised information.

This guide provides advice on legal issues such as Copyright and Rights Management when creating and using digital picture resources, technical advice on software and producing good quality images, standards for data documentation, project management, storage and preservation, and innovative creative techniques, including web design and virtual reality.

Neo-Darwinism is becoming an increasingly important influence on archaeological theory, as a number of recently edited books on `Darwinian archaeologies' make clear. However, many of these volumes are internationally inconsistent and reflect the muddled understanding many archaeologists have of the potential of Darwin's thought for interpreting material culture. Ben Cullen's book starts by critiquing some recent neo-Darwinist approaches, including cultural evolutionism and cultural sociobiology. He then presents a neo-Darwinian paradigm of extreme power, which he has termed the Cultural Virus Theory (CVT). This focuses on explaining the transmission of ideas by comparing cultural memes wit natural genes. In the final section he takes the important step of applying this theory to real materials; demonstrating how CVT can be used to understand the spread of megalithic monuments in prehistoric North-West Europe, the diffusion of the renaissance in medieval Europe and the basis of stylistic change in pottery. Tragically this collection of brilliant thoughts is published posthumously. Ben Cullen was close to finishing a major book when he died suddenly in 1995 and his writings have been gathered into a consistent whole by James Steele, Richard Cullen and Christopher Chippendale.

A straightforward guide which provides advice on preparing and depositing digital archives which also includes recommendations for archive curators and collecting agencies and copyright considerations. The book contains practical information and guidelines for depositing an archive with the Archaeological Data Service and the principals behind archiving archaeological data in a digital form.

These nine papers, based on the 4th World Archaeological Congress held in South Africa in 1999, take a critical view of computer usage in archaeology and study its impact on the discipline and especially in terms of archaeological method and theory. Contents: Introduction (Gark Lock & Kayt Brown) ; Computers and archaeological cultural change (J Huggett) ; Archaeological computing and disciplinary theory (J Gidlow) ; Mathematics and computers (H Forsyth) ; Virtual reality (G Goodrick & M Gillings) ; Archaeological archives for the 21st century (F Grew) ; Intellectual excavation (A Beck) ; English sites and monuments records (B Robinson) ; Can computers help aerial survey? (R Palmer) ; Is there such a thing as `Computer Archaeology'?

God, Man, and the world have always been, and are still today, the constant unchanging focus of humankind's spiritual concerns, marking the civilization which the people of the globe have inherited with its own particular features. But it has been Christianity, able to rise above those persistent concerns through the ages, that has revealed the true relationship between God, Man and the world, and has clothed it in the Greek language and with Greek ideas. As we view Christianity's progress in the world, two thousand years after the incarnation of God the Word, we can see very clearly that the holy fountain of all Christendom has always been Orthodoxy. Developing impressively in the Eastern regions of the then civilized world, where the strata of humankind were fertile in religious visions, Orthodoxy was to give shape and definition to its spiritual majesty through the thousand years of the Byzantine Empire, in order that it might live out its glory to the present day -a glory steeped in the blood of the Cross.

In the early 1990s the University of Cambridge reopened excavations at the Neolithic site of Catalhöyuek in central Turkey, abandoned since the 1960s. In this volume, Ian Hodder explains his vision of archaeological excavation, where careful examination of context and an awareness of human bias allows researches exciting new insights into prehistoric cognition. The aim of the volume is to discuss some of the reflexive or postprocessual methods that have been introduced at the site in the work there since 1993. These methods involve reflexivity, interactivity, multivocality and contextuality or relationality.

Twelve papers presented by Michael Wilks between 1965 and his death in 1999, two of which are published here for the first time. Wilks' research into Wyclif and 14th-century England was very much rooted in Wyclif's own prolific writings, a perspective that differed from the more traditional Reformation viewpoint. The papers trace Wyclif's early history in northern England and Oxford and ask why the established and favoured civil servant turned against Edward III and Richard II and died a traitor and heretic. Wilks' detailed analysis of Wyclif's Latin texts, with numerous extracts and copious notes, presents Wyclif's demands for reform and his determined campaign against the church and the religious orders. Wyclif's name was inevitably linked with the Peasants' Revolt, even though it attacked his patron and former defender John of Gaunt, but even in exile he continued his fight with attacks on both the Schism popes. The essays are the result of 35 years of evolving ideas and opinions but all reflect the great learning and energy of Wilks' scholarship.

A volume of essays on communicating archaeology by every imaginable means provides an excellent tribute to the work of Bill Putnam - always a communicator. Learning by doing (Philip Rahtz), field archaeology in the 70s and 80s (John Hinchliffe), ignore good communication at your peril (Andrew Lawson), the IFA: what it means to be a member of a professional body (Timothy Darvill), talking to ourselves (Ellen McAdam), commissioning knowledge or making archaeology for books (Peter Kemmis Betty), arcane to ARC: the York experience (Andrew Jones), the National Curriculum (Mike Corbishley), past experience: the view from teacher education (Tim Copeland), child's play: archaeology out of school (Kate Pretty), university archaeology: ivory tower or white elephant? (Kevin Andrews) , liberal adult education in the second half of the twentieth century (Trevor Rowley), the local societies (John Manley) , archaeology in museums (Roger Peers).

A collection of short papers and abstracts from the 4th, 5th and 6th proceedings of the Osteological Research Group, held in April and November 1996 and June 1997. The papers cover a wide range of subjects including technical information, evidence derived from bone assemblages and specific individual examples. Studies are presented on archaeozoology, domesticated animal bone assemblages, evidence of violence and stress indicators, measurement and statistical analysis and current research in the field of osteoarchaeology.