Archives and Excavations aims to stimulate a new approach to the history of excavation by drawing attention to a vast and important area of research that has been neglected for almost a century.

A truly multi-disciplinary book allowing the reader to gain insights into an exceptionally diverse set of topics such as hunting, burial, sword-production and rock art, from the Mesolithic to the Middle Ages.

Jordan is part both of the Fertile Crescent and the Holy Land. Its archaeological remains extend in time from prehistory to the British Empire. The country is, of course, renowned for the magnificent ruins at Petra - a World Heritage Site - and the superb remains of the Roman city of Jerash. But beyond these high profile places is a rich and varied cultural heritage. Sites are everywhere in this great outdoor museum: one tally has calculated over 25,000 sites visible above ground alone, making Jordan one of the great treasure houses of the world. Even at ground level these sites are striking and memorable, but the best view, as is so often the case, is seen from the air. The book contains over 200 high quality colour photographs, taken from the air, illustrating the breathtaking range of sites. Chapters deal with periods through history from prehistoric times through the Nabateans, Greeks and Romans, the early Islamic period, the Crusaders and Saracens, to the Ottoman and British Empires. The photographs are accompanied by descriptions of the sites pictured.

The subject matter of archaeology is the engagement of human beings, now and in the past, with both the natural world and the material world they have created. All aspects of human activity are potentially relevant to archaeological research, and, conversely, the ways in which others, especially artists and anthropologists, have investigated the world are of interest to archaeologists. Archaeological artefacts and sites are also used by groups and nations to establish identity, and for financial gain, both through tourism and trade in antiquities. Colin Renfrew has actively engaged with art, with politics and with the antiquities trade, and has presented his ideas to broad audiences through accessible books and television programmes, as well as championing the cause of archaeology in many public roles. The papers in this volume, which have been written by colleagues and former students on the occasion of his retirement, relate to all of these subject areas, and together give some idea of the complexity of the issues raised by critical engagements with the material world, both past and present.

A policy document from the Association of Local Government Archaeological Officers. Its objcetives are: to provide a quick reference on standards applicable to fieldwork and subsequent activities; to provide a statement of philosophy on fieldwork, standards and research frameworks; to implement PPG guidelines; to improve standards, and to provide a benchmark for monitoring and assessing projects. The document is also available as a PDF on line at www. eaareports.org.uk, look under ALGAO.

The essence of virtual reality lies with computer-based three-dimensional environments. Often termed 'worlds', these conceptual models can be navigated, interacted with and updated in real-time. This Guide to Good Practice is intended for individuals and organisations who are interested in potential ways to use virtual reality within the arts and humanities. It concentrates on the most widely used form of virtual reality today, desk-top virtual reality, which may be distributed and viewed on-line via the World Wide Web. In these systems virtual reality worlds run on users' desk-top computers, are displayed on a standard monitor, and navigated using a mouse or 3-D space ball and keyboard. This Guide introduces virtual reality by considering its history, philosophy and theory, and discusses good practice in planning virtual reality projects. It presents the data management and documentation procedures required to enable models to be maintained, and enjoyed by the audiences for which they are intended. It also explores strategies for archiving and considers how to avoid the loss of virtual reality models as technology changes. A virtual library of case studies illustrates some applications of virtual reality in Archaeology, Architecture, Dance, Design, Fine Art, Heritage, History, Museum Studies and Theatre. Examples of worlds which allow users to interact with each other are also presented.

Subtitled `Orientalism and Egyptomania in Czech lands', this study looks at Egyptian revival in the second half of the 19th century within Czech society. Asking who these Egyptomaniacs were and why they chose Egypt, Hana Navrátilová looks at the historical and cultural background of the period, arguing that Egyptian revivalism was important for both Czech cultural development and the formation of national identity. Greater accessibility to the ancient Orient through study and travel meant that Egypt became the focus for people's desire for knowledge and escapism.

From archaeological field work to heritage organisations and museums, increasingly CAD files and three-dimensional CAD models comprise a unique component of our digital archives - and one which it may not be possible to reproduce on paper. This Guide offers a basic description of computer-aided drafting or computer-aided design (CAD) software, discussions on the use of CAD in a variety of situations, descriptions of data acquisition methods including field survey and direct object scanning, and good practices in the use of the software. As well as providing a source of useful generic information, the guide emphasises the processes of long-term preservation, archiving, and effective data re-use. An important aim of the Guide is to introduce practitioners to areas and issues for which applicable standards and frameworks already exist and to identify the relevant sources of information that may be consulted.

Performing arts' covers a vast range of interests and skills, involving as it does designers, directors, actors and performers, musicians, critics, technicians, analysts, administrators, theorists. A central tenet of this Guide is to encourage professionals in the performing arts to consider some of the advantages that digital resources may now offer. It is noticeably different from its predecessors in the series. Not so much a manual of 'how to do it' it is primarily intended to encourage you to use the available technology in the first place. All the contributors have directed successful projects involving various aspects of digital resources related to the performing arts. In some instances it was for documentation purposes, in some for teaching purposes, in some for research purposes, in some for all three. The guide includes a comprehensive glossary of terminology.

A basic `how to' for those using audio materials in the creation of digital resources. The guide addresses issues of copyright, the choice of appropriate equipment, presenting and delivering audio material, data management and methodological procedure.

A basic guide to transferring texts and archiving them (books, manuscripts) into electronic form or similar digital resources, with lots of pointers to specialised information.

This guide provides advice on legal issues such as Copyright and Rights Management when creating and using digital picture resources, technical advice on software and producing good quality images, standards for data documentation, project management, storage and preservation, and innovative creative techniques, including web design and virtual reality.

Neo-Darwinism is becoming an increasingly important influence on archaeological theory, as a number of recently edited books on `Darwinian archaeologies' make clear. However, many of these volumes are internationally inconsistent and reflect the muddled understanding many archaeologists have of the potential of Darwin's thought for interpreting material culture. Ben Cullen's book starts by critiquing some recent neo-Darwinist approaches, including cultural evolutionism and cultural sociobiology. He then presents a neo-Darwinian paradigm of extreme power, which he has termed the Cultural Virus Theory (CVT). This focuses on explaining the transmission of ideas by comparing cultural memes wit natural genes. In the final section he takes the important step of applying this theory to real materials; demonstrating how CVT can be used to understand the spread of megalithic monuments in prehistoric North-West Europe, the diffusion of the renaissance in medieval Europe and the basis of stylistic change in pottery. Tragically this collection of brilliant thoughts is published posthumously. Ben Cullen was close to finishing a major book when he died suddenly in 1995 and his writings have been gathered into a consistent whole by James Steele, Richard Cullen and Christopher Chippendale.

A straightforward guide which provides advice on preparing and depositing digital archives which also includes recommendations for archive curators and collecting agencies and copyright considerations. The book contains practical information and guidelines for depositing an archive with the Archaeological Data Service and the principals behind archiving archaeological data in a digital form.

These nine papers, based on the 4th World Archaeological Congress held in South Africa in 1999, take a critical view of computer usage in archaeology and study its impact on the discipline and especially in terms of archaeological method and theory. Contents: Introduction (Gark Lock & Kayt Brown) ; Computers and archaeological cultural change (J Huggett) ; Archaeological computing and disciplinary theory (J Gidlow) ; Mathematics and computers (H Forsyth) ; Virtual reality (G Goodrick & M Gillings) ; Archaeological archives for the 21st century (F Grew) ; Intellectual excavation (A Beck) ; English sites and monuments records (B Robinson) ; Can computers help aerial survey? (R Palmer) ; Is there such a thing as `Computer Archaeology'?

In the early 1990s the University of Cambridge reopened excavations at the Neolithic site of Catalhöyuek in central Turkey, abandoned since the 1960s. In this volume, Ian Hodder explains his vision of archaeological excavation, where careful examination of context and an awareness of human bias allows researches exciting new insights into prehistoric cognition. The aim of the volume is to discuss some of the reflexive or postprocessual methods that have been introduced at the site in the work there since 1993. These methods involve reflexivity, interactivity, multivocality and contextuality or relationality.